Aims to promote the study of music as performance through a specific focus on recordings. Its activities include a major discographic project, seminars and research projects.
Traditionally, music has been studied as a text reproduced in performance - almost as if it were an obscure kind of literature. By placing performance at the centre of musicology - by promoting a musicology based on recordings and not just scores - CHARM aims to reduce the gulf between musicology and the listener. CHARM addresses three fundamental problems:
Participant | Role of participant | Institution | Department |
---|---|---|---|
Professor Nicholas Cook | Principal Investigator | Royal Holloway, University of London | Department of Music |
Professor John Rink | Co-Investigator | Royal Holloway, University of London | Department of Music |
Daniel Leech Wilkinson | Co-Investigator | King's College London | Department of Music |
Paul Spence | Technical Research Director (for CCH work) | King's College London | Centre for Computing in the Humanities |