Exemple: <back> (texte postliminaire)
These search results reproduce every example of the use of <back> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <back> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
- 3 Elements Available in All TEI Documents
- 4 Default Text Structure
- 7 Performance Texts
- 16 Linking, Segmentation, and Alignment
3 Elements Available in All TEI Documents
3.8.2.2 Auto-generated indexes
<back>
<div type="appendix">
<head>Bibliography</head>
<listBibl>
<bibl> ... </bibl>
</listBibl>
</div>
<divGen n="Index Nominum" type="INDEX-NAMES"/>
<divGen n="Index Loci" type="INDEX-PLACES"/>
</back>
<div type="appendix">
<head>Bibliography</head>
<listBibl>
<bibl> ... </bibl>
</listBibl>
</div>
<divGen n="Index Nominum" type="INDEX-NAMES"/>
<divGen n="Index Loci" type="INDEX-PLACES"/>
</back>
3.8.2.2 Auto-generated indexes
<back>
<divGen n="A1" type="INDEX-NAMES">
<head>An Index of Names</head>
</divGen>
</back>
<divGen n="A1" type="INDEX-NAMES">
<head>An Index of Names</head>
</divGen>
</back>
4 Default Text Structure
<text>
<front/>
<group>
<text>
<front/>
<body/>
<back/>
</text>
<text/>
</group>
</text>
<front/>
<group>
<text>
<front/>
<body/>
<back/>
</text>
<text/>
</group>
</text>
<text>
<front/>
<group>
<text>
<front/>
<body/>
<back/>
</text>
<text/>
</group>
</text>
<front/>
<group>
<text>
<front/>
<body/>
<back/>
</text>
<text/>
</group>
</text>
<TEI>
<teiHeader>
<!-- .... -->
</teiHeader>
<text>
<front>
<!-- front matter of copy text, if any, goes here -->
</front>
<body>
<!-- body of copy text goes here -->
</body>
<back>
<!-- back matter of copy text, if any, goes here -->
</back>
</text>
</TEI>
<teiHeader>
<!-- .... -->
</teiHeader>
<text>
<front>
<!-- front matter of copy text, if any, goes here -->
</front>
<body>
<!-- body of copy text goes here -->
</body>
<back>
<!-- back matter of copy text, if any, goes here -->
</back>
</text>
</TEI>
<TEI>
<teiHeader>
<!-- .... -->
</teiHeader>
<text>
<front>
<!-- front matter for composite text -->
</front>
<group>
<text>
<front>
<!-- front matter of first unitary text, if any -->
</front>
<body>
<!-- body of first unitary text -->
</body>
<back>
<!-- back matter of first unitary text, if any -->
</back>
</text>
<text>
<body>
<!-- body of second unitary text -->
</body>
</text>
</group>
<back>
<!-- back matter for composite text, if any -->
</back>
</text>
</TEI>
<teiHeader>
<!-- .... -->
</teiHeader>
<text>
<front>
<!-- front matter for composite text -->
</front>
<group>
<text>
<front>
<!-- front matter of first unitary text, if any -->
</front>
<body>
<!-- body of first unitary text -->
</body>
<back>
<!-- back matter of first unitary text, if any -->
</back>
</text>
<text>
<body>
<!-- body of second unitary text -->
</body>
</text>
</group>
<back>
<!-- back matter for composite text, if any -->
</back>
</text>
</TEI>
<back>
<div1 type="backmat">
<head>Bibliography</head>
<listBibl>
<bibl/>
</listBibl>
</div1>
<div1 type="backmat">
<head>Indices</head>
<divGen n="Index Nominum" type="NAMES"/>
<divGen n="Index Rerum" type="THINGS"/>
</div1>
</back>
<div1 type="backmat">
<head>Bibliography</head>
<listBibl>
<bibl/>
</listBibl>
</div1>
<div1 type="backmat">
<head>Indices</head>
<divGen n="Index Nominum" type="NAMES"/>
<divGen n="Index Rerum" type="THINGS"/>
</div1>
</back>
<back>
<div1 type="backmat">
<head>參考書目</head>
<listBibl>
<bibl/>
</listBibl>
</div1>
<div1 type="backmat">
<head>索引</head>
<divGen n="Index Nominum" type="人名"/>
<divGen n="Index Rerum" type="事物"/>
</div1>
</back>
<div1 type="backmat">
<head>參考書目</head>
<listBibl>
<bibl/>
</listBibl>
</div1>
<div1 type="backmat">
<head>索引</head>
<divGen n="Index Nominum" type="人名"/>
<divGen n="Index Rerum" type="事物"/>
</div1>
</back>
<text>
<front>
<titlePage>
<docTitle>
<titlePart>The poems of Richard Crashaw</titlePart>
