Electronic Textual Editing

Contents

Prefatory material

  1. Foreword: G. Thomas Tanselle (Columbia University & John Simon Guggenheim Memorial Foundation)
  2. Editors' introduction: Lou Burnard (Oxford University & Text Encoding Initiative); Katherine O'Brien O'Keeffe (Notre Dame University & Committee on Scholarly Editions ; John Unsworth (University of Illinois at Urbana-Champaign & Committee on Scholarly Editions & Text Encoding Initiative).

Guidelines for Editors of Scholarly Editions

  1. Guidelines for Editors of Scholarly Editions: From the Modern Language Association's Committee on Scholarly Editions
  2. Guiding Questions for Vettors of Print and Electronic Editions : Committee on Scholarly Editions, Modern Language Association
  3. Annotated Bibliography: Key Works in the Theory of Textual Editing: Dirk Van Hulle (University of Antwerp, Belgium)

Principles

  1. Principles: Burnard, O'Keeffe, Unsworth

Sources and Orientations

  1. Critical Editing in a Digital Horizon: Dino Buzzetti (Università di Bologna) and Jerome McGann (University of Virginia)
  2. The Canterbury Tales and other Medieval Texts: Peter Robinson, De Montfort University
  3. Documentary Editing: Bob Rosenberg (Edison Papers Project, Rutgers University)
  4. The Poem and the Network: Editing Poetry Electronically: Neil Fraistat (University of Maryland) and Steven Jones (Loyola University, Chicago) (Romantic Circles)
  5. Drama Case Study: The Cambridge Edition of the Works of Ben Jonson: David Gants (University of New Brunswick)
  6. The Women Writers Project: A Digital Anthology: Julia Flanders (Women Writers Project, Brown University)
  7. Authorial Translation: The Case of Samuel Beckett's Stirrings Still / Soubresauts: Dirk Van Hulle, University of Antwerp, Belgium
  8. Prose Fiction and Modern Manuscripts: Limitations and Possibilities of Text-Encoding for Electronic Editions: Edward Vanhoutte (Centrum voor Teksteditie en Bronnenstudie(Centre for Scholarly Editing and Document Studies): Royal Academy of Dutch Language and Literature, Belgium)
  9. Philosophy Case Study: Claus Huitfeldt, Department of Philosophy, University of Bergen
  10. Electronic religious texts: the Gospel of John: D.C. Parker (Centre for the Editing of Texts in Religion, University of Birmingham, UK)
  11. Multimedia Body Plans: A Self-Assessment: Morris Eaves (University of Rochester)
  12. Epigraphy: Anne Mahoney, Perseus Project & Stoa Consortium Tufts University

Practices and Procedures

  1. Effective Methods of Producing Machine-Readable Text from Manuscript and Print Sources: Eileen Gifford Fenton (JSTOR) and Hoyt N. Duggan (University of Virginia)
  2. Levels of transcription: M. J. Driscoll (University of Copenhagen)
  3. Digital Facsimiles in Editing: Kevin Kiernan (Electronic Beowulf, University of Kentucky)
  4. Authenticating electronic editions: Phill Berrie, Paul Eggert, Chris Tiffin, and Graham Barwell (Australian Scholarly Editions Centre, Australian Defence Force Academy, University of New South Wales; University of Queensland; University of Woollongong)
  5. Document Management and File Naming: Greg Crane (Perseus Project, Tufts University)
  6. Writing Systems and Character Representation: Christian Wittern (Kyoto University)
  7. How and Why to Formalize your Markup: Patrick Durusau (Society of Biblical Literature and Emory University)
  8. Storage, Retrieval, and Rendering: Sebastian Rahtz (Research Technologies Service, Oxford University)
  9. When not to use TEI: John Lavagnino (King's College, London)
  10. Moving a Print-Based Editorial Project into Electronic Form: Hans-Walter Gabler (Institut für Englische Philologie, Ludwig-Maximilians-Universität München)
  11. Rights and Permissions in an Electronic Edition: Mary Case (Office of Scholarly Communication, Association of Research Libraries) and David Green (National Initiative of Networked Cultural Heritage)
  12. Collection and Preservation of an Electronic Edition: Marilyn Deegan (King's College London)

Appendix A: Works Cited

  1. Abelman, Arthur F. “Legal Issues in Scholarly Publishing..” MLA Style Manual and Guide to Scholarly Publishing. By Joseph Gibaldi. 2nd ed. New York: MLA, 1998. 33-60.
  2. Adams, Robert. “Editing Piers Plowman B: The Imperative of an Intermittently Critical Edition..” Studies in Bibliography 45 (1992): 31-68.
  3. Akademie der Wissenschaften der DDR. Corpus Inscriptionum Latinarum. Berlin: 1862-present.
  4. Akademie der Wissenschaften der DDR. Inscriptiones Graecae. 3rd ed. Berlin: 1981-present.
  5. Antenna House XSL Formatter. 29 Feb. 2002. http://www.antennahouse.com/ .
  6. AxKit. 29 Feb. 2002. http://www.axkit.org/ .
  7. Barbauld, Anne. Poems: . Ed. Lisa Vargo and Allison Muri. Romantic Circles. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu/editions/contemps/barbauld/poems1773 .
  8. Barnard, D.T., R. Hayter, M. Karababa, G. Logan, and J. McFadden. “SGML-Based Markup for Literary Texts: Two Problems and Some Solutions..” Computers and the Humanities 22 (1988): 265-276.
  9. Barnard, D.T., L. Burnard, J.-P. Gaspart, L.A. Price, C.M. Sperberg-McQueen, and G.B. Varile. “Hierarchical Encoding of Text: Technical Problems and SGML solutions..” Computers and the Humanities 29 (1995): 211-231.
  10. Beckett, Samuel. Comment c'est / How It Is and / et L'image: A Critical-Genetic Edition / Une édition critico-génétique. Ed. Edouard Magessa O'Reilly. New York and London: Routledge, 2001.
  11. — Mal vu mal dit / Ill Seen Ill Said: A Bilingual, Evolutionary, and Synoptic Variorum Edition. Ed. Charles Krance. New York and London: Garland Publishing, 1996.
  12. — Stirrings Still. New York: Blue Moon Books, London: John Calder, 1988.
  13. — Stirrings Still: . The Guardian (March 3, 1989): 25.
  14. — Stirrings Still. Beckett Shorts. Vol. 11. London: John Calder, 1999.
  15. — Stirrings Still: . The Complete Short Prose. Ed. S. E. Gontarski. New York: Grove Press, 1996. 259-65.
  16. — Soubresauts. Paris: Editions de Minuit, 1989.
  17. Bédier, Joseph. “Le tradition manuscrite du Lai de l'Ombre: réflexions sur l'art d'éditer les anciens textes..” Romania 54 (1928): 161-96, 321-56.
  18. Berners-Lee, T. Design Issues: Architectural and Philosophical Problems. http://www.w3.org/DesignIssues/Architecture.html .
  19. Berners-Lee, T., J. Hendler, and O. Lassila. “The Semantic Web..” Scientific American May 2001. http://www.sciam.com/article.cfm?articleID=00048144-10D2-1C70-84A9809EC588EF21&sc=I100322 .
  20. Bevington, David. “Why Re-Edit Herford and Simpson?” Re-presenting Ben Jonson. Ed. Martin Butler. Basingstoke: Macmillan, 1999. 20-38.
  21. Biggs, Michael and Pichler, Alois. Wittgenstein: Two Source Catalogues and a Bibliography. Working Papers from the Wittgenstein Archives at the University of Bergen 7. Bergen: Wittgensteinarkivet ved Universitetet i Bergen, 1993.
  22. Blake, William. The Complete Poetry and Prose of William Blake. Newly rev. ed. Ed. David V. Erdman. Berkeley and Los Angeles: U of California Press, 1988.
  23. Blecua, Alberto. “Defending Neolachmannianism: On the Palacio : Manuscript of La Celestina..” Variants. Eds. Peter Robinson and H. T. M. Van Vliet. Turnhout: Brepols, 2002. 113-33.
  24. Bornstein, George, and Ralph G. Williams, eds. Palimpsest: Editorial Theory in the Humanities. Ann Arbor: U of Michigan Press, 1993.
  25. Bowers, Fredson. “Some Principles for Scholarly Editions of Nineteenth-Century American Authors..” Studies in Bibliography 17 (1964): 223-8.
