P5: Principes directeurs pour l'encodage et l'échange de textes électroniques

<note place="bottom">Ibid, p.7</note>

<notesStmt>
 <note>Historical commentary provided by Mark Cohen.</note>
 <note>OCR scanning done at University of Toronto.</note>
</notesStmt>

<notesStmt>
 <note>Historical commentary provided by Mark Cohen</note>
 <note>OCR scanning done at University of Toronto</note>
</notesStmt>

<notesStmt>
 <note>歷史評論由馬克．可漢提共</note>
 <note>OCR光學辨識掃描於多倫多大學</note>
</notesStmt>

<titleStmt>
 <title>The Amorous Prince, or, the Curious Husband, 1671</title>
 <author>
  <persName ref="#abehn.aeh">Behn, Aphra</persName>
 </author>
 <respStmt xml:id="pcaton.xzc">
  <persName>Caton, Paul</persName>
  <resp>electronic publication editor</resp>
 </respStmt>
 <respStmt xml:id="wgui.ner">
  <persName>Gui, Weihsin</persName>
  <resp>encoder</resp>
 </respStmt>
 <respStmt xml:id="jwernimo.lrv">
  <persName>Wernimont, Jacqueline</persName>
  <resp>encoder</resp>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc>
 <change n="RCS:1.39" when="2007-08-08" who="#jwernimo.lrv">Changed <val>drama.verse</val>
  <gi>lg</gi>s to <gi>p</gi>s. <note>we have opened a discussion about the need for a new
     value for <att>type</att> of <gi>lg</gi>, <val>drama.free.verse</val>, in order to address
     the verse of Behn which is not in regular iambic pentameter. For the time being these
     instances are marked with a comment note until we are able to fully consider the best way
     to encode these instances.</note>
 </change>
 <change n="RCS:1.33" when="2007-06-28" who="#pcaton.xzc">Added <att>key</att> and <att>reg</att>
   to <gi>name</gi>s.</change>
 <change n="RCS:1.31" when="2006-12-04" who="#wgui.ner">Completed renovation. Validated.</change>
</revisionDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Common sense, a machine-readable transcript</title>
   <author>Paine, Thomas (1737-1809)</author>
   <respStmt>
    <resp>compiled by</resp>
    <name>Jon K Adams</name>
   </respStmt>
  </titleStmt>
  <editionStmt>
   <edition>
    <date>1986</date>
   </edition>
  </editionStmt>
  <publicationStmt>
   <distributor>Oxford Text Archive.</distributor>
   <address>
    <addrLine>Oxford University Computing Services,</addrLine>
    <addrLine>13 Banbury Road,</addrLine>
    <addrLine>Oxford OX2 6RB,</addrLine>
    <addrLine>UK</addrLine>
   </address>
  </publicationStmt>
  <notesStmt>
   <note>Brief notes on the text are in a
       supplementary file.</note>
  </notesStmt>
  <sourceDesc>
   <biblStruct>
    <monogr>
     <editor>Foner, Philip S.</editor>
     <title>The collected writings of Thomas Paine</title>
     <imprint>
      <pubPlace>New York</pubPlace>
      <publisher>Citadel Press</publisher>
      <date>1945</date>
     </imprint>
    </monogr>
   </biblStruct>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <samplingDecl>
   <p>Editorial notes in the Foner edition have not
       been reproduced. </p>
   <p>Blank lines and multiple blank spaces, including paragraph
       indents, have not been preserved. </p>
  </samplingDecl>
  <editorialDecl>
   <correction status="high" method="silent">
    <p>The following errors
         in the Foner edition have been corrected:
    <list>
      <item>p. 13 l. 7 cotemporaries contemporaries </item>
      <item>p. 28 l. 26 [comma] [period] </item>
      <item>p. 84 l. 4 kin kind </item>
      <item>p. 95 l. 1 stuggle struggle </item>
      <item>p. 101 l. 4 certainy certainty </item>
      <item>p. 167 l. 6 than that </item>
      <item>p. 209 l. 24 publshed published </item>
     </list>
    </p>
   </correction>
   <normalization>
    <p>No normalization beyond that performed
         by Foner, if any. </p>
   </normalization>
   <quotation marks="all" form="std">
    <p>All double quotation marks
         rendered with ", all single quotation marks with
         apostrophe. </p>
   </quotation>
   <hyphenation eol="none">
    <p>Hyphenated words that appear at the
         end of the line in the Foner edition have been reformed.</p>
   </hyphenation>
   <stdVals>
    <p>The values of <att>when-iso</att> on the <gi>time</gi>
         element always end in the format <val>HH:MM</val> or
    <val>HH</val>; i.e., seconds, fractions thereof, and time
         zone designators are not present.</p>
   </stdVals>
   <interpretation>
    <p>Compound proper names are marked. </p>
    <p>Dates are marked. </p>
    <p>Italics are recorded without interpretation. </p>
   </interpretation>
  </editorialDecl>
  <classDecl>
   <taxonomy xml:id="lcsh">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="lc">
    <bibl>Library of Congress Classification</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date>1774</date>
  </creation>
  <langUsage>
   <language ident="en" usage="100">English.</language>
  </langUsage>
  <textClass>
   <keywords scheme="#lcsh">
    <term>Political science</term>
    <term>United States -- Politics and government —
         Revolution, 1775-1783</term>
   </keywords>
   <classCode scheme="#lc">JC 177</classCode>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="1996-01-22" who="#MSM"> finished proofreading </change>
  <change when="1995-10-30" who="#LB"> finished proofreading </change>
  <change notBefore="1995-07-04" who="#RG"> finished data entry at end of term </change>
  <change notAfter="1995-01-01" who="#RG"> began data entry before New Year 1995 </change>
 </revisionDesc>
</teiHeader>