</docTitle>
<byline>Edited by J.R. Tutin</byline>
</titlePage>
<div type="preface">
<head>Editor's Note</head>
<p>A few words are necessary ... </p>
</div>
</front>
<group>
<text>
<front>
<titlePage>
<docTitle>
<titlePart>Steps to the Temple, Sacred Poems</titlePart>
</docTitle>
</titlePage>
<div type="address">
<head>The Preface to the Reader</head>
<p>Learned Reader, The Author's friend will not usurp much
upon thy eye ... </p>
</div>
</front>
<group>
<text>
<front>
<docTitle>
<titlePart>Sospetto D'Herode</titlePart>
</docTitle>
</front>
<body>
<div1 type="book" n="Herod I">
<head>Libro Primo</head>
<epigraph>
<l>Casting the times with their strong signs</l>
</epigraph>
<lg n="I.1" type="stanza">
<l>Muse! now the servant of soft loves no more</l>
<l>Hate is thy theme and Herod whose unblest</l>
<l>Hand (O, what dares not jealous greatness?) tore</l>
<l>A thousand sweet babes from their mothers' breast,</l>
<l>The blooms of martyrdom ...</l>
</lg>
</div1>
</body>
</text>
<text>
<front>
<docTitle>
<titlePart>The Tear</titlePart>
</docTitle>
</front>
<body>
<lg n="I">
<l>What bright soft thing is this</l>
<l>Sweet Mary, thy fair eyes' expense?</l>
</lg>
</body>
</text>
<!-- remaining poems of the Steps to the Temple appear here, each tagged as a distinct text element -->
</group>
<back>
<!-- back matter for the Steps to the Temple -->
</back>
</text>
<text>
<!-- start of Carmen deo Nostro -->
<front/>
<group>
<text/>
<text/>
<!-- more texts here -->
</group>
</text>
<text>
<!-- start of The Delights of the Muses -->
<group>
<text/>
<text/>
<!-- more texts here -->
</group>
</text>
</group>
<back>
<!-- back matter for the whole collection -->
</back>
</text>
<front>
<titlePage>
<docTitle>
<titlePart>The poems of Richard Crashaw</titlePart>
</docTitle>
<byline>Edited by J.R. Tutin</byline>
</titlePage>
<div type="preface">
<head>Editor's Note</head>
<p>A few words are necessary ... </p>
</div>
</front>
<group>
<text>
<front>
<titlePage>
<docTitle>
<titlePart>Steps to the Temple, Sacred Poems</titlePart>
</docTitle>
</titlePage>
<div type="address">
<head>The Preface to the Reader</head>
<p>Learned Reader, The Author's friend will not usurp much
upon thy eye ... </p>
</div>
</front>
<group>
<text>
<front>
<docTitle>
<titlePart>Sospetto D'Herode</titlePart>
</docTitle>
</front>
<body>
<div1 type="book" n="Herod I">
<head>Libro Primo</head>
<epigraph>
<l>Casting the times with their strong signs</l>
</epigraph>
<lg n="I.1" type="stanza">
<l>Muse! now the servant of soft loves no more</l>
<l>Hate is thy theme and Herod whose unblest</l>
<l>Hand (O, what dares not jealous greatness?) tore</l>
<l>A thousand sweet babes from their mothers' breast,</l>
<l>The blooms of martyrdom ...</l>
</lg>
</div1>
</body>
</text>
<text>
<front>
<docTitle>
<titlePart>The Tear</titlePart>
</docTitle>
</front>
<body>
<lg n="I">
<l>What bright soft thing is this</l>
<l>Sweet Mary, thy fair eyes' expense?</l>
</lg>
</body>
</text>
<!-- remaining poems of the Steps to the Temple appear here, each tagged as a distinct text element -->
</group>
<back>
<!-- back matter for the Steps to the Temple -->
</back>
</text>
<text>
<!-- start of Carmen deo Nostro -->
<front/>
<group>
<text/>
<text/>
<!-- more texts here -->
</group>
</text>
<text>
<!-- start of The Delights of the Muses -->
<group>
<text/>
<text/>
<!-- more texts here -->
</group>
</text>
</group>
<back>
<!-- back matter for the whole collection -->
</back>
</text>
<text>
<!-- the whole anthology -->
<front>
<!-- title page, acknowledgments, introductory essay -->
</front>
<group>
<!-- body of anthology starts here -->
<group>
<head>The Beginnings</head>
<!-- sequence of texts or groups -->
</group>
<group>
<!-- The Eighteenth Century and the Grand Tour -->
<text>
<!-- prefatory essay by editor -->
</text>
<group>