  26. Brewer, Charlotte. “Scribal vs. Authorial Writing in Piers Plowman..” Medieval and Renaissance Texts and Studies 79 (1991): 59-89.
  27. Brians, Paul. “CD-ROMs in libraries and at home..” Online posting. 7 Feb. 2000. Humanist 13.0380. 13 Jan. 2004 http://lists.village.virginia.edu/lists_archive/Humanist/v13/0374.html .
  28. Brodie, N. “Authenticity, Preservation, and Access in Digital Collections..” Paper presented at Preservation 2000: An International Conference on the Preservation and Long Term Accessibility of Digital Materials. December 2000. York, England. http://www.rlg.org/events/pres-2000/brodie.html
  29. Bryden, Mary, Julian Garforth, and Peter Mills. Beckett at Reading: Catalogue of the Beckett Manuscript Collection at the University of Reading. Reading: Whiteknights Press and the Beckett International Foundation, 1998.
  30. Bunt, Gary. Virtually Islamic: Computer-mediated Communication and Cyber Islamic Environments. Cardiff: U of Wales Press, 2000.
  31. — The Good Web Guide to World Religions. London: The Good Web Guide Limited, 2001.
  32. Butler, Terry, Sue Fisher, Greg Coulombe, Patricia Clements, Isobel Grundy, Susan Brown, Jeanne Wood, and Rebecca Cameron. “Can a Team Tag Consistently? Experiences on the Orlando Project..” Markup Languages 2 (2000): 111-125.
  33. Buzzetti, D. “Ambiguità diacritica e Markup: Note sull'edizione critica digitale..” Soluzioni informatiche e telematiche per la filologia, Atti del Seminario di studi. Pavia, 30-31 marzo 2000. Ed. S. Albonico. Pubblicazioni telematiche 1. Pavia: Università degli Studi di Pavia, 2000. http://dobc.unipv.it/dipslamm/pubtel/Atti2000/dino_buzzetti.htm .
  34. — “Digital Representation and the Text Model..” New Literary History 33:1 (2002): (need page numbers).
  35. Calabretto, Sylvia, and Andrea Bozzi. “The Philological Workstation BAMBI (Better Access to Manuscripts and Browsing of Images)..” Journal of Digital Information 1.3 (1998): [need page numbers].
  36. The Canterbury Tales Project. Ed. Peter Robinson. Centre for Technology and the Arts. De Montfort University. 26 May 2004. http://www.cta.dmu.ac.uk/projects/ctp/ .
  37. "Cloud, Random". “FIAT fLUX.” . Crisis in Editing: Texts of the English Renaissance: Papers given at the twenty-fourth annual Conference on Editorial Problems, University of Toronto, 4-5 November 1988. Ed. Randall McLeod. New York: AMS, 1994. 61-172.
  38. Clarke, Marcus. His Natural Life. Ed. Lurline Stuart. The Academy Editions of Australian Literature. St Lucia: U of Queensland Press, 2001.
  39. Cocoon. 2002. 29 Feb. 2002. http://xml.apache.org/cocoon/ .
  40. Cohen, Philip, ed. Devils and Angels: Textual Editing and Literary Theory. Charlottesville: UP of Virginia, 1991.
  41. Cohn, Ruby. A Beckett Canon. Ann Arbor: U of Michigan Press, 2001.
  42. Coleridge, Samuel Taylor and William Wordsworth. Lyrical Ballads: . Ed. Bruce Graver and Ronald Tetreault. Romantic Circles. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu/editions/LB/index.html .
  43. Committee on Scholarly Editions (CSE). “Annotated Bibliography: Key Works in the Theory of Textual Editing..” .
  44. Committee on Scholarly Editions (CSE). Guidelines for Editors of Scholarly Editions. Modern Language Association. http://www.iath.virginia.edu/~jmu2m/cse/CSEguidelines.html .
  45. Coombs, James H., Allen H. Renear, and Steven J. DeRose. “Markup systems and the future of scholarly text processing..” Communications of the ACM 30.11 (1987): 933-47.
  46. Cooper, Andrew, and Michael Simpson. “The High-Tech Luddite of Lambeth: Blake's Eternal Hacking..” The Wordsworth Circle 30.3 (1999): 125-31.
  47. — “Looks Good in Practice, But Does it Work in Theory? Rebooting the Blake Archive..” The Wordsworth Circle 31.1 (2000): 63-68.
  48. Copyright Management Center. “Checklist for Fair Use..” Indiana University. http://www.iupui.edu/~copyinfo/fuchecklist.html .
  49. Crane, Gregory, and Jeffrey A. Rydberg-Cox. “New Technology and New Roles: The Need for Corpus Editors..” Proc. of the 5th ACM Conference on Digital Libraries. San Antonio, June 2000. 252-253.
  50. Crews, Kenneth D. Copyright Essentials for Librarians and Educators. Chicago and London: American Library Association, 2000.
  51. Dahlerup, Verner. Ágrip af Noregs konunga sögum: Diplomatarisk udgave for Samfundet til udgivelse af gammel nordisk litterature ved Verner Dahlerup. Samfund til udgivelse af gammel nordisk litteratur 2. København: S.L. Møllers bogtrykkeri, 1880.
  52. Day, Colin A. Text Processing. Cambridge Computer Science Texts 20. Cambridge: Cambridge UP, 1984.
  53. de Biasi, Pierre-Marc. “What is a Literary Draft? Toward a Functional Typology of Genetic Documentation..” Yale French Studies 89 (1996): 26-58.
  54. — La génétique des textes. Paris: Nathan, 2000.
  55. Deegan, Marilyn and Simon Tanner. Digital Futures: Strategies for the Information Age. New York: Neal-Schuman Publishers; London: Library Association Publications, Ltd., 2002.
  56. Dekhtyar, Alex and Ionut Emil Jacob. “Management of Data for Building Electronic Editions of Historic Manuscripts..” ACH/ALLC 2003 Conference Abstracts, University of Georgia.
  57. DeRose, Steven J., D.G. Durand, E. Mylonas, and A. Renear. “What is Text, Really?” Journal of Computing in Higher Education 1 (1990): 3-26.
  58. DeRose, Steven J. and Andries van Dam. “Document structure and markup in the FRESS hypertext system..” Markup Languages: Theory and Practice 1.1 (1999): 7-32.
  59. De Smedt, Marcel and Edward Vanhoutte. Stijn Streuvels. De teleurgang van den Waterhoek. Elektronisch-kritische editie/electronic-critical edition. Amsterdam: Amsterdam UP; Gent: KANTL, 2000.
  60. — “The Best of Three Worlds: Eclecticism in Editorial Theory..” The Electronic Edition of Stijn Streuvels'>>De teleurgang van den Waterhoek<<.: Sichtungen. Archiv-Bibliothek-Literaturwissenschaft: 2001/2002 (4-5): 300-311. Preprint available from Sichtungen online. 13 Jan. 2004. http://www.onb.ac.at/sichtungen/berichte/smedt-m-1a.html .
  61. Dessau, Hermann. Inscriptiones Latinae Selectae. Berlin: 1892-1916.
  62. De Vriend, Hubert Jan, The Old English Herbarium and Medicina de quadrupedibus, EETS 286, London: Oxford University Press, 1984.
  63. Digital Archive of Letters in Flanders. Ed. Edward Vanhoutte. Centrum voor Tekesteditie en Bronnenstudie. 27 May 2004. http://www.kantl.be/ctb/project/dalf/ .
  64. Digital Millenium Copyright Act. Pub. L. (need the Public Law #). (need the full date).
  65. D'Iorio, Paolo. HyperNietzsche. Modèle d'un hypertexte savant sur Internet pour la recherche en sciences humaines. Paris: Presses Universitaires de France, 2000.
  66. Dohnicht, Marcus. Zusammenstellung den diakritische Zeichen zur Wiedergabe der lateinischen Inschrifttexte der Antike für den Unicode. Working paper, n.d. 17 July 2000. http://www.csad.ox.ac.uk/varia/unicode/Dohnicht.pdf .
  67. DOM (Document Object Model). 29 Feb. 2002. http://www.w3.org/DOM/ .
  68. Donaldson, E. Talbot. “The Psychology of Editors of Middle English Texts..” Speaking of Chaucer. New York: Athlone, 1970. 102-18.