annotated text <ref target="#a51" type="noteAnchor">⁵¹</ref>
<!-- ... -->
<note xml:id="a51" type="footnote">text of annotation</note>

<l>The self-same moment I could pray</l>
<l>And from my neck so free</l>
<l>The albatross fell off, and sank</l>
<l>Like lead into the sea.
<note type="gloss" place="margin">The spell begins to break</note>
</l>

<lg>
 <l>The self-same moment I could pray</l>
 <l>And from my neck so free</l>
 <l>The albatross fell off, and sank</l>
 <l>Like lead into the sea.</l>
 <note type="gloss" place="margin">The spell begins to break</note>
</lg>

Collections are ensembles of
distinct entities or objects of any sort.<note n="1" place="bottom">We
explain below why we use the uncommon term
<mentioned>collection</mentioned> instead of the expected
<mentioned>set</mentioned>. Our usage corresponds to the
<mentioned>aggregate</mentioned> of many mathematical writings and to
the sense of <mentioned>class</mentioned> found in older logical
writings.</note> The elements ...

<lg>
<!-- ... -->
 <note place="margin" resp="#STC" type="gloss">The spell begins to break</note>
 <note place="foot" resp="#JLL">The turning point of the poem...</note>
</lg>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="foot" type="gloss" resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

爾時王園精舍有比丘尼，名曰毘梨<note type="gloss">毘梨，秦言雄也。</note>時彼國人一切共為俱蜜頭星會

此片的膠片已不存在，但《明星月報》刊登的艾霞電影腳本大綱，仍可供我們咀嚼艾霞的創作旨趣。<note n="35" anchored="true"> 此時電影很少有完整的腳本，多是類似早期新劇的「幕表」
，也就是大綱，因為是默片，台詞也很簡單，主要依靠導演指示，演員臨場作戲。</note>從她的文字風格語主題特色裡，...

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126" anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

Mevorakh b. Saadya's
mother, the matriarch of the family during the second half of the
eleventh century, <note n="126" anchored="true"> The alleged
mention of Judah Nagid's mother in a letter from 1071 is, in fact,
a reference to Judah's children; cf. above, nn. 111 and
54. </note> is well known from Geniza documents published by Jacob
Mann.

