Example: <view>
These search results reproduce every example of the use of <view> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <view> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
7 Performance Texts
7.3 Other Types of Performance Text
<camera>Angle on Olivia.</camera>
<view>Ryan's wife, standing nervously alone on the sidelines,
biting her lip. She's scared and she shows it.</view>
<view>Ryan's wife, standing nervously alone on the sidelines,
biting her lip. She's scared and she shows it.</view>
7.3 Other Types of Performance Text
<view>George glances at the window--and freezes.
<camera>New angle--shock cut</camera> Out the window
the body of a dead man suddenly slams into
<hi>frame</hi>. He dangles grotesquely,
held up by his coat caught on a protruding bolt.
George gasps. The train <hi>whistle</hi> screams.</view>
<camera>New angle--shock cut</camera> Out the window
the body of a dead man suddenly slams into
<hi>frame</hi>. He dangles grotesquely,
held up by his coat caught on a protruding bolt.
George gasps. The train <hi>whistle</hi> screams.</view>
7.3 Other Types of Performance Text
<view>Ext. TV control van—Early morning.
The <name>T.V. announcer</name> from the Ryan interview
stands near the Control Van, the lake in b.g.</view>
<sp>
<speaker>T.V. Announcer</speaker>
<p>Several years ago, Jack Ryan was a highly
successful hydroplane racer ...</p>
</sp>
The <name>T.V. announcer</name> from the Ryan interview
stands near the Control Van, the lake in b.g.</view>
<sp>
<speaker>T.V. Announcer</speaker>
<p>Several years ago, Jack Ryan was a highly
successful hydroplane racer ...</p>
</sp>
7.3 Other Types of Performance Text
<sp>
<speaker>TV Announcer VO</speaker>
<p>Working with Ryan are his two coworkers—
Strut Bowman, the mechanical engineer—
<view>
<camera>Angle on Strut</camera>
standing in the tow boat, walkie-talkie in hand,
watching Ryan carefully.</view>
—and Roger Dalton, a rocket
systems analyst, and one of the scientists
from the Jet Propulsion Lab ...</p>
</sp>
<speaker>TV Announcer VO</speaker>
<p>Working with Ryan are his two coworkers—
Strut Bowman, the mechanical engineer—
<view>
<camera>Angle on Strut</camera>
standing in the tow boat, walkie-talkie in hand,
watching Ryan carefully.</view>
—and Roger Dalton, a rocket
systems analyst, and one of the scientists
from the Jet Propulsion Lab ...</p>
</sp>
7.3 Other Types of Performance Text
<camera>Zoom in to overlay showing some stock film
of hansom cabs galloping past.</camera>
<caption>London, 1895.</caption>
<caption>The residence of Mr Oscar Wilde.</caption>
<sound>Suitably classy music starts.</sound>
<view>Mix through to Wilde's drawing room. A crowd of suitably
dressed folk are engaged in typically brilliant conversation,
laughing affectedly and drinking champagne.</view>
<sp>
<speaker>Prince of Wales</speaker>
<p>My congratulations, Wilde. Your latest play is a great success.</p>
</sp>
of hansom cabs galloping past.</camera>
<caption>London, 1895.</caption>
<caption>The residence of Mr Oscar Wilde.</caption>
<sound>Suitably classy music starts.</sound>
<view>Mix through to Wilde's drawing room. A crowd of suitably
dressed folk are engaged in typically brilliant conversation,
laughing affectedly and drinking champagne.</view>
<sp>
<speaker>Prince of Wales</speaker>
<p>My congratulations, Wilde. Your latest play is a great success.</p>
</sp>
<view>
<name>Max</name> joins his daughter
at the window. <hi>Rain</hi> sprays his
face--
</view>
<view>
<camera>Max's POV</camera> He sees occasional
windows open, and just across from his apartment
house, a <hi>man</hi> opens the front door of
a brownstone--
</view>
<name>Max</name> joins his daughter