  69. Donaldson, Ian. “A New Edition of Ben Jonson?” Ben Jonson Journal 2 (1995): 223-31.
  70. Dow, Sterling. Conventions in Editing: A Suggested Reformulation of the Leiden System. Greek, Roman, and Byzantine Study Aids 2. Durham: 1969.
  71. Driscoll, M.J. “Encoding Old Norse/Icelandic Primary Sources using TEI-Conformant SGML..” Literary and Linguistic Computing 15.1 (2000): 81-91.
  72. Durand, David, Elli Mylonas, and Steve DeRose. “What should markup really be? Applying theories of text to the design of markup systems..” Conference paper. Joint Conference of the ALLC and ACH, Bergen 1996.
  73. Eaves, Morris. “Collaboration Takes More Than E-Mail: Behind the Scenes at the Blake Archive..” The Journal of Electronic Publishing 3.2 (December 1997). http://www.press.umich.edu/jep/03-02/blake.html .
  74. — “Graphicality..” Textual Studies in the Late Age of Print. Ed. Elizabeth B. Loizeaux and Neil Fraistat. Madison: U of Wisconsin Press, 2002. 99-122.
  75. — “National Arts and Disruptive Technologies in Blake's Prospectus of 1793..” Blake, Nation and Empire. Ed. Steve Clark and David Worrall. London: Palgrave, 2004.
  76. — “To Paradise the Hard Way..” The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: Cambridge UP, 2002: 1-16.
  77. — “'Why Don't They Leave it Alone?' Speculations on the Authority of the Audience in Editorial Theory..” Cultural Artifacts and the Production of Meaning: The Page, the Image, and the Body. Ed. Margaret Ezell and Katherine O'Brien O'Keeffe. Ann Arbor: U of Michigan P, 1994. 85-99.
  78. Eaves, Morris, Robert N. Essick, and Joseph Viscomi. “The William Blake Archive: The Medium when the Millennium is the Message..” Romanticism and Millenarianism. Ed. Tim Fulford. New York: Palgrave, 2002. 219-33.
  79. Eaves, Morris, Robert N. Essick, Joseph Viscomi, and Matthew Kirschenbaum. “Standards, Methods, and Objectives in the William Blake Archive..” The Wordsworth Circle 30.3 (1999): 135-44.
  80. Editors and staff of the William Blake Archive. “The Persistence of Vision: Images and Imaging at the William Blake Archive..” RLG DigiNews 4.1 (Feb. 2000). http://www.rlg.org/preserv/diginews/diginews4-1.html .
  81. Eggert, Paul. “Textual Product or Textual Process: Procedures and Assumptions of Critical Editing..” Editing in Australia. Ed. Paul Eggert. Canberra: University College ADFA, 1990. 19-40.
  82. Ehrman, B. D. The Orthodox Corruption of Scripture: the Effect of Early Christological Controversies on the Text of the New Testament. Oxford: Oxford UP, 1993.
  83. Ehrman, B. D., and M.W. Holmes, ed. The Text of the New Testament in Contemporary Research. Essays on the Status Quaestionis (Festschrift for B.M. Metzger). Grand Rapids: W. B. Eerdmans, 1995.
  84. Elliott, Tom, Hugh Cayless, and Amy Hawkins. EpiDoc: Guidelines for Structured Markup of Epigraphic Texts in TEI. 8 May 2002. http://www.unc.edu/awmc/epidoc/ .
  85. Epic editor. 29 Feb. 2002. http://www.arbortext.com .
  86. EpiDoc Collaborative. http://www.unc.edu/awmc/epidoc/ .
  87. Epp, E. J. “The Multivalence of the Term 'Original Text' in New Testament Textual Criticism..” Harvard Theological Review 92 (1999): 254-281.
  88. eXist. 29 Feb. 2002. http://exist-db.org/ .
  89. Falconer, Graham. “Genetic Criticism..” Comparative Literature 45.1 (1993): 1-21.
  90. Farrell, Elizabeth F., and Florence Olsen. “A New Front in the Sweatshop Wars..” Chronicle of Higher Education 26 Oct. 2001: A35. http://chronicle.com/weekly/v48/i09/09a03501.htm [subcription access only] .
  91. Faulhaber, Charles. “Guidelines for Electronic Scholarly Editions..” December 1997. http://sunsite.berkeley.edu/MLA/guidelines.html .
  92. Ferrer, Daniel. “Production, Invention, and Reproduction: Genetic vs. Textual Criticism..” Reimagining Textuality: Textual Studies in the Late Age of Print. Ed. Elizabeth Bergmann Loizeaux and Neil Fraistat. Madison: U of Wisconsin Press, 2002. 48-59.
  93. Finneran, Richard J., ed. The Literary Text in the Digital Age. Editorial Theory and Literary Criticism. Ann Arbor: U of Michigan Press, 1996.
  94. Finney, T. J. Converting Leiden-style editions to TEI Lite XML. Working paper, 2001. http://www.tei-c.org/Sample_Manuals/leiden.html .
  95. Fitch, Brian T. Beckett and Babel: An Investigation into the Status of the Bilingual Work. Toronto: U of Toronto Press, 1988.
  96. Flanders, Julia, Syd Bauman, Paul Caton, and Mavis Cournane. “Names Proper and Improper: Applying the TEI to the Classification of Proper Names..” Computers and the Humanities 31 (1997/1998): 285-300.
  97. FOP. 29 Feb. 2002. http://xml.apache.org/fop/ .
  98. Fraistat, Neil. “Editing Environments: The Architecture of Electronic Texts..” Computing the Editon. Ed. Peter Shillingsburg and Fred R. Unwalla. Toronto: U of Toronto Press, forthcoming.
  99. — The Poem and the Book: Interpreting Collections of Romantic Poetry. Chapel Hill: U of North Carolina Press, 1985.
  100. Fraistat, Neil and Steven E. Jones. “Immersive Textuality: The Editing of Virtual Spaces..” TEXT 15 (2003), forthcoming.
  101. Freud, Sigmund. “Negation..” 1925. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. James Strachey et al. Vol. 19. London: Hogarth Press, 1961. 253-39. 24 vols. 1953-74.
  102. Gabler, Hans Walter. “The Synchrony and Diachrony of Texts: Practice and Theory of the Critical Edition of James Joyce's Ulysses..” TEXT 1 (1981): 305-26.
  103. — ed., with Wolfhard Steppe and Claus Melchior. Ulysses: A Critical and Synoptic Edition. By James Joyce. 3 vols. New York and London: Garland Publishing, 1984.
  104. — Afterword. Ulysses: A Critical and Synoptic Edition. By James Joyce. Ed. Hans Walter Gabler with Wolfhard Steppe and Claus Melchior. 3 vols. New York and London: Garland Publishing, 1984. 1859-1907.
  105. Gabler, Hans Walter, George Bornstein, and Gillian Borland Pierce, eds. Contemporary German Editorial Theory. Ann Arbor: U of Michigan Press, 1995.
  106. Gaskell, Philip. From Writer to Reader: Studies in Editorial Method. Oxford: Clarendon Press, 1978.
  107. Goldfarb, Charles F. The SGML Handbook. Oxford: Oxford UP, 1990.
  108. Gontarski, S. E. “Notes on the Texts..” Samuel Beckett: The Complete Short Prose. Ed. S. E. Gontarski. New York: Grove Press, 1996. 279-86.
  109. Goulet, Alain. “Devising and organizing a genetic edition of a literary work..” Digital Evidence. Selected Papers from DRH 2000, Digital Resources for the Humanities Conference, University of Sheffield, September 2000. Ed. Michael Fraser, Nigel Williamson, and Marilyn Deegan. Office for Humanities Communication Publication 14. London: Office for Humanities Communication, 2001. 179-189.
  110. Graver, Bruce and Ronald Tetreault. “Editing Lyrical Ballads for the Electronic Environment..” Romanticism On the Net 9 (Feb. 1998). http://users.ox.ac.uk/~scat0385/electronicLB.html .
  111. Greetham, David C., ed. Scholarly Editing: A Guide to Research. New York: MLA, 1995.
  112. — “Textual and Literary Theory: Redrawing the Matrix..” Studies in Bibliography 42 (1989): 1-24.
  113. — Textual Scholarship: An Introduction. New York: Garland, 1994.
  114. — Theories of the Text. Oxford: Oxford UP, 1999.