<listBibl>
 <head>Bibliography</head>
 <biblStruct xml:id="NELSON80">
  <analytic>
   <author>
    <persName>
     <surname>Nelson</surname>
     <forename>Theodore Holm</forename>
    </persName>
   </author>
   <title>Replacing the printed word:
       a complete literary system</title>
  </analytic>
  <monogr>
   <title level="m">Information Processing '80: Proceedings of the IFIPS
       Congress, October 1980</title>
   <editor>
    <persName>
     <forename>Simon H.</forename>
     <surname>Lavington</surname>
    </persName>
   </editor>
   <imprint>
    <publisher>North-Holland</publisher>
    <pubPlace>Amsterdam</pubPlace>
    <date when="1980"/>
   </imprint>
   <biblScope type="pp">1013–23</biblScope>
  </monogr>
  <note>Apparently a draft of section 4 of
  <title level="m">Literary Machines</title>.</note>
 </biblStruct>
 <bibl xml:id="NELSON88">Ted Nelson: <title>Literary Machines</title>
   (privately published, 1987)</bibl>
 <bibl xml:id="BAXTER88">
  <author>Baxter, Glen</author>
  <title>Glen Baxter His Life: the years of struggle</title>
   London: Thames and Hudson, 1988.
 </bibl>
</listBibl>

<list>
 <head>Bibliography</head>
 <item>
  <bibl xml:id="NEL80">
   <author>Nelson, T. H.</author>
   <title level="a">Replacing the printed word:
       a complete literary system.</title>
   <title level="m">Information Processing '80:
       Proceedings of the IFIPS Congress, October 1980</title>
   <editor>Simon H. Lavington</editor>
   <publisher>North-Holland</publisher>
   <pubPlace>Amsterdam</pubPlace>
   <date>1980</date>
   <biblScope>pp 1013–23
   </biblScope>
   <note>Apparently a draft of section 4 of
   <title>Literary Machines</title>.</note>
  </bibl>
 </item>
 <item>
  <bibl xml:id="NEL88">Ted Nelson: <title>Literary Machines</title>
     (privately published, 1987)</bibl>
 </item>
 <item>
  <bibl xml:id="BAX88">
   <author>Baxter, Glen</author>
   <title>Glen Baxter His Life: the years of struggle</title>
     London: Thames and Hudson, 1988.
  </bibl>
 </item>
</list>

<bibl>
 <author>Lominadze, D. G.</author>
 <title level="m">Cyclotron waves in plasma.</title>
 <respStmt>
  <resp>translated by</resp>
  <name>A. N. Dellis;</name>
 </respStmt>
 <respStmt>
  <resp>edited by</resp>
  <name>S. M. Hamberger.</name>
 </respStmt>
 <edition>1st ed.</edition>
 <pubPlace>Oxford:</pubPlace>
 <publisher>Pergamon Press,</publisher>
 <date>1981.</date>
 <extent>206 p.</extent>
 <title level="s">International series in natural philosophy.</title>
 <note place="inline">Translation of:
 <title xml:lang="ru" level="m">Ciklotronnye volny v plazme.</title>
 </note>
</bibl>

<biblStruct>
 <monogr xml:lang="de">
  <title>Des Minnesangs Frühling</title>
  <note place="inline">Mit 1 Faksimile</note>
  <edition>36., neugestaltete und erweiterte Auflage</edition>
  <respStmt>
   <resp>Unter Benutzung der Ausgaben von <name>Karl
         Lachmann</name> und <name>Moriz Haupt</name>, <name>Friedrich
         Vogt</name> und <name>Carl von Kraus</name> bearbeitet von</resp>
   <name>Hugo Moser</name>
   <name>Helmut Tervooren</name>
  </respStmt>
  <imprint>
   <biblScope type="vol">I Texte</biblScope>
   <pubPlace>Stuttgart</pubPlace>
   <publisher>S. Hirzel Verlag</publisher>
   <date>1977</date>
  </imprint>
 </monogr>
</biblStruct>