<!-- Section on Lady Mary Wortley Montagu starts -->
<text>
<!-- biographical notice by editor -->
</text>
<text>
<!-- first letter -->
</text>
<text>
<!-- second letter -->
</text>
<!-- ... -->
</group>
<!-- end of Montagu section -->
<text>
<!-- single text by Jonathan Swift starts -->
<front>
<!-- biographical notice by editor -->
</front>
<body/>
</text>
<!-- end of Swift section -->
<group>
<!-- Section on Alexander Pope starts -->
<text>
<!-- biographical notice by editor -->
</text>
<text>
<!-- first poem -->
</text>
<text>
<!-- second poem -->
</text>
</group>
<!-- end of Pope section -->
<!-- ... -->
</group>
<!-- end of 18th century section -->
<group>
<head>The Heyday</head>
<!-- texts and subgroups -->
</group>
<!-- ... -->
</group>
<!-- end of the anthology proper -->
<back>
<!-- back matter for anthology -->
</back>
</text>
<!-- the whole anthology -->
<front>
<!-- title page, acknowledgments, introductory essay -->
</front>
<group>
<!-- body of anthology starts here -->
<group>
<head>The Beginnings</head>
<!-- sequence of texts or groups -->
</group>
<group>
<!-- The Eighteenth Century and the Grand Tour -->
<text>
<!-- prefatory essay by editor -->
</text>
<group>
<!-- Section on Lady Mary Wortley Montagu starts -->
<text>
<!-- biographical notice by editor -->
</text>
<text>
<!-- first letter -->
</text>
<text>
<!-- second letter -->
</text>
<!-- ... -->
</group>
<!-- end of Montagu section -->
<text>
<!-- single text by Jonathan Swift starts -->
<front>
<!-- biographical notice by editor -->
</front>
<body/>
</text>
<!-- end of Swift section -->
<group>
<!-- Section on Alexander Pope starts -->
<text>
<!-- biographical notice by editor -->
</text>
<text>
<!-- first poem -->
</text>
<text>
<!-- second poem -->
</text>
</group>
<!-- end of Pope section -->
<!-- ... -->
</group>
<!-- end of 18th century section -->
<group>
<head>The Heyday</head>
<!-- texts and subgroups -->
</group>
<!-- ... -->
</group>
<!-- end of the anthology proper -->
<back>
<!-- back matter for anthology -->
</back>
</text>
<back>
<div type="index">
<head>Index</head>
<list type="index">
<item>Actors, public, paid for the contempt attending
their profession, <ref>263</ref>
</item>
<item>Africa, cause assigned for the barbarous state of
the interior parts of that continent, <ref>125</ref>
</item>
<item>Agriculture
<list type="indexentry">
<item>ancient policy of Europe unfavourable to, <ref>371</ref>
</item>
<item>artificers necessary to carry it on, <ref>481</ref>
</item>
<item>cattle and tillage mutually improve each other, <ref>325</ref>
</item>
<item>wealth arising from more solid than that which proceeds
from commerce <ref>520</ref>
</item>
</list>
</item>
<item>Alehouses, not the efficient cause of drunkenness, <ref>461</ref>
</item>
</list>
</div>
</back>
<div type="index">
<head>Index</head>
<list type="index">
<item>Actors, public, paid for the contempt attending
their profession, <ref>263</ref>
</item>
<item>Africa, cause assigned for the barbarous state of
the interior parts of that continent, <ref>125</ref>
</item>
<item>Agriculture
<list type="indexentry">
<item>ancient policy of Europe unfavourable to, <ref>371</ref>
</item>
<item>artificers necessary to carry it on, <ref>481</ref>
</item>
<item>cattle and tillage mutually improve each other, <ref>325</ref>
</item>
<item>wealth arising from more solid than that which proceeds
from commerce <ref>520</ref>
</item>
</list>
</item>
<item>Alehouses, not the efficient cause of drunkenness, <ref>461</ref>
</item>
</list>
</div>
</back>
<back>
<div type="letter">
<head>A letter written to his wife, founde with this booke
after his death.</head>
<p>The remembrance of the many wrongs offred thee, and thy
unreproued vertues, adde greater sorrow to my miserable state,
than I can utter or thou conceiue. ...