  115. Greg, W. W. “The Rationale of Copy-Text..” Studies in Bibliography 3 (1950-51): 19-36.
  116. Grésillon, Almuth. Eléments de critique génétique. Lire les manuscrits modernes. Paris: Presses Universitaires de Paris, 1994.
  117. Griffith, John G. “A Taxonomic Study of the Manuscript Tradition of Juvenal..” Museum Helveticum 25 (1968): 101-38.
  118. Groden, Michael. “Contemporary Textual and Literary Theory..” Representing Modernist Texts: Editing as Interpretation. Ed. George Bornstein. Ann Arbor: U of Michigan Press, 1991: 259-86.
  119. Grutman, Rainier. “Auto-Translation..” Routledge Encyclopedia of Translation Studies. Ed. Mona Baker and Kirsten Malmkjaer. London and New York: Routledge, 1998. 17-20.
  120. Harper, Georgia. “Getting Permission Web page..” University of Texas, Office of General Counsel. http://www.utsystem.edu/OGC/IntellectualProperty/PERMISSN.htm .
  121. Haugeland, John. “Semantic Engines: An Introduction to Mind Design..” Mind design: Philosophy, psychology, artificial intelligence. Ed. Id. Montgomery, VT: Bradford Books, 1981.
  122. Hay, Louis. “Does Text Exist?” Studies in Bibliography 41 (1988): 64-76.
  123. — “Passé et avenir de l’édition génétique: quelques réflexions d’un usager..” Cahier de textologie: 2 (1988): 5-22; trans. “Genetic Editing, Past and Future: A Few Reflections of a User..” TEXT3 (1987): 117-33.
  124. Hill, W. Speed. “English Renaissance: Nondramatic Literature..” Scholarly Editing: A Guide to Research. Ed. David Greetham. New York: MLA, 1995. 204-230.
  125. Hirst, Robert H. “Editing Mark Twain, Hand to Hand, "Like All D—d Fool Printers"..” Papers of the Bibliographical Society of America 88 (1994): 157-188.
  126. Hjelmslev, Louis. Language: An introduction. Madison: U of Wisconsin Press, 1970.
  127. Hockey, Susan. Electronic Texts in the Humanities: Principles and Practice. Oxford: Oxford UP, 2000.
  128. Howard-Hill, T. “Theory and Praxis in the Social Approach to Editing..” TEXT 5 (1991): 31-46.
  129. HTTP (1.1). 29 Feb. 2002. http://www.w3.org/Protocols/rfc2068/rfc2068 .
  130. Huitfeld, Claus. “Multi-Dimensional Texts in a One Dimensional Medium..” Computers and the Humanities 28 (1995): 235-241.
  131. — Multi-Element Code System. 2000. Working Papers of the Wittgenstein Archives at the University of Bergen 3. 1992-2000. http://www.hit.uib.no/claus/mecs/ .
  132. Huitfeldt, Claus and Viggo Rossvær. The Norwegian Wittgenstein Project Report 1988. The Norwegian Computing Centre for the Humanities, Report Series 44. Bergen, 1989.
  133. ICONCLASS. 09 July 2002. KNAW. http://www.iconclass.nl .
  134. The Index of Christian Art. Dir. Colum Hourihane. Princeton University. http://ica.princeton.edu/ .
  135. The Internet Archive. http://www.archive.org .
  136. International Organization for Standardization. ISO/IEC 10646-1:2000, Information Technology--Universal Multiple-Octet Coded Character Set (UCS)--Part 1: Architecture and Basic Multilingual Plane. Geneva, 2000.[from Wittern]
  137. Jelliffe, Rick. The XML & SGML CookBook. Upper Saddle River: Prentice Hall PTF, 1998
  138. Jenkins, Reese, et al. The Papers of Thomas A. Edison. Vol. 1. Baltimore: Johns Hopkins UP, 1989.
  139. Joloboff, V. “Document Representation: Concepts and Standards..” Structured Documents. Ed. J. André, R. Furuta, and V. Quint. Cambridge: Cambridge UP, 1989. (need page numbers).
  140. Jonson, Ben. Hycke Scorner. London: Wynken de Worde, 1515-16.
  141. — The Workes of Beniamin Jonson. London: William Stansby, 1616.
  142. JSTOR. 17 May 2004. Executive Director, Michael Spinella. New York and Ann Arbor: 2000-04. http://www.jstor.org .
  143. Kane, George. “An Open Letter to Jill Mann about the Sequence of the Versions of Piers Plowman..” YLS 13 (1999): 7-33.
  144. — , ed. Piers Plowman: The A Version. London: Athlone, 1960.
  145. — “???..” Editing Chaucer: The Great Tradition. Ed. Paul G. Ruggiers. Norman, Okla: Pilgrim Books, 1984. (need pg #s).
  146. Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge UP, 2001.
  147. Kay, Michael. XSLT: Programmer's Reference. Chicago: Wrox, 2000.
  148. Kenny, Dorothy. “Equivalence..” Routledge Encyclopedia of Translation Studies. Ed. Mona Baker and Kirsten Malmkjaer. London and New York: Routledge, 1998. 77-80.
  149. Kermode, Frank. “A miserable splendour..” Rev. of Stirrings Still: . The Guardian 3 March 1989: 26.
  150. Kiernan, Kevin S., ed. The Electronic Beowulf. CD-ROM. Ann Arbor, MI: U Of Michigan Press, 2000.
  151. Kirschenbaum, Matthew. “Documenting Digital Images: Textual Meta-data at the Blake Archive..” The Electronic Library 16.4 (1998): 239-41.
  152. — “Editing the Interface: Textual Studies and First Generation Electronic Objects..” TEXT 14 (2002): 15-51.
  153. — Image Based Humanities Computing: . Thematic issue of Computers and the Humanities 36.1 (2002).
  154. — “Lucid Mapping: Information Landscaping and Three-Dimensional Writing Spaces..” Leonardo 32.4 (Aug. 1999): 261-68.
  155. — “Managing the Blake Archive..” Guest column for Romantic Circles. March 1998. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu/dispatches/column7/ .
  156. Kline, Mary-Jo. A Guide to Documentary Editing. 2nd ed. Baltimore and London: Johns Hopkins UP, 1998.
  157. Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1996.
  158. Krance, Charles, ed. Mal vu mal dit / Ill Seen Ill Said: A Bilingual, Evolutionary, and Synoptic Variorum Edition. Samual Beckett. New York and London: Garland Publishing, 1996.
  159. Kraus, Kari. “'Once Only Imagined': An Interview with Morris Eaves, Robert N. Essick, and Joseph Viscomi on the Past, Present, and Future of Blake Studies..” Studies in Romanticism: 41 (2002): 143-99. Romantic Circles (Praxis Series, ed. Orrin Wang) 2002. http://www.rc.umd.edu/praxis/blake/participants.html .
  160. Kroeber, Karl. “The Blake Archive and the Future of Literary Studies..” The Wordsworth Circle 30.3 (1999): 123-25.
  161. Lachman, Karl, ed. Novum Testamentum Graece et Latine. 2 vols. Berlin, 1842-50.
  162. Landon, Letitia Elizabeth. “Verses.” and The Keepsake for 1829: . Ed. Terences Hoagwood and Kathryn Ledbetter. Romantic Circles. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu/editions/contemps/lel/ .
  163. Landow, George P. Hypertext: The convergence of contemporary critical theory and technology. Baltimore: Johns Hopkins UP, 1992.
  164. Lanham, Richard A. The Electronic Word: Democracy, Technology, and the Arts. Chicago: U of Chicago Press, 1993.
  165. Lavagnino, John. “Electronic Scholarly Editions..” Humanities Computing News. Newsletter of the Centre for Computing in the Humanities at King's College London. Feb. 2001. 13 Jan. 2004. http://www.kcl.ac.uk/humanities/cch/hcn/hcn-2001-02.html#Vanhoutte .
  166. Lavagnino, John, and Elli Mylonas. “The Show Must Go On: Problems of Tagging Performance Texts..” Computers and the Humanities 29 (1995): 113-21.
  167. Lecolinet, Eric, Laurent Robert and François Role. “Text-image Coupling for Editing Literary Sources..” Computers and the Humanities 36.1 (2002): 49-73.
  168. Lernout, Geert. “'Critique génétique' und Philologie..” Text und Edition. Positionen und Perspektiven. Ed. Rüdiger Nutt-Kofoth, Bodo Plachta, H.T.M. van Vliet, and Hermann Zwerschina. Berlin: Erich Schmidt, 2000. 121-142. Trans. TEXT 14 (2002): 53-75.