<biblStruct>
 <monogr>
  <author>Hansen, W.</author>
  <title level="u">Creation of hierarchic text
     with a computer display</title>
  <note place="inline">Ph.D. dissertation</note>
  <imprint>
   <publisher>Dept. of Computer Science, Stanford Univ.</publisher>
   <pubPlace>Stanford, CA</pubPlace>
   <date when="1971-06">June 1971</date>
  </imprint>
 </monogr>
</biblStruct>

<biblStruct>
 <monogr>
  <author>Shirley, James</author>
  <title type="main">The gentlemen of Venice</title>
  <title type="subordinate">a tragi-comedie presented at the private
     house in Salisbury Court by Her Majesties servants</title>
  <note place="inline">[Microform]</note>
  <imprint>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
  </imprint>
  <extent>78 p.</extent>
 </monogr>
 <monogr>
  <imprint>
   <pubPlace>New York</pubPlace>
   <publisher>Readex Microprint</publisher>
   <date>1953</date>
  </imprint>
  <extent>1 microprint card, 23 x 15 cm.</extent>
 </monogr>
 <series>
  <title>Three centuries of drama: English, 1642–1700</title>
 </series>
</biblStruct>

<bibl>
 <author>Coombs, James H., Allen H. Renear,
   and Steven J. DeRose.</author>
 <title level="a">Markup Systems and the Future of Scholarly
   Text Processing.</title>
 <title level="j">Communications of the ACM</title>
 <biblScope>30.11 (November 1987): 933–947.</biblScope>
 <note>Classic polemic supporting descriptive over procedural
   markup in scholarly work.</note>
</bibl>

<sp>
 <speaker>Prospero</speaker>
 <l part="Y">I'll deliver all,</l>
 <l>And promise you calm seas, auspicious gales,</l>
 <l>Be free and fare thou well. <stage type="exit">Exit Ariel</stage>
   Please you, draw near. <stage type="exit">Exeunt all but Prospero</stage>
  <note place="margin">Epilogue</note>
 </l>
 <l>Now my charms are all o'erthrown,</l>
 <l>And what strength I have's mine own</l>
 <l>As you from crimes would pardoned be,</l>
 <l>Let your indulgence set me free.</l>
</sp>
<stage type="mix">He awaits applause, then exit.</stage>

<performance>
 <head>Death of a Salesman</head>
 <p>A New Play by Arthur Miller</p>
 <p>Staged by Elia Kazan</p>
 <castList>
  <head>Cast</head>
  <note rend="small type flush left" place="inline">(in order of appearance)</note>
  <castItem>
   <role>Willy Loman</role>
   <actor>Lee J. Cobb</actor>
  </castItem>
  <castItem>
   <role>Linda</role>
   <actor>Mildred Dunnock</actor>
  </castItem>
  <castItem>
   <role>Biff</role>
   <actor>Arthur Kennedy</actor>
  </castItem>
  <castItem>
   <role>Happy</role>
   <actor>Cameron Mitchell</actor>
  </castItem>
<!-- ... -->
 </castList>
 <p>The setting and lighting were designed by
 <name>Jo Mielziner</name>.</p>
 <p>The incidental music was composed by <name>Alex North</name>.</p>
 <p>The costumes were designed by <name>Julia Sze</name>.</p>
 <p>Presented by <name rend="unmarked">Kermit Bloomgarden</name>
   and <name rend="unmarked">Walter Fried</name> at the
 <rs type="place">Morosco Theatre in New York</rs> on
 <date when="1949-02-10">February 10, 1949</date>.</p>
</performance>