at the window. <hi>Rain</hi> sprays his
face--
</view>
<view>
<camera>Max's POV</camera> He sees occasional
windows open, and just across from his apartment
house, a <hi>man</hi> opens the front door of
a brownstone--
</view>
<view>
<name>馬克思</name>隨他女兒到窗邊。<hi>雨水</hi> 打在他臉上--
</view>
<view>
<camera>馬克思的視點</camera> 他看見一些打開的窗戶，而就在他公寓對面，有一個<hi>男子</hi> 正打開富麗堂皇的大門。--
</view>
<name>馬克思</name>隨他女兒到窗邊。<hi>雨水</hi> 打在他臉上--
</view>
<view>
<camera>馬克思的視點</camera> 他看見一些打開的窗戶，而就在他公寓對面，有一個<hi>男子</hi> 正打開富麗堂皇的大門。--
</view>
<div type="shot">
<view>香港鳳凰衛視台</view>
<sp>
<speaker>旁白</speaker>
<p>2008北京奧運的聖火稍後即將傳遞到香港九龍，我們有最新的現場實況直播於您。</p>
</sp>
</div>
<div type="shot">
<view>香港九龍街道。四處是圍觀的群眾。記者站在聖火傳遞路線旁。</view>
<sp>
<speaker>主持人</speaker>
<p>大家好，我現在在香港的九龍。 </p>
</sp>
</div>
<view>香港鳳凰衛視台</view>
<sp>
<speaker>旁白</speaker>
<p>2008北京奧運的聖火稍後即將傳遞到香港九龍，我們有最新的現場實況直播於您。</p>
</sp>
</div>
<div type="shot">
<view>香港九龍街道。四處是圍觀的群眾。記者站在聖火傳遞路線旁。</view>
<sp>
<speaker>主持人</speaker>
<p>大家好，我現在在香港的九龍。 </p>
</sp>
</div>
<div type="shot">
<view>BBC World symbol</view>
<sp>
<speaker>Voice Over</speaker>
<p>Monty Python's Flying Circus tonight comes to you live
from the Grillomat Snack Bar, Paignton.</p>
</sp>
</div>
<div type="shot">
<view>Interior of a nasty snack bar. Customers around, preferably
real people. Linkman sitting at one of the plastic tables.</view>
<sp>
<speaker>Linkman</speaker>
<p>Hello to you live from the Grillomat Snack Bar.
</p>
</sp>
</div>
<view>BBC World symbol</view>
<sp>
<speaker>Voice Over</speaker>
<p>Monty Python's Flying Circus tonight comes to you live
from the Grillomat Snack Bar, Paignton.</p>
</sp>
</div>
<div type="shot">
<view>Interior of a nasty snack bar. Customers around, preferably
real people. Linkman sitting at one of the plastic tables.</view>
<sp>
<speaker>Linkman</speaker>
<p>Hello to you live from the Grillomat Snack Bar.
</p>
</sp>
</div>
<view>George glances at the window--and freezes.
<camera type="cut">New angle--shock cut</camera>
Out the window the body of a dead man suddenly slams into frame
</view>
<camera type="cut">New angle--shock cut</camera>
Out the window the body of a dead man suddenly slams into frame
</view>
<view>喬治望向窗戶，凍住。 <camera type="cut">新角度--shock
cut（凝住）</camera> 窗外一具屍體突然砰向畫面</view>
cut（凝住）</camera> 窗外一具屍體突然砰向畫面</view>
<camera>Zoom in to overlay showing some stock film of hansom cabs
galloping past</camera>
<caption>London, 1895.</caption>
<caption>The residence of Mr Oscar Wilde.</caption>
<sound>Suitably classy music starts.</sound>
<view>Mix through to Wilde's drawing room. A crowd of suitably
dressed folk are engaged in typically brilliant conversation,
laughing affectedly and drinking champagne.</view>
<sp>
<speaker>Prince of Wales</speaker>
<p>My congratulations, Wilde. Your latest play is a great success.
</p>
</sp>
galloping past</camera>
<caption>London, 1895.</caption>
<caption>The residence of Mr Oscar Wilde.</caption>
<sound>Suitably classy music starts.</sound>
<view>Mix through to Wilde's drawing room. A crowd of suitably
dressed folk are engaged in typically brilliant conversation,
laughing affectedly and drinking champagne.</view>
<sp>
<speaker>Prince of Wales</speaker>
<p>My congratulations, Wilde. Your latest play is a great success.
</p>
</sp>
<camera>鏡頭拉近，畫面上雙蓋馬車奔馳而去。</camera>
<caption>1895年，倫敦。</caption>
<caption>王爾德先生的家</caption>
<sound>開始合宜別緻的音樂。</sound>
<view>畫面融接到王爾德的畫室。一群人衣冠楚楚、 高談闊論，有人手拿香檳，有人開懷大笑。</view>
<sp>
<speaker>威爾斯王子</speaker>
<p>恭喜你，王爾德。你最近的戲劇是個大成功。</p>
</sp>
<caption>1895年，倫敦。</caption>
<caption>王爾德先生的家</caption>
<sound>開始合宜別緻的音樂。</sound>
<view>畫面融接到王爾德的畫室。一群人衣冠楚楚、 高談闊論，有人手拿香檳，有人開懷大笑。</view>
<sp>
<speaker>威爾斯王子</speaker>
<p>恭喜你，王爾德。你最近的戲劇是個大成功。</p>
</sp>