  169. Library of Congress. “How to Investigate the Copyright Status of a Work..” Circular 22. http://www.copyright.gov/circs/circ22.html .
  170. libxslt. 29 Feb. 2002. http://xmlsoft.org/XSLT/ .
  171. Maas, Paul. Einleitung in die Altertumswissenschaft: Vol. 2. “Textkritik..” Leipzig and Berlin: Teubner, 1927; Textual Criticism. Trans. Barbara Flower. Oxford: Clarendon, 1958.
  172. Machan, Tim William. Textual Criticism and Middle English Texts. Charlottesville: UP of Virginia, 1994.
  173. Maler, Eve, and Jeanne El Andaloussi. Developing SGML DTDs: From Text to Model to Markup. Prentice-Hall, 1996.
  174. Manly, John M., and E. Rickert, eds. The Text of the Canterbury Tales: Studied on the Basis of All Known Manuscripts. 8 vols. Chicago: Chicago UP, 1940.
  175. Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996.
  176. Markup Guidelines for Documentary Editions. 4 July 1999. David R. Chesnutt, Susan M. Hockey, and C. M. Sperberg-MQueen. 27 May 2004. http://adh.sc.edu/MepGuide.html#WORKFLOW .
  177. Martens, Gunter and Hans Zeller, eds. Texte und Varianten: Probleme ihrer Edition und Interpretation. Munich: Beck, 1971.
  178. Masten, Jeffrey. “Pressing Subjects, or, the Secret Lives of Shakespeare's Compositors..” Language Machines: Technologies of Literary and Cultural Production. Ed. Jeffrey Masten, Peter Stallybrass and Nancy Vickers. New York: Routledge, 1997. 75-107.
  179. Maturana, Humberto R., and Francisco G. Varela. Autopoiesis and Cognition. Boston: D. Reidel Pub. Co., 1980.
  180. Max, D. T. “The Electronic Book..” American Scholar 69 (2000): 17-28.
  181. McCarty, Willard. “Finding Implicit Patterns in Ovid's Metamorphoses with TACT..” A TACT Exemplar. Ed. Russon Wooldridge. Toronto: Centre for Computing in the Humanities, 1991. 37-75.
  182. McGann, Jerome. Critique of Modern Textual Criticism. Chicago: U of Chicago Press, 1983. Repr. Charlottesville: UP of Virginia, 1992.
  183. — Appendix. “Editing as a Theoretical Pursuit..” Radiant Textuality: Literature After the World Wide Web. New York: Palgrave/Macmillan, 2001. 88-97.
  184. — Radiant Textuality: Literature after the World Wide Web. New York: Palgrave, 2001.
  185. — “The Rationale of HyperText..” TEXT 9 (1996): 11-32.
  186. — “The Rossetti Archive and Image-Based Electronic Editing..” The Literary Text in the Digital Age. Ed. Richard J. Finneran. Ann Arbor: U of Michigan Press, 1996. 145-183.
  187. — The Textual Condition. Princeton: Princeton UP, 1991.
  188. McGillivray, Murray, ed. Geoffrey Chaucer's Book of the Duchess: A Hypertext Edition. CD-ROM. Alberta: U of Calgary, 1997.
  189. McIntosh, Angus. “Scribal Profiles from Middle English Texts..” Neuphilologische Mitteilungen 76 (1975): 218-35.
  190. — “Towards and Inventory of Middle English Scribes..” Neuphilologische Mitteilungen 75 (1974): 602-24.
  191. McKenzie, D. F. Bibliography and the Sociology of Texts. London: The British Library, 1986.
  192. — “'What's Past is Prologue': The Bibliographical Society and the History of the Book..” Making Meaning: 'Printers of the Mind' and Other Essays. Studies in print culture and the history of the book. Ed. Peter D. McDonald and Michael F. Suarez. Amerherst, Boston: U Of Massachusetts Press, 2002. 259-275.
  193. McKerrow, R. B. An Introduction to Bibliography for Literary Students. Oxford: Oxford UP, 1927.
  194. Medwall, Henry. Fulgens and Lucrece. London: John Rastell, 1512-16.
  195. Megginson, David. Structuring XML Documents. Upper Saddle River: Prentice Hall PTF, 1998.
  196. Meiggs, Russell, and David Lewis. A Selection of Greek Historical Inscriptions to the End of the Fifth Century BC. 2nd ed. Oxford: (need publisher information), 1988.
  197. Mikheev, Andrei, Claire Grover, and Marc Moens. “XML Tools And Architecture for Named Entity Recognition..” Markup Languages 1 (1999): 89-113.
  198. Miller, J. Hillis. “Digital Blake..” Digital Cultures Project conference, 3-5 Nov. 3-2000, University of California at Santa Barbara. http://dc-mrg.english.ucsb.edu/conference/2000/PANELS/BEssick/jhmiller.html .
  199. Misic, Vladimir. “Mixed Raster Content for Processing of Colored Engravings..” Electrical and Computer Engineering. Diss. University of Rochester, 2003.
  200. MOOzymandias: . Romantic Circles. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu:7000/705/ .
  201. MSXML (Microsoft XML and XSL engine). 29 Feb. 2002. http://msdn.microsoft.com/downloads/default.asp?url=/downloads/sample.asp?url=/msdn-files/027/001/766/msdncompositedoc.xml .
  202. Nelson, Theodor Holm. “Embedded Markup Considered Harmful..” XML.com. 2 October 1997. 1 November 2002 http://www.xml.com/pub/a/w3j/s3.nelson.html .
  203. Neuman, Michael. “You Can't Always Get What You Want: Deep Encoding of Manuscripts and the Limits of Retrieval..” Research in Humanities Computing 5 (1996): 209-219.
  204. Neuman, Yair. Processes and Boundaries of the Mind. New York: Kluwer Academic / Plenum Publishers, 2003.
  205. Nutt-Kofoth, Rüdiger, Bodo Plachta, H.T.M. van Vliet, and Hermann Zwerschina, eds. Text und Edition: Positionen und Perspektiven. Berlin: Erich Schmidt, 2000.
  206. Ore, Espen S. “Elektronisk publisering: forskjellige utgaveformer og forholdet til grunntekst(er) of endelig(e) tekst(er)..” Vid Texternas Vägskäl. Textkritiska uppsatser. Ed. Lars Burman and Barbro Ståhle Sjönell. Stockholm: Svenska Vitterhetssamfundet, 1999. 138-144.
  207. O'Reilly, Edouard Magessa, ed. Comment c'est / How It Is and / et L'image: A Critical-Genetic Edition / Une édition critico-génétique. Samuel Beckett. New York and London: Routledge, 2001.
  208. Osborne, Thomas. “Faith, Philosophy, and the Nominalist Background to Luther's Defense of Real Presence..” Journal of the History of Ideas 63 (need year): (need page numbers).
  209. Ott, W. “Computers and Textual Editing..” Computers and Written Texts. Ed. C.S. Butler. Oxford: Blackwell, 1992. 205-226.
  210. Panciera, Silvio. “Struttura dei supplementi e segni diacritici dieci anni dopo..” Unione Accademia Nazionale Supplementa Italica 8 (1991): 9-21.
  211. Parker, D. C. “A Comparison Between the Text und Textwert and the Claremont Profile Method Analyses of Manuscripts in the Gospel of Luke..” New Testament Studies 49 (2003): 108-138.
  212. — The Living Text of the Gospels. Cambridge: Cambridge UP, 1997.
  213. — “Text and Versions: the New Testament..” The Biblical World. Ed. John Barton. Vol. 1. New York: Routledge, 2002. 229-249.
  214. — “Through a Screen Darkly: Digital Texts and the New Testament..” Journal for the Study of the New Testament 25 (2003): 395-411.
  215. Parker, Hershel. Flawed Texts and Verbal Icons: Literary Authority in American Fiction. Evanston: Nortwestern UP, 1984.
  216. Parker, T. H. L., and D.C. Parker, eds. John Calvin: Commentarius in Epistolam Pauli ad Romanos. Ioannis Calvini Opera Exegetica. Vol. XIII. Geneva: Droz, 1999.
  217. Paskin, Norman. “DOI: a 2003 Progress Report..” D-Lib Magazine 9.6 (June 2003). http://www.dlib.org/dlib/june03/paskin/06paskin.html .