<recording type="audio" dur="P10M">
 <equipment>
  <p>Recorded from FM Radio to digital tape</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>Interview on foreign policy</title>
   <author>BBC Radio 5</author>
   <respStmt>
    <resp>interviewer</resp>
    <name>Robin Day</name>
   </respStmt>
   <respStmt>
    <resp>interviewee</resp>
    <name>Margaret Thatcher</name>
   </respStmt>
   <series>
    <title>The World Tonight</title>
   </series>
   <note>First broadcast on <date when="1989-11-27">27 Nov 1989</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<recording type="audio" dur="P10M">
 <equipment>
  <p>將FM廣播重錄成數位磁帶</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>鬼話連篇</title>
   <author>中國廣播公司</author>
   <respStmt>
    <resp>男主持人</resp>
    <name>司馬中原</name>
   </respStmt>
   <respStmt>
    <resp>女主持人</resp>
    <name>常勤芬</name>
   </respStmt>
   <series>
    <title>鬼吹燈</title>
   </series>
   <note>首播於<date when="1989-11-27">1989年11月27日</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<recording type="audio" dur="P10M">
 <equipment>
  <p>Recorded from FM Radio to digital tape</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>Interview on foreign policy</title>
   <author>BBC Radio 5</author>
   <respStmt>
    <resp>interviewer</resp>
    <name>Robin Day</name>
   </respStmt>
   <respStmt>
    <resp>interviewee</resp>
    <name>Margaret Thatcher</name>
   </respStmt>
   <series>
    <title>The World Tonight</title>
   </series>
   <note>First broadcast on
   <date when="1989-11-27">27 Nov 89</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<div n="Lod E-03" type="exchange">
 <note>C is with a friend</note>
 <u who="#cwn">
  <unclear>Excuse me<g ref="#lf"/>
  </unclear>
  <pause/> You dont have some
   aesthetic<g ref="#short"/>
  <pause/>
  <unclear>specially on early</unclear>
   aesthetics terminology <g ref="#lr"/>
 </u>
 <u who="#aj"> No<g ref="#lf"/>
  <pause/>No<g ref="#lf"/>
  <gap extent="2 beats"/> I'm
   afraid<g ref="#lf"/>
 </u>
 <u trans="latching" who="#cwn"> No<g ref="#lr"/>
  <unclear>Well</unclear> thanks<g ref="#lr"/>
  <pause/> Oh<g ref="#short"/>
  <unclear>you couldnt<g ref="#short"/> can we</unclear> kind of<g ref="#long"/>
  <pause/>I mean ask you to order it for us<g ref="#long"/>
  <g ref="#fr"/>
 </u>
 <u trans="latching" who="#aj"> Yes<g ref="#fr"/> if you know the title<g ref="#lf"/> Yeah<g ref="#lf"/>
 </u>
 <u who="#cwn">
  <gap extent="4 beats"/>
 </u>
 <u who="#aj"> Yes thats fine. <unclear>just as soon as it comes in we'll send
     you a postcard<g ref="#lf"/>
  </unclear>
 </u>
 <listPerson>
  <person xml:id="cwn">
   <p>Customer WN</p>
  </person>
  <person xml:id="aj">
   <p>Assistant K</p>
  </person>
 </listPerson>
</div>

<entry type="foreign">
 <form>
  <orth>havdalah</orth>
  <orth>havdoloh</orth>
 </form>
 <usg type="dom">Judaism</usg>
 <def>the ceremony marking the end of the sabbath or of a festival,
   including the blessings over wine, candles and spices.</def>
 <cit type="translation" xml:lang="en">
  <note>literally</note>
  <quote>separation</quote>
 </cit>
</entry>

<entry>
 <form type="contr">
  <orth>ain't</orth>
  <pron>eInt</pron>
 </form>
 <usg type="reg">Not standard</usg>
 <form type="full">
  <lbl>contraction of</lbl>
  <orth>am not</orth>
  <orth>is not</orth>
  <orth>are not</orth>
  <orth>have not</orth>
  <orth>has not</orth>
 </form>
 <cit type="example">
  <quote>I ain't seen it.</quote>
 </cit>
 <note type="usage">Although the interrogative form <mentioned>ain't
     I?</mentioned> would be a natural contraction of <mentioned>am I
     not?</mentioned>, it is generally avoided in spoken English and
   never used in formal English.</note>
</entry>