... yet trust I in the world to come to find mercie, by the
merites of my Saiuour to whom I commend thee, and commit
my soule.</p>
<signed>Thy repentant husband for his disloyaltie,
<name>Robert Greene.</name>
</signed>
<epigraph xml:lang="la">
<p>Faelicem fuisse infaustum</p>
</epigraph>
<trailer>FINIS</trailer>
</div>
</back>
<div type="letter">
<head>A letter written to his wife, founde with this booke
after his death.</head>
<p>The remembrance of the many wrongs offred thee, and thy
unreproued vertues, adde greater sorrow to my miserable state,
than I can utter or thou conceiue. ...
... yet trust I in the world to come to find mercie, by the
merites of my Saiuour to whom I commend thee, and commit
my soule.</p>
<signed>Thy repentant husband for his disloyaltie,
<name>Robert Greene.</name>
</signed>
<epigraph xml:lang="la">
<p>Faelicem fuisse infaustum</p>
</epigraph>
<trailer>FINIS</trailer>
</div>
</back>
<back>
<div type="corrigenda">
<head>Addenda</head>
<salute xml:lang="la">M. Scriblerus Lectori</salute>
<p>Once more, gentle reader I appeal unto thee, from the shameful
ignorance of the Editor, by whom Our own Specimen of
<name>Virgil</name> hath been mangled in such miserable manner, that
scarce without tears can we behold it. At the very entrance, Instead
of <q xml:lang="gr">προλεγομενα</q>, lo!
<q xml:lang="gr">προλεγωμενα</q> with an Omega!
and in the same line <q xml:lang="la">consulâs</q> with a circumflex!
In the next page thou findest <q xml:lang="la">leviter perlabere</q>,
which his ignorance took to be the infinitive mood of
<q xml:lang="la">perlabor</q> but ought to be
<q xml:lang="la">perlabi</q> ... Wipe away all these
monsters, Reader, with thy quill.</p>
</div>
</back>
<div type="corrigenda">
<head>Addenda</head>
<salute xml:lang="la">M. Scriblerus Lectori</salute>
<p>Once more, gentle reader I appeal unto thee, from the shameful
ignorance of the Editor, by whom Our own Specimen of
<name>Virgil</name> hath been mangled in such miserable manner, that
scarce without tears can we behold it. At the very entrance, Instead
of <q xml:lang="gr">προλεγομενα</q>, lo!
<q xml:lang="gr">προλεγωμενα</q> with an Omega!
and in the same line <q xml:lang="la">consulâs</q> with a circumflex!
In the next page thou findest <q xml:lang="la">leviter perlabere</q>,
which his ignorance took to be the infinitive mood of
<q xml:lang="la">perlabor</q> but ought to be
<q xml:lang="la">perlabi</q> ... Wipe away all these
monsters, Reader, with thy quill.</p>
</div>
</back>
<back>
<div1 type="appendix">
<head>The Golden Dream or, the Ingenuous Confession</head>
<p>To shew the Depravity of human Nature </p>
</div1>
<div1 type="epistle">
<head>A letter from the Printer, which he desires may be inserted</head>
<salute>Sir.</salute>
<p>I have done with your Copy, so you may return it to the Vatican, if you please </p>
</div1>
<div1 type="advert">
<head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
<list>
<item n="1">The Christmas Box, Price 1d.</item>
<item n="2">The History of Giles Gingerbread, 1d.</item>
<item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
10 Vol, Pr. bound 1l.</item>
</list>
</div1>
<div1 type="advert">
<head>
<hi rend="center">By the KING's Royal Patent,</hi> Are sold by J. NEWBERY, at the
Bible and Sun in St. Paul's Church-Yard.</head>
<list>
<item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &c.
2s. 6d</item>
<item n="2">Dr. Hooper's Female Pills, 1s.</item>
</list>
</div1>
</back>
<div1 type="appendix">
<head>The Golden Dream or, the Ingenuous Confession</head>
<p>To shew the Depravity of human Nature </p>
</div1>
<div1 type="epistle">
<head>A letter from the Printer, which he desires may be inserted</head>
<salute>Sir.</salute>
<p>I have done with your Copy, so you may return it to the Vatican, if you please </p>
</div1>
<div1 type="advert">
<head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
<list>
<item n="1">The Christmas Box, Price 1d.</item>
<item n="2">The History of Giles Gingerbread, 1d.</item>
<item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
10 Vol, Pr. bound 1l.</item>
</list>
</div1>
<div1 type="advert">
<head>
<hi rend="center">By the KING's Royal Patent,</hi> Are sold by J. NEWBERY, at the
Bible and Sun in St. Paul's Church-Yard.</head>
<list>
<item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &c.