  218. Pasquali, Giorgio. Storia della tradizione e critica del testo. Florence: Le Monnier, 1934.
  219. PassiveTeX. XSL FO processor, implemented in TeX by Sebastian Rahtz. 29 Feb. 2002. http://www.tei-c.org/Software/passivetex/ .
  220. Patterson, Lee. “The Logic of Textual Criticism and the Way of Genius: The Kane-Donaldson Piers Plowman in Historical Perspective..” Negotiating the Past: The Historical Understanding of Medieval Literature. Madison: U of Wisconsin Press, 1987.
  221. Payette, Sandra, Christophe Blanchi, Carl Lagoze, and Edward A. Overly. “Interoperability for Digital Objects and Repositories..” D-Lib Magazine 5.5 (1999). http://www.dlib.org/dlib/may99/payette/05payette.html .
  222. Peattie, R. W. “William Michael Rossetti's Aldine Edition of Blake..” Blake/An Illustrated Quarterly 12 (1978): 4-9.
  223. Pichler, A. “Transcriptions, Texts and Interpretations..” Culture and Value: Philosophy and the Cultural Sciences. Ed. K. Johannessen and T. Nordenstam. Vienna: Austrian Ludwig Wittgenstein Society, 1995.
  224. The Piers Plowman Electronic Archive. Ed. Hoyt N. Duggan. 1994. Institute for Advanced Technology in the Humanities. University of Virginia. 26 May 2004. http://www.iath.virginia.edu/piers/ .
  225. Pitti, Daniel, and John Unsworth. “After the Fall: Structured Data at IATH..” Association for Computers and the Humanities and the Association for Literary and Linguistic Computing, Debrecen, Hungary, July 1998. http://www.iath.virginia.edu/~jmu2m/ach98.html .
  226. Pizer, Donald. “Self-Censorship and Textual Editing..” Textual Criticism and Literary Interpretation. Ed. Jerome J. McGann. Chicago: U of Chicago Press, 1985. 144-61.
  227. Rahtz, Sebastian. “Database Systems for Textual Data: An Experiment with Gravestones..” LLC 3.1 (1988): 32-35.
  228. Rastell, John. The Nature of the Four Elements. London: John Rastell, 1520.
  229. Raymond, D. R., F. W. Tompa, and D. Wood. “From Data Representation to Data Model: Meta-Semantic Issues in the Evolution of SGML..” Computer Standards and Interfaces 10 (1995). http://db.uwaterloo.ca/~fwtompa/.papers/sgml.ps .
  230. — “Markup Reconsidered..” . Paper presented at the First International Workshop on Principles of Document Processing, Washington DC, October 22-23, 1992. http://db.uwaterloo.ca/~fwtompa/.papers/markup.ps .
  231. Reiman, Donald H. Romantic Texts and Contexts. Columbia: U of Missouri Press, 1987.
  232. Renaissance Women Online. Dir. Julia Flanders. Brown University. 26 May 2004. http://www.wwp.brown.edu/texts/rwoentry.html .
  233. Renear, Allen. “Literal transcription: Can the text ontologist help?” New Media and the Humanities: Research and Applications. Ed. Domenico Fiormonte and Jonathan Usher. Oxford: Humanities Computing Unit, 2001. 23-30.
  234. Renear, A., D. Durand, and E. Mylonas. “Refining our Notion of What Text Really Is..” Research in Humanities Computing 4: Selected Papers from the 1992 ALLC/ACH Conference. Ed. S. Hockey and N. Ide. Oxford, 1996. 263-280.
  235. Robinson, Peter M. W. “Analysis Workshop..” The General Prologue on CD-ROM. Ed. Elizabeth Solopova. Cambridge: Cambridge UP, 2000.
  236. — “Making and Publishing a Manuscript Digital Facsimile..” Perspectives of Scholarly Editing/Perspektiven der Textedition. Ed. B Plachta and H. T. M. Van Vliet. Berlin: Weidler Buchverlag, 2002.
  237. — “Manuscript Politics..” The Politics of the Electronic Text. Ed. Warren Chernaik, Caroline Davis, and Marilyn Deegan. Office for Humanities Communication Publications 3. Oxford: Office for Humanities Communication, 1993. 9-15.
  238. — “The One Text and the Many Texts..” Making Texts for the Next Century: . Special Issue of Literary and Linguistic Computing 15.1 (2000): 5-14.
  239. — “A Stemmatic Analysis of the Fifteenth-Century Witnesses to the Wife of Bath's Prologue..” The Canterbury Tales Project: Occasional Papers. Ed. Norman F. Blake and Peter M. W. Robinson. Vol. 2. Oxford: Office for Humanities Communication, 1997. 69-132.
  240. — “Stemmatic Commentary..” The General Prologue on CD-ROM. Ed. Elizabeth Solopova. Cambridge: Cambridge UP, 2000.
  241. — “What Text Really is Not, and Why Editors Have to Learn to Swim..” Computing the Edition. Ed. F. Unwalla and P. S. Shillingsburg. Toronto: Toronto UP, Forthcoming.
  242. — , ed. The Wife of Bath's Prologue on CD-ROM. Cambridge: Cambridge UP, 1996.
  243. Robinson, Peter M. W., and Robert J. O'Hara. “Cladistic Analysis of an Old Norse Manuscript Tradition..” Research in Humanities Computing 4. Ed. Susan Hockey and Nancy Ide. Oxford: Oxford UP, 1996. 115-137.
  244. — “Computer-Assisted Methods of Stemmatic Analysis..” The Canterbury Tales Project: Occasional Papers. Ed. Norman F. Blake and Peter M. W. Robinson. Vol. 1. Oxford: Office for Humanities Communication, 1993. 53-74.
  245. Robinson, Peter M. W., and Elizabeth Solopova. “Guidelines for Transcription of the Manuscripts of the Wife of Bath's Prologue..” The Canterbury Tales Project Occasional Papers. Ed. Norman F. Blake and Peter M. W. Robinson. Vol. 1. Oxford: Office for Humanities Communication, 1993. 19-52.
  246. Romantic Circles. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu .
  247. Rosenberg, Robert. “Technological Artifacts as Historical Documents..” TEXT 3 (1988): 393-07.
  248. The Rosetti Archive. Jerome J. McGann. 1993. The Institute for Advance Technology in the Humanities. University of Virginia. 26 May 2004. http://jefferson.village.virginia.edu/rossetti/ .
  249. Rossetti, William Michael. Rev. of facsimile of Blake, Jerusalem: (Pearson, 1877). Academy 13 (1878): 14.
  250. Roueché, Charlotte, with contributions by Joyce M. Reynolds. Aphrodisias in Late Antiquity. Journal of Roman Studies monographs 5. London: Society for the Promotion of Roman Studies, 1989.
  251. Rydberg-Cox, Jeffrey A., Anne Mahoney, and Gregory Crane. “Document Quality Indicators and Corpus Editions..” Proceedings of the First ACM/IEEE Joint Conference on Digital Libraries. Roanoke, June 2001. (need publisher info): 435-436.
  252. Ryle, Gilbert. The Concept of Mind. London: Penguin Books, 2000.
  253. Sablotron. 29 Feb. 2002. http://www.gingerall.com/charlie/ga/xml/p_sab.xml .
  254. Samuels, Lisa, and Jerome McGann. “Deformance and Interpretation..” New Literary History 30.1 (1999) 25-56.
  255. Saxon (XSLT processor). Michael Kay. 29 Feb. 2002. http://saxon.sourceforge.net/ .
  256. Scheibe, Siegfried. “On the Editorial Problem of the Text..” Contemporary German Editorial Theory. Ed. Hans Walter Gabler, George Bornstein, and Gillian Borland Pierce. Ann Arbor: U of Michigan Press, 1995. 193-208.
  257. Schneider, Ben Ross, Jr. Travels in Computerland: or Incompatibilities and Interfaces. A Full and True Account of the Implementation of the London Stage Information Bank. Reading: Addison Wesley, 1974.
  258. Schwenk, Cynthia J. Athens in the Age of Alexander: The Dated Laws and Decrees of the Lycourgan Era, 338-322 B.C. Chicago: Ares, 1985.