<msItem>
 <locusGrp>
  <locus from="13" to="26">Bl. 13--26</locus>
  <locus from="37" to="58">37--58</locus>
  <locus from="82" to="96">82--96</locus>
 </locusGrp>
 <note>Stücke von Daniel Ecklin’s Reise ins h. Land</note>
</msItem>

<msIdentifier>
 <msName xml:lang="la">Codex Suprasliensis</msName>
 <altIdentifier type="partial">
  <settlement>Ljubljana</settlement>
  <repository>Narodna in univerzitetna knjiznica</repository>
  <idno>MS Kopitar 2</idno>
  <note>Contains ff. 10 to 42 only</note>
 </altIdentifier>
 <altIdentifier type="partial">
  <settlement>Warszawa</settlement>
  <repository>Biblioteka Narodowa</repository>
  <idno>BO 3.201</idno>
 </altIdentifier>
 <altIdentifier type="partial">
  <settlement>Sankt-Peterburg</settlement>
  <repository>Rossiiskaia natsional'naia biblioteka</repository>
  <idno>Q.p.I.72</idno>
 </altIdentifier>
</msIdentifier>

<msContents>
 <msItem n="1">
  <locus>fols. 5r -7v</locus>
  <title>An ABC</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>239</biblScope>
  </bibl>
 </msItem>
 <msItem n="2">
  <locus>fols. 7v -8v</locus>
  <title xml:lang="fr">Lenvoy de Chaucer a Scogan</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>3747</biblScope>
  </bibl>
 </msItem>
 <msItem n="3">
  <locus>fol. 8v</locus>
  <title>Truth</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>809</biblScope>
  </bibl>
 </msItem>
 <msItem n="4">
  <locus>fols. 8v-10v</locus>
  <title>Birds Praise of Love</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>1506</biblScope>
  </bibl>
 </msItem>
 <msItem n="5">
  <locus>fols. 10v -11v</locus>
  <title xml:lang="la">De amico ad amicam</title>
  <title xml:lang="la">Responcio</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>16 &amp; 19</biblScope>
  </bibl>
 </msItem>
 <msItem n="6">
  <locus>fols. 14r-126v</locus>
  <title>Troilus and Criseyde</title>
  <note>Bk. 1:71-Bk. 5:1701, with additional losses due to
     mutilation throughout</note>
 </msItem>
</msContents>

<msContents>
 <msItem n="1">
  <locus>fols. 5r-7v</locus>
  <title>An ABC</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>239</biblScope>
  </bibl>
 </msItem>
 <msItem n="2">
  <locus>fols. 7v-8v</locus>
  <title xml:lang="FR">Lenvoy de Chaucer a Scogan</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>3747</biblScope>
  </bibl>
 </msItem>
 <msItem n="3">
  <locus>fol. 8v</locus>
  <title>Truth</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>809</biblScope>
  </bibl>
 </msItem>
 <msItem n="4">
  <locus>fols. 8v-10v</locus>
  <title>Birds Praise of Love</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>1506</biblScope>
  </bibl>
 </msItem>
 <msItem n="5">
  <locus>fols. 10v-11v</locus>
  <title xml:lang="LA">De amico ad amicam</title>
  <title xml:lang="LA">Responcio</title>
  <bibl>
   <title>IMEV</title>
   <biblScope>16 &amp; 19</biblScope>
  </bibl>
 </msItem>
 <msItem n="6">
  <locus>fols. 14r-126v</locus>
  <title>Troilus and Criseyde</title>
  <note>Bk. 1:71-Bk. 5:1701, with additional losses due to mutilation throughout</note>
 </msItem>
</msContents>

