Beispiel: <bindingDesc> (binding description)
These search results reproduce every example of the use of <bindingDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <bindingDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
10 Manuscript Description
<bindingDesc>
<p>Sewing not visible; tightly rebound over 19th-century pasteboards, reusing
panels of 16th-century brown leather with gilt tooling à la fanfare, Paris
c. 1580-90, the centre of each cover inlaid with a 17th-century oval medallion
of red morocco tooled in gilt (perhaps replacing the identifying mark of a
previous owner); the spine similarly tooled, without raised bands or title-piece;
coloured endbands; the edges of the leaves and boards gilt. Boxed.</p>
</bindingDesc>
<p>Sewing not visible; tightly rebound over 19th-century pasteboards, reusing
panels of 16th-century brown leather with gilt tooling à la fanfare, Paris
c. 1580-90, the centre of each cover inlaid with a 17th-century oval medallion
of red morocco tooled in gilt (perhaps replacing the identifying mark of a
previous owner); the spine similarly tooled, without raised bands or title-piece;
coloured endbands; the edges of the leaves and boards gilt. Boxed.</p>
</bindingDesc>
<bindingDesc>
<p>Sewing not visible; tightly rebound over
19th-cent. pasteboards, reusing panels of 16th-cent. brown leather with
gilt tooling à la fanfare, Paris c. 1580-90, the centre of each
cover inlaid with a 17th-cent. oval medallion of red morocco tooled in
gilt (perhaps replacing the identifying mark of a previous owner); the
spine similarly tooled, without raised bands or title-piece; coloured
endbands; the edges of the leaves and boards gilt.Boxed.</p>
</bindingDesc>
<p>Sewing not visible; tightly rebound over
19th-cent. pasteboards, reusing panels of 16th-cent. brown leather with
gilt tooling à la fanfare, Paris c. 1580-90, the centre of each
cover inlaid with a 17th-cent. oval medallion of red morocco tooled in
gilt (perhaps replacing the identifying mark of a previous owner); the
spine similarly tooled, without raised bands or title-piece; coloured
endbands; the edges of the leaves and boards gilt.Boxed.</p>
</bindingDesc>
<bindingDesc>
<p>內外兩層經板將經葉含夾以後，以絲質經索綑紮，並附上白色哈達，然後以黃綾經衣包裹，就成了完整一函的經篋。</p>
</bindingDesc>
<p>內外兩層經板將經葉含夾以後，以絲質經索綑紮，並附上白色哈達，然後以黃綾經衣包裹，就成了完整一函的經篋。</p>
</bindingDesc>
<bindingDesc>
<binding contemporary="false">
<p> 使用與書寫的貝葉非同時代的樹條捆住</p>
</binding>
<binding contemporary="false">
<p>以十九世紀的不知名棉繩重綁；裁切邊緣並鍍金</p>
</binding>
</bindingDesc>
<binding contemporary="false">
<p> 使用與書寫的貝葉非同時代的樹條捆住</p>
</binding>
<binding contemporary="false">
<p>以十九世紀的不知名棉繩重綁；裁切邊緣並鍍金</p>
</binding>
</bindingDesc>
<bindingDesc>
<binding contemporary="false">
<p>Quarter bound by the Phillipps' binder, Bretherton, with his sticker on the front
pastedown.</p>
</binding>
<binding contemporary="false">
<p>Rebound by an unknown 19th c. company; edges cropped and gilt.</p>
</binding>
</bindingDesc>
<binding contemporary="false">
<p>Quarter bound by the Phillipps' binder, Bretherton, with his sticker on the front
pastedown.</p>
</binding>
<binding contemporary="false">
<p>Rebound by an unknown 19th c. company; edges cropped and gilt.</p>
</binding>
</bindingDesc>