  259. Scragg, D.G., ed. The Vercelli homilies and related texts, EETS OS 300. London: Oxford University Press, 1992.
  260. Segre, Cesare. Introduction to the Analysis of the Literary Text. With the collaboration of Tomaso Kememy. Trans. John Meddemmen. Bloomington and Indianapolis, Indiana UP, 1988.
  261. Senn, Fritz. “ Ulysses: The 1922 Text..” Rev. James Joyce Quarterly 32.2 (Winter 1995): 461-4.
  262. SGML. Information Processing: Text and Office Systems Standard Generalized Markup Language (SGML). ISO 8879-1986. International Organization for Standardization, Geneva 1986.
  263. Shelley, Percy Bysshe. “The Devil's Walk..” Ed. Neil Fraistat and Donald Reiman. Romantic Circles. U of Maryland. 1997 http://www.rc.umd.edu/editions/shelley/devil/1dwcover.html .
  264. — On the Medusa of Leonardo da Vinci in the Florentine Gallery: . Ed. Neil Fraistat and Melissa Jo Site. Romantic Circles. Ed. Neil Fraistat, Steven E. Jones, and Carl Stahmer. U of Maryland. http://www.rc.umd.edu/editions/shelley/medusa/medcover.html .
  265. Shillingsburg, Peter. “General Principles for Electronic Scholarly Editions..” December 1993. http://sunsite.berkeley.edu/MLA/principles.html .
  266. — “Principles for Electronic Archives, Scholarly Editions, and Tutorials..” The Literary Text in the Digital Age. Ed. Richard J. Finneran. Ann Arbor: U of Michigan Press, 1996. 23-35.
  267. — Resisting Texts: Authority and Submission in Constructions of Meaning. Ann Arbor: U of Michigan Press, 1997.
  268. — Scholarly Editing in the Computer Age: Theory and Practice. 3rd ed. Ann Arbor: U of Michigan Press, 1996.
  269. Smith, David A. “Detecting events with date and place information in unstructured text.” . Proceedings of the 2nd ACM+IEEE Joint Conference on Digital Libraries. Portland, Or. July 2002.
  270. Shreibman, Susan. “Computer-mediated Texts and Textuality: Theory and Practice..” Computers and the Humanities 36 (Aug. 2002): 283-93.
  271. SOAP (Simple Object Access Protocol). 29 Feb. 2002. http://www.w3.org/TR/SOAP/ .
  272. Solopova, Elizabeth, ed. The General Prologue of The Canterbury Tales on CD-ROM. Cambridge: Cambridge UP, 2000.
  273. Speiser, E. A. Introduction to Hurrian. ASOR, 1941.
  274. Spencer-Brown, G. Laws of Form. London, Allen and Unwin, 1969.
  275. Sperberg-McQueen, C. M., and Lou Burnard, ed. Guidelines for Text Encoding and Interchange. Chicago and Oxford: ACH-ALLC-ACL Text Encoding Initiative, 1994.
  276. — Guidelines for Electronic Text Encoding and Interchange. XML-compatible edition. Oxford, Providence, Charlottesville, and Bergen: The TEI Consortium, 2001. 13 Jan. 2004. http://www.tei-c.org/P4X/index.html .
  277. Sperberg-McQueen, C. M. and Huitfeldt, Claus. “Concurrent document hierarchies in MECS and SGML..” Literary and Linguistic Computing 14.1 (1999): 29-42.
  278. — “GODDAG: A Data Structure for Overlapping Hierarchies..” Forthcoming in Munson (ed), Springer 2002.
  279. Sperberg-McQueen, C. M., C. Huitfeldt, and A. Renear. “Meaning and Interpretation of Markup..” Markup Languages: Theory and Practice 2 (2000): (need page numbers).
  280. Staples, Thornton and Ross Wayland. “Virginia Dons Fedora..” D-Lib Magazine 6.7-8 (July/August 2000). http://www.dlib.org/dlib/july00/staples/07staples.html .
  281. Staples, Thornton, Ross Wayland, and Sandra Payette. “The Fedora Project..” D-Lib Magazine 9.4 (April 2003). http://www.dlib.org/april03/staples/04staples.html .
  282. Stevens, Michael E., and Steven B. Burg. Editing Historical Documents: A Handbook of Practice. Walnut Creek, CA: AltaMira Press, 1997.
  283. Stillinger, Jack. Multiple Authorship and the Myth of the Author in Criticism and Textual Theory. New York: Oxford UP, 1991.
  284. Stoltz, Michael. “New Philology and New Phylogeny: Aspects of a Critical Electronic Edition of Wolfram's Parzival..” Literary and Linguistic Computing 18:2 (2003): 139-50.
  285. Streuvels, Stijn. “De teleurgang van den Waterhoek..” De Gids 91.1 (1927): 64-118; 91.2 (1927): 153-181; 91.3 (1927): 316-342; 91.4 (1927): 1-43; 91.5 (1927): 137-179; 91.6 (1927): 285-316; 91.7 (1927): 1-63.
  286. — De teleurgang van den Waterhoek. Brugge: Excelsior, 1927 and Amsterdam: Veen, 1927.
  287. — De teleurgang van den Waterhoek. Tweede herziene druk. Amsterdam: Veen, 1939.
  288. — De Teleurgang van den Waterhoek: Electronic-critical edition. Ed. Marcel De Smedt and Edward Vanhoutte. Gent: KANTL, Amsterdam: Amsterdam UP, 2000.
  289. — De teleurgang van den Waterhoek. Tekstkritische editie door Marcel De Smedt en Edward Vanhoutte. Antwerpen: Manteau, 1999.
  290. Stuart, Ian. XML Schema, A Brief Introduction. http://lucas.ucs.ed.ac.uk/xml-schema .
  291. Stubbs, Estelle, ed. The Hengwrt Chaucer Digital Facsimile. Leicester: Scholarly Digital Editions, 2000.
  292. Sutherland, Kathryn. “Revised Relations? Material Text, Immaterial Text, and the Electronic Environment..” TEXT 11 (1998): (need page refs).
  293. Swinburne, Algernon Charles. William Blake: A Critical Essay. 1868. Rpt. ed. Hugh J. Luke. Lincoln, NB: U of Nebraska Press, 1970.
  294. Tadic, Linda. “Intellectual Property in the Digital Environment: Rights Clearance..” NINCH Copyright Town Meeting, Intellectual Property and Multimedia in the Digital Age. New York Public Library, September 24, 2001. http://www.ninch.org/copyright/2002/Tadic_rev.doc .
  295. Tanselle, G. Thomas. “The Editorial Problem of Final Authorial Intention..” Studies in Bibliography 29 (1976): 167-211.
  296. — “Historicism and Critical Editing..” Studies in Bibliography 39 (1986): 1-46.
  297. — A Rationale of Textual Criticism. Philadelphia: U of Pennsylvania Press, 1989.
  298. — “Reproductions and Scholarship..” Studies in Bibliography 42 (1989): 25-54.
  299. — “Statement on the Significance of Primary Records..” Profession 95 (1995): 27-28.
  300. — “Textual Criticism and Literary Sociology..” Studies in Bibliograpy 44 (1991): 83-143.
  301. — “Textual Criticism at the Millenium..” Studies in Bibliography 54 (2001): 1-80.
  302. — “The Varieties of Scholarly Editing..” Scholarly Editing: A Guide to Research. Ed. David Greetham. New York: MLA, 1995. 9-32.
  303. Tennison, Jeni. XSLT and XPath On The Edge, Unlimited Edition. John Wiley and Sons, 2002.
  304. Text Encoding Initiative Consortium. For Guidelines for Electronic Text Encoding and Interchange, see Sperberg-McQueen, C.M. and Lou Burnard (eds).
  305. Thorpe, James. Principles of Textual Criticism. San Marino: Huntington Library, 1972.
  306. Timpanaro, Sebastiano. La genesi del metodo del Lachmann. Florence: Le Monnier, 1963. Rev. ed. Padua: Liviana, 1985.
  307. Tod, Marcus Niebuhr. A Selection of Greek Historical Inscriptions. 2 vols. Oxford: Clarendon Press, 1951-1962.
  308. Tophoven, Erika. “Beckett dreistimmig..” Literarische Polyphonie: Übersetzung und Mehrsprachigkeit in der Literatur. Ed. Johann Strutz and Peter V. Zima. Tübingen: Gunter Narr, 1996. 137-47.