<surrogates>
 <bibl>
  <title type="gmd">microfilm (master)</title>
  <idno>G.neg. 160</idno> n.d.</bibl>
 <bibl>
  <title type="gmd">microfilm (archive)</title>
  <idno>G.pos. 186</idno> n.d.</bibl>
 <bibl>
  <title type="gmd">b/w prints</title>
  <idno>AM 795 4to</idno>
  <date when="1999-01-27">27 January 1999</date>
  <note>copy of G.pos. 186</note>
 </bibl>
 <bibl>
  <title type="gmd">b/w prints</title>
  <idno>reg.nr. 75</idno>
  <date when="1999-01-25">25 January 1999</date>
  <note>photographs of the spine, outside covers, stitching etc.</note>
 </bibl>
</surrogates>

<note target="#exp01">The stroke added to the final d could signify the
plural ending (-es, -is, -ys>) but the singular <hi rend="it">good</hi> was used with the meaning <q>property</q>,
<q>wealth</q>, at this time (v. examples quoted in OED, sb. Good,
C. 7, b, c, d and 8 spec.)</note>

Telle me also, to what conclusioun
Were membres maad, of generacioun
And of so parfit wis a
<choice xml:id="corr117">
 <sic>wight</sic>
 <corr>wright</corr>
</choice>
ywroght?

<!-- ... -->
<note target="#corr117">This emendation of the Hengwrt copy text,
based on a Latin source and on the reading of three late
and usually unauthoritative manuscripts, was proposed
by E. Talbot Donaldson in <bibl>
  <title>Speculum</title> 40 (1965)
   626–33.</bibl>
</note>

<note target="#sic-1 #sic-2">Substitution of a more familiar word which resembles
graphically what the scribe should be copying but which does not make
sense in the context.</note>

<l n="2207a">syððan Beowulfe
<note resp="#Kl" place="app">Fol. 179a <mentioned>beowulfe</mentioned>.
   Folio 179, with the last page (Fol. 198b), is the worst part of the
   entire MS. It has been freshened up by a later hand, but not always
   correctly. Information on doubtful readings is in the notes of
   Zupitza and Chambers.</note>
</l>
<l n="2207b">brade rice</l>

Virginite is grete
<app>
 <rdg resp="#ES">perfecti<am>
   <g ref="#ii"/>
  </am>
 </rdg>
 <rdg xml:id="f105" resp="#FJF">perfectio<ex>u</ex>n</rdg>
 <rdg xml:id="r105" resp="#PGR">perfectiou<ex>n</ex>
 </rdg>
</app>
<!-- ... <note> appearing elsewhere in the document ... -->
<note target="#r105 #f105">Furnivall's expansion implies that the bar
is an abbreviation for 'u'. There are no certain instances of
this mark as an abbreviation for 'u' in these manuscripts and it is
widely used as an abbreviation for 'n'. Ruggiers' expansion is to
be accepted.</note>

<place xml:id="ROMA">
 <placeName>Rome</placeName>
<!-- ... -->
 <climate>
  <ab>
   <table>
    <head>24-hr Average Temperature</head>
    <row>
     <cell/>
     <cell role="label">Jan</cell>
     <cell role="label">Jun</cell>
     <cell role="label">Dec</cell>
    </row>
    <row>
     <cell role="label">°C</cell>
     <cell role="data">7.1</cell>
     <cell role="data">21.7</cell>
     <cell role="data">8.3</cell>
    </row>
    <row>
     <cell role="label">°F</cell>
     <cell role="data">44.8</cell>
     <cell role="data">71.1</cell>
     <cell role="data">46.9</cell>
    </row>
   </table>
  </ab>
  <note>Taken from <bibl>
    <abbr>GHCN 2 Beta</abbr>: The Global Historical Climatology Network,
       version 2 beta, 1904 months between 1811 and 1980. <ptr
      target="http://www.worldclimate.com/cgi-bin/data.pl?ref=N41E012+1202+0004058G2"/>
   </bibl>
  </note>
 </climate>
</place>

<l>(Diff'rent our parties, but with equal grace</l>
<l>The Goddess smiles on Whig and Tory race,</l>
<l>
 <note type="imitation" place="bottom" anchored="false">
  <bibl>Virg. Æn. 10.</bibl>
  <quote>
   <l>Tros Rutulusve fuat; nullo discrimine habebo.</l>
   <l>—— Rex Jupiter omnibus idem.</l>
  </quote>
 </note>'Tis the same rope at sev'ral ends they twist,
</l>
<l>To Dulness, Ridpath is as dear as Mist)</l>