2s. 6d</item>
<item n="2">Dr. Hooper's Female Pills, 1s.</item>
</list>
</div1>
</back>
<back>
<div1 type="appendix">
<head>臺灣現代詩論戰史資料彙編</head>
<p>現代詩論戰史第一階段</p>
</div1>
<div1 type="epistle">
<head>白先勇致瘂弦洛夫</head>
<salute>您好，</salute>
<p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
</div1>
<div1 type="advert">
<head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
<list>
<item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
<item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
<item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
</list>
</div1>
<div1 type="advert">
<head>
<hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
<list>
<item n="1">余光中《天狼星》，台北：洪範，1976。</item>
<item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
</list>
</div1>
</back>
<div1 type="appendix">
<head>臺灣現代詩論戰史資料彙編</head>
<p>現代詩論戰史第一階段</p>
</div1>
<div1 type="epistle">
<head>白先勇致瘂弦洛夫</head>
<salute>您好，</salute>
<p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
</div1>
<div1 type="advert">
<head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
<list>
<item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
<item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
<item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
</list>
</div1>
<div1 type="advert">
<head>
<hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
<list>
<item n="1">余光中《天狼星》，台北：洪範，1976。</item>
<item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
</list>
</div1>
</back>
7 Performance Texts
<text>
<body>
<div1 type="scene">
<sp>
<l part="Y">I'le deliver all,</l>
<l>And promise you calme Seas, auspicious gales,</l>
<l>Be free and fare thou well: please you, draw neere.</l>
<stage>Exeunt omnes.</stage>
</sp>
</div1>
</body>
<back>
<epilogue>
<head>Epilogue, spoken by Prospero.</head>
<sp>
<l>Now my Charmes are all ore-throwne,</l>
<l>And what strength I have's mine owne</l>
<l>As you from crimes would pardon'd be,</l>
<l>Let your Indulgence set me free.</l>
</sp>
<stage>Exit</stage>
</epilogue>
<set>
<p>The Scene, an un-inhabited Island.</p>
</set>
<castList>
<head>Names of the Actors.</head>
<castItem>Alonso, K. of Naples</castItem>
<castItem>Sebastian, his Brother.</castItem>
<castItem>Prospero, the right Duke of Millaine.</castItem>
</castList>
<trailer>FINIS</trailer>
</back>
</text>
<body>
<div1 type="scene">
<sp>
<l part="Y">I'le deliver all,</l>
<l>And promise you calme Seas, auspicious gales,</l>
<l>Be free and fare thou well: please you, draw neere.</l>
<stage>Exeunt omnes.</stage>
</sp>
</div1>
</body>
<back>
<epilogue>
<head>Epilogue, spoken by Prospero.</head>
<sp>
<l>Now my Charmes are all ore-throwne,</l>
<l>And what strength I have's mine owne</l>
<l>As you from crimes would pardon'd be,</l>
<l>Let your Indulgence set me free.</l>
</sp>
<stage>Exit</stage>
</epilogue>
<set>
<p>The Scene, an un-inhabited Island.</p>
</set>
<castList>
<head>Names of the Actors.</head>
<castItem>Alonso, K. of Naples</castItem>
<castItem>Sebastian, his Brother.</castItem>
<castItem>Prospero, the right Duke of Millaine.</castItem>
</castList>
<trailer>FINIS</trailer>
</back>
</text>
16 Linking, Segmentation, and Alignment
16.5.1 Aligning Synchronous Events
<back>
<linkGrp
xml:id="lg1"
domains="BNC-d1 BNC-d1"
targFunc="speaker.a speaker.b"
type="synchronous_alignment">
<link xml:id="L1" target="#t1a #t1b"/>
<link xml:id="L2" target="#t2a #t2b"/>
<link xml:id="L3" target="#t3a #t3b"/>
<link xml:id="l4" target="#t4a #t4b"/>
<link xml:id="l5" target="#t5a #t5b"/>
<link xml:id="l6" target="#t6a #t6b"/>
</linkGrp>
</back>
<linkGrp
xml:id="lg1"
domains="BNC-d1 BNC-d1"
targFunc="speaker.a speaker.b"
type="synchronous_alignment">
<link xml:id="L1" target="#t1a #t1b"/>
<link xml:id="L2" target="#t2a #t2b"/>
<link xml:id="L3" target="#t3a #t3b"/>
<link xml:id="l4" target="#t4a #t4b"/>
<link xml:id="l5" target="#t5a #t5b"/>
<link xml:id="l6" target="#t6a #t6b"/>
</linkGrp>
</back>