  309. Turville-Petre, Thorlac and Hoyt N. Duggan, ed. The Piers Plowman Electronic Archive, Vol. 2: Cambridge, Trinity College, MS B.15.17 (W). SEENET, Series A.1. Ann Arbor: U of Michigan Press, 2000.
  310. The Unicode Consortium. The Unicode Standard. Version 3.0. Reading, MA: 2000.
  311. Unicode Standard Annex #15 Unicode Normalization Forms. http://www.unicode.org/unicode/reports/tr15/ .
  312. Unsworth, John. “Scholarly Primitives: What Methods Do Humanities Researchers Have in Common, and How Might Our Tools Reflect This?” Originally presented in a symposium on “Humanities Computing: Formal Methods, Experimental Practice.” . King's College, London, 13 May 2000. http://www.iath.virginia.edu/~jmu2m/Kings.5-00/primitives.html .
  313. Van Hulle, Dirk. Textual Awareness. A Genetic Approach to the Late Works of James Joyce, Marcel Proust, and Thomas Mann. Diss. Antwerp: University of Antwerp (UIA), 1999.
  314. Vander Meulen, David L. and G. Thomas Tanselle. “A System of Manuscript Transcription..” Studies in Bibliography 52 (1999): 201-212.
  315. Vanhoutte, Edward. “Display or Argument? Markup and Visualization for Electronic Scholarly Editions..” Standards und Methoden der Volltextdigitalisierung. Beiträge des Internationalen Kolloquiums an der Universität Trier, 8./9. Oktober 2001. Ed. Thomas Burch, Johannes Fournier, Kurt Gärtner and Andrea Rapp. Mainz: Akademie der Wissenschaften und der Literatur, Stuttgart: Franz Steiner Verlag, 2003. 71-96.
  316. — “A Linkemic Approach to Textual Variation. Theory and Practice of the Electronic-Critical Edition of Stijn Streuvels' De teleurgang van den waterhoek..” Human IT 1.2000 (2000): 103-138. 13 Jan. 2004. http://www.hb.se/bhs/ith/1-00/ev.htm .
  317. — “Where is the editor? Resistance in the creation of an electronic critical edition..” DRH 98. Selected papers from Digital Resources for the Humanities 1998. University of Glasgow, September 1998: . Ed. Marilyn Deegan, Jean Anderson, and Harold Short. OHC Publication 12. London: Office for Humanities Communication, 2000. 171-183. A variant and earlier version of this article has been published in Human IT 1.1999 (1999): 197-214. 13 Jan. 2004. http://www.hb.se/bhs/ith/1-99/ev.htm .
  318. Vanhoutte, Edward and Ron Van Den Branden. DALF guidelines for the description and encoding of modern manuscript material. Version 1.0. Gent: CTB, 2002-2003. 13 Jan. 2004. http://www.kantl.be/ctb/project/dalf/ .
  319. — “Describing, Transcribing, Encoding, and Editing Modern Correspondence Material: a Textbase Approach..” Computing the edition. Ed. Peter Shillingsburg and Fred Unwalla. Toronto: Toronto UP, 2004.
  320. — “Presentational and Representational Issues in Correspondence Reconstruction and Sorting..” Literary and Linguistic Computing 19.1 (2004): 45-54.
  321. Varela, Francisco J. et al. The Embodied Mind: Cognitive Science and Human Experience. Cambridge, MA: MIT Press, 1991.
  322. Varela, Francisco J. Principles of Biological Autonomy. North Holland series in general systems research 2. New York: North-Holland, 1979.
  323. Viscomi, Joseph. “Digital Facsimiles: Reading the William Blake Archive..” Computers and the Humanities 36.1 (2002): 27-48.
  324. Voloshinov, Valentin Nikolaevic. Marxism and the Philosophy of Language. Cambridge, Mass.: Harvard UP, 1986.
  325. Walsh, Norman, and Leonard Muellner. DocBook: The Definitive Guide. Sebastopol, CA: O'Reilly, 1999.
  326. WebDAV (Web-based Distributed Authoring and Versioning). 26 Nov. 2004. http://ftp.ics.uci.edu/pub/ietf/webdav/ .
  327. Wellek, René. Theory of Literature. New York: Harcourt Brace, 1956.
  328. The William Blake Archive. Ed. Morris Eaves, Robert N. Essick, and Joseph Viscomi. http://www.blakearchive.org .
  329. — “About the Archive..” http://www.blakearchive.org/public/about/index.html .
  330. — “Collection Lists..” In “Resources for Further Research..” ) http://www.blakearchive.org/cgi-bin/nph-1996/dynaweb/collection_lists/@Generic__CollectionView .
  331. — “Contributing Collections..” In “About the Archive..” ) http://www.blakearchive.org/public/institutions.html .
  332. — “Editorial Principles: Methodology and Standards in the William Blake Archive..” In “About the Archive..” http://www.blakearchive.org/public/about/principles/index.html .
  333. — “Plan of the Archive..” In “About the Archive..” http://www.blakearchive.org/public/about/plan/index.html .
  334. — “Technical Summary..” In “About the Archive..” http://www.blakearchive.org/public/about/tech/index.html .
  335. Williams, Tony. L'histoire en question. L'avant-texte du premier chapitre de la troisième partie de L'Education Sentimentale. 13 Jan. 2004. http://www.hull.ac.uk/hitm/ .
  336. Williams, Tony, and Alan Blunt. “Hypertext and genetic studies: Flaubert's L'éducation sentimentale.".” Digital Evidence. Selected Papers from DRH 2000, Digital Resources for the Humanities Conference, University of Sheffield, September 2000. Ed. Michael Fraser, Nigel Williamson, and Marilyn Deegan. Office for Humanities Communication Publication 14. London: Office for Humanities Communication, 2001. 191-203.
  337. Williams, William Proctor, and Craig S. Abbott. An Introduction to Bibliographical and Textual Studies. New York: MLA, 1985.
  338. Wittgenstein, Ludwig. Philosophical Investigations. London 1953.
  339. Wittgenstein, Ludwig. Tractatus Logico-Philosophicus. London 1922.
  340. Wittgenstein, Ludwig. Wittgenstein's Nachlass: The Bergen Electronic Edition. Oxford: Oxford UP, 2000.
  341. Woodhead, A. G. The Study of Greek Inscriptions. Cambridge: Cambridge UP, 1981.
  342. Wordsworth, William. The Prelude: 1799, 1805, 1850. Ed. Jonathan Wordsworth, M. H. Abrams, and Stephen Gill. New York: Norton, 1979.
  343. Wright, Georg Henrik von. “The Wittgenstein Papers..” Wittgenstein: . G. H. Wright. Basil Blackwell, Oxford 1982. First published in The Philosophical Review 78, 1969.
  344. W3C. The Cambridge Communiqué. W3C Note. 7 Oct. 1999. http://www.w3.org/TR/1999/NOTE-schema-arch-19991007 .
  345. Xalan (XSLT processor). 29 Feb. 2002. http://xml.apache.org/xalan-j/ .
  346. Xaira. [Burnard et al.] 26 Nov. 2004. http://www.xaira.org/ .
  347. XEP (XSL FO implementation). 29 Feb. 2002. http://www.renderx.com/FO2PDF.html .
  348. Xindice. 29 Feb. 2002. http://xml.apache.org/xindice/ .
  349. XMLNS (Namespaces in XML). 1999. W3C. 29 Feb. 2002. http://www.w3.org/TR/REC-xml-names/ .
  350. XML-RPC. 29 Feb. 2002. http://www.xmlrpc.com/ .
  351. XUpdate. 26 Nov. 2004. http://xmldb-org.sourceforge.net/xupdate/ .
  352. XSLFO. 2001. W3C. 29 Feb. 2002. http://www.w3.org/TR/xsl/ .
  353. XSLT. 1999. W3C. 29 Feb. 2002. http://www.w3.org/TR/xslt .
  354. Zeller, Hans. “A New Approach to the Critical Constitution of Literary Texts..” Studies in Bibliography 28 (1975): 231-63.
  355. Zupitza, Julius, ed. Beowulf: Reproduced in Facsimile from the Unique Manuscript British Museum MS. Cotton Vitellius A.xv. 2nd ed. EETS OS 245. London: Oxford University Press, 1959.
Copyright TEI Consortium. Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution 3.0 Unported license and a BSD 2-Clause license.
Last recorded change to this page: 2007-10-31  •  For corrections or updates, contact webmaster AT tei-c.org