Example: <graphic>

These search results reproduce every example of the use of <graphic> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <graphic> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

1 The TEI Infrastructure

1.4.2 Datatype Macros

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic
   height="600px"
   width="600px"
   url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

3 Elements Available in All TEI Documents

3.9 Graphics and other non-textual components

<p>These were the four lines I moved in
through my first, second, third, and
fourth volumes. -- In the fifth volume
I have been very good, -- the precise
line I have described in it being this :
<graphic url="zigzag2.png" mimeType="image/png"/>
By which it appears, that except at the
curve, marked A. where I took a trip
to Navarre, -- and the indented curve B.
which is the short airing when I was
there with the Lady Baussiere and her
page, -- I have not taken the least frisk
...</p>

3.9 Graphics and other non-textual components

<head>
 <graphic
   url="http://www.iath.virginia.edu/gants/Ornaments/Heads/hp-ral02.gif"/>
</head>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

5 Representation of Non-standard Characters and Glyphs

5.3 Annotating Characters

<charDecl>
 <glyph xml:id="r1">
  <glyphName>LATIN SMALL LETTER R WITH ONE FUNNY STROKE</glyphName>
  <charProp>
   <localName>entity</localName>
   <value>r1</value>
  </charProp>
  <figure>
   <graphic url="r1img.png"/>
  </figure>
 </glyph>
 <glyph xml:id="r2">
  <glyphName>LATIN SMALL LETTER R WITH TWO FUNNY STROKES</glyphName>
  <charProp>
   <localName>entity</localName>
   <value>r2</value>
  </charProp>
  <figure>
   <graphic url="r2img.png"/>
  </figure>
 </glyph>
</charDecl>

5.3 Annotating Characters

<p> ... <g ref="#Filig">Fi</g>lthy riches...</p>
<!-- in the charDecl -->
<glyph xml:id="per">
 <glyphName>LATIN ABBREVIATION PER</glyphName>
 <figure>
  <graphic url="per.png"/>
 </figure>
</glyph>

5.3 Annotating Characters

<glyph xml:id="Filig">
 <glyphName>LATIN UPPER F AND LATIN LOWER I LIGATURE</glyphName>
 <figure>
  <graphic url="Filig.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="rstroke">
 <glyphName>LATIN SMALL LETTER R WITH A FUNNY STROKE</glyphName>
 <charProp>
  <localName>entity</localName>
  <value>rstroke</value>
 </charProp>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

11 Representation of Primary Sources

11.1 Digital Facsimiles

<facsimile>
 <graphic url="page1.png"/>
 <graphic url="page2.png"/>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

11.1 Digital Facsimiles

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

11.1 Digital Facsimiles

<facsimile>
 <surface
   ulx="50"
   uly="20"
   lrx="400"
   lry="280">
  <zone
    ulx="0"
    uly="0"
    lrx="500"
    lry="321">
   <graphic
     url="http://upload.wikimedia.org/wikipedia/commons/5/50/Handschrift.karlsruhe.blb.jpg"/>
  </zone>
 </surface>
</facsimile>

11.1 Digital Facsimiles

<facsimile>
 <surface
   ulx="50"
   uly="20"
   lrx="210"
   lry="280">
  <desc>left hand page</desc>
  <zone
    ulx="0"
    uly="0"
    lrx="500"
    lry="321">
   <graphic
     url="http://upload.wikimedia.org/wikipedia/commons/5/50/Handschrift.karlsruhe.blb.jpg"/>
  </zone>
 </surface>
 <surface
   ulx="240"
   uly="25"
   lrx="400"
   lry="280">
  <desc>right hand page</desc>
  <zone
    ulx="0"
    uly="0"
    lrx="500"
    lry="321">
   <graphic
     url="http://upload.wikimedia.org/wikipedia/commons/5/50/Handschrift.karlsruhe.blb.jpg"/>
  </zone>
 </surface>
</facsimile>

11.1 Digital Facsimiles

<facsimile>
 <surface
   ulx="50"
   uly="20"
   lrx="210"
   lry="280">
  <desc>Left hand page</desc>
  <zone
    ulx="0"
    uly="0"
    lrx="500"
    lry="321">
   <graphic
     url="http://upload.wikimedia.org/wikipedia/commons/5/50/Handschrift.karlsruhe.blb.jpg"/>
  </zone>
  <zone
    ulx="90"
    uly="40"
    lrx="200"
    lry="225">
   <desc>Written part of left hand page</desc>
  </zone>
 </surface>
</facsimile>

11.1 Digital Facsimiles

<facsimile>
 <surface
   ulx="0"
   uly="0"
   lrx="200"
   lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

11.1 Digital Facsimiles

<facsimile>
 <surface
   ulx="0"
   uly="0"
   lrx="200"
   lry="300">
  <graphic url="Bovelles-49r.png"/>
  <zone
    ulx="25"
    uly="25"
    lrx="180"
    lry="60">
   <desc>contains the title</desc>
  </zone>
  <zone
    ulx="28"
    uly="75"
    lrx="175"
    lry="178"/>
<!-- contains the paragraph in italics -->
  <zone
    ulx="105"
    uly="76"
    lrx="175"
    lry="160"/>
<!-- contains the figure -->
  <zone
    ulx="45"
    uly="125"
    lrx="60"
    lry="130"/>
<!-- contains the word "pendans" -->
 </surface>
</facsimile>

11.1 Digital Facsimiles

<zone
  ulx="105"
  uly="76"
  lrx="175"
  lry="160">
 <graphic url="Bovelles49r-detail.png"/>
</zone>