<l>(Diff'rent our parties, but with equal grace</l>
<l>The Goddess smiles on Whig and Tory race,
<ptr rend="unmarked" target="#note3.284"/>
</l>
<l>'Tis the same rope at sev'ral ends they twist,</l>
<l>To Dulness, Ridpath is as dear as Mist)</l>
<note
  xml:id="note3.284"
  type="imitation"
  place="bottom"
  anchored="false">
 <bibl>Virg. Æn. 10.</bibl>
 <quote>
  <l>Tros Rutulusve fuat; nullo discrimine habebo.</l>
  <l>—— Rex Jupiter omnibus idem.</l>
 </quote>
</note>

<note
  type="imitation"
  place="bottom"
  anchored="false"
  target="#L3.284">
 <ref rend="sc" target="#L3.284">Verse 283–84.
 <quote>
   <l>——. With equal grace</l>
   <l>Our Goddess smiles on Whig and Tory race.</l>
  </quote>
 </ref>
 <bibl>Virg. Æn. 10.</bibl>
 <quote>
  <l>Tros Rutulusve fuat; nullo discrimine habebo.</l>
  <l>—— Rex Jupiter omnibus idem. </l>
 </quote>
</note>

<note
  xml:id="n3.284"
  type="imitation"
  place="bottom"
  anchored="false">
 <ref rend="sc" target="#L3.284">Verse 283–84.
 <quote>
   <l>——. With equal grace</l>
   <l>Our Goddess smiles on Whig and Tory race.</l>
  </quote>
 </ref>
 <bibl>Virg. Æn. 10.</bibl>
 <quote>
  <l>Tros Rutulusve fuat; nullo discrimine habebo.</l>
  <l>—— Rex Jupiter omnibus idem. </l>
 </quote>
</note>
<link target="#n3.284 #L3.284"/>

<note type="imitation" place="bottom" anchored="false">
 <ref rend="sc" xml:id="r3.284" target="#L3.284">Verse 283–84.
 <quote>
   <l>——. With equal grace</l>
   <l>Our Goddess smiles on Whig and Tory race.</l>
  </quote>
 </ref>
<!-- ... -->
</note>
<!-- ... -->
<link target="#r3.284 #L3.284"/>

<l xml:id="L2.79">A place there is, betwixt earth, air and seas</l>
<l xml:id="L2.80">Where from Ambrosia, Jove retires for ease.</l>
<!-- ... -->
<l xml:id="L2.88">Sign'd with that Ichor which from Gods distills.</l>
<!-- ... -->
<note xml:id="n2.79" place="bottom" anchored="false">
 <bibl>Ovid Met. 12.</bibl>
 <quote xml:lang="la">
  <l>Orbe locus media est, inter terrasq; fretumq;</l>
  <l>Cœlestesq; plagas —</l>
 </quote>
</note>
<note xml:id="n2.88" place="bottom" anchored="false"> Alludes to <bibl>Homer, Iliad 5</bibl> ...
</note>

<persName>Elizabeth</persName> went to <placeName>Essex</placeName>. She had always liked <placeName>Essex</placeName>.
<note type="certainty" resp="#MSM">It is not
clear here whether <mentioned>Essex</mentioned>
refers to the place or to the nobleman. -MSM</note>

<persName>Elizabeth</persName> went to <placeName xml:id="CE-p1a">Essex</placeName>.
She had always liked <placeName xml:id="CE-p1b">Essex</placeName>.
<note type="certainty" resp="#MSM" target="#CE-p1a #CE-p1b">It
is not clear here whether <mentioned>Essex</mentioned>
refers to the place or to the nobleman. If the latter,
it should be tagged as a personal name. -<name xml:id="MSM">Michael</name>
</note>