11.1 Digital Facsimiles

<facsimile>
 <surface
   ulx="0"
   uly="0"
   lrx="200"
   lry="300">
  <zone
    xml:id="B49r"
    ulx="0"
    uly="0"
    lrx="200"
    lry="300">
   <graphic url="Bovelles-49r.png"/>
  </zone>
  <zone
    ulx="105"
    uly="76"
    lrx="175"
    lry="160">
   <graphic url="Bovelles49r-detail.png"/>
  </zone>
  <zone
    xml:id="B49rHead"
    ulx="25"
    uly="25"
    lrx="180"
    lry="60"/>
<!-- contains the title -->
  <zone
    xml:id="B49rPara2"
    ulx="28"
    uly="75"
    lrx="175"
    lry="178"/>
<!-- contains the paragraph in italics -->
  <zone
    xml:id="B49rFig1"
    ulx="105"
    uly="76"
    lrx="175"
    lry="160"/>
<!-- contains the figure -->
  <zone
    xml:id="B49rW457"
    ulx="45"
    uly="125"
    lrx="60"
    lry="130"/>
<!-- contains the word "pendans" -->
 </surface>
</facsimile>

11.1 Digital Facsimiles

<pb facs="#B49r"/>
<fw>De Geometrie 49</fw>
<head facs="#B49rHead">DU SON ET ACCORD DES CLOCHES ET <lb/> des alleures des chevaulx,
chariotz &amp; charges, des fontaines:&amp; <lb/> encyclie du monde,
&amp; de la dimension du corps humain.</head>
<head>Chapitre septiesme</head>
<div n="1">
 <p>Le son &amp; accord des cloches pendans en ung mesme <lb/> axe, est
   faict en contraires parties.</p>
 <p rend="it" facs="#B49rPara2">LEs cloches ont quasi fi<lb/>gures de rondes
   pyra<lb/>mides imperfaictes &amp; <lb/> irregulieres: &amp; leur
   accord se <lb/> fait par reigle geometrique. Com<lb/>me si les deux
   cloches C &amp; D <lb/> sont <w facs="#B49rW457">pendans</w> à ung
   mesme axe <lb/> ou essieu A B: je dis que leur ac<lb/>cord se fera en
   co<ex>n</ex>traires parties<lb/> co<ex>m</ex>me voyez icy
   figuré. Car qua<ex>n</ex>d <lb/> lune sera en hault, laultre
   declinera embas. Aultrement si elles decli<lb/>nent toutes deux
   ensembles en une mesme partie, elles seront discord, <lb/> &amp; sera
   leur sonnerie mal plaisante à oyr.<figure facs="#B49rFig1">
   <graphic url="Bovelles49r-detail.png"/>
  </figure>
 </p>
</div>

11.1 Digital Facsimiles

<facsimile>
 <surface start="#PB49R">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>
<text>
<!-- ... -->
 <pb xml:id="PB49R"/>
 <fw>De Geometrie 49</fw>
<!-- ... -->
</text>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface
   ulx="0"
   uly="0"
   lrx="200"
   lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<surface>

<facsimile>
 <surface
   ulx="0"
   uly="0"
   lrx="200"
   lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<zone>

<facsimile>
 <surface
   ulx="50"
   uly="20"
   lrx="400"
   lry="280">
  <zone
    ulx="0"
    uly="0"
    lrx="500"
    lry="321">
   <graphic url="graphic.png "/>
  </zone>
 </surface>
</facsimile>

14 Tables, Formulæ, and Graphics

14.3 Specific Elements for Graphic Images

<figure>
 <graphic url="Fig1.pdf"/>
</figure>

14.3 Specific Elements for Graphic Images

<figure>
 <graphic url="Fig1.pdf"/>
 <head>Figure One: The View from the
   Bridge</head>
</figure>

14.3 Specific Elements for Graphic Images

<figure>
 <graphic url="pullman.png"/>
 <head>Above:</head>
 <p>The drawing room of the Pullman house, the white and gold saloon
   where the magnate delighted in giving receptions for several
   hundred people.</p>
 <figDesc>The figure shows an elaborately decorated room, at least
   twenty-five feet side to side and fifty feet long, with ornate
   mouldings and Corinthian columns on the walls, overstuffed
   armchairs and loveseats arranged in several conversational
   groupings, and two large chandeliers.</figDesc>
</figure>

14.3 Specific Elements for Graphic Images

<figure>
 <graphic url="Fig1.jpg"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four
   or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

14.3 Specific Elements for Graphic Images

<figure n="6.45">
 <figure n="a">
  <graphic url="./figs/6.45a.png"/>
  <ab type="caption">Parallel</ab>
 </figure>
 <figure n="b">
  <graphic url="./figs/6.45b.png"/>
  <ab type="caption">Perspective</ab>
 </figure>
 <ab type="caption">The two canonical view volumes, for the (a) parallel
   and (b) perspective projections. Note that -z is to the right.</ab>
</figure>

14.3 Specific Elements for Graphic Images

<ref target="#IM1">Click here
<graphic url="fig1th.png"/>
for enlightenment
</ref>
<figure xml:id="IM1">
 <graphic url="fig1.jpg"/>
</figure>

<figure>

<figure>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png" scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png" scale="0.5"/>
</figure>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

16 Linking, Segmentation, and Alignment

16.2.1 Pointing Elsewhere

<figure rend="float fullpage">
 <graphic url="Images/compic.png"/>
 <figDesc>The figure shows the page from the <title>Orbis
     pictus</title> of Comenius which is discussed in the text.</figDesc>
</figure>