Esempio: <set> (scénario)
These search results reproduce every example of the use of <set> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <set> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
7 Performance Texts
<front>
<castList>
<castItem> ... </castItem>
</castList>
<set>
<p>The action of the play is set in Chicago's
Southside, sometime between World War II and the
present.</p>
</set>
</front>
<castList>
<castItem> ... </castItem>
</castList>
<set>
<p>The action of the play is set in Chicago's
Southside, sometime between World War II and the
present.</p>
</set>
</front>
<front>
<titlePage/>
<div type="copyright_page"/>
<div type="Contents"/>
<div type="Introduction"/>
<div type="note">
<head>Note on the Translation</head>
<p> ... </p>
</div>
<titlePage type="half-title">
<docTitle>
<titlePart>Peer Gynt</titlePart>
</docTitle>
</titlePage>
<div type="Dramatis_Personae">
<head>Characters</head>
<castList/>
</div>
<set>
<p>The action, which opens in the beginning of the nineteenth
century, and ends around the 1860s, takes place partly in
Gudbrandsdalen, and on the mountains around it, partly on the coast
of Morocco, in the desert of Sahara, in a madhouse at Cairo, at sea,
etc.</p>
</set>
<performance/>
</front>
<titlePage/>
<div type="copyright_page"/>
<div type="Contents"/>
<div type="Introduction"/>
<div type="note">
<head>Note on the Translation</head>
<p> ... </p>
</div>
<titlePage type="half-title">
<docTitle>
<titlePart>Peer Gynt</titlePart>
</docTitle>
</titlePage>
<div type="Dramatis_Personae">
<head>Characters</head>
<castList/>
</div>
<set>
<p>The action, which opens in the beginning of the nineteenth
century, and ends around the 1860s, takes place partly in
Gudbrandsdalen, and on the mountains around it, partly on the coast
of Morocco, in the desert of Sahara, in a madhouse at Cairo, at sea,
etc.</p>
</set>
<performance/>
</front>
<set>
<p>The action takes place on February 7th between the hours of noon and six in the
afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
where a strike has been in progress throughout the winter.</p>
</set>
<p>The action takes place on February 7th between the hours of noon and six in the
afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
where a strike has been in progress throughout the winter.</p>
</set>
<set>
<p>Bel après-midi de printemps en 1899. Madame Claire Roc est assise dans un fauteuil en
osier et feuillette un magazine [...], on peut entendre des cris joyeux d'enfants. </p>
</set>
<p>Bel après-midi de printemps en 1899. Madame Claire Roc est assise dans un fauteuil en
osier et feuillette un magazine [...], on peut entendre des cris joyeux d'enfants. </p>
</set>
<set>
<head>Une représentation à l'hôtel de Bourgogne</head>
<p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
embelli pour des représentations.</p>
<p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
avec la scène qu'on aperçoit en pan coupé.</p>
</set>
<head>Une représentation à l'hôtel de Bourgogne</head>
<p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
embelli pour des représentations.</p>
<p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
avec la scène qu'on aperçoit en pan coupé.</p>
</set>
<front>
<set>
<list type="gloss">
<label>TEMPS</label>
<item>1640</item>
<label>LIEU</label>
<item>La salle de l'Hôtel de Bourgogne</item>
</list>
</set>
</front>
<set>
<list type="gloss">
<label>TEMPS</label>
<item>1640</item>
<label>LIEU</label>
<item>La salle de l'Hôtel de Bourgogne</item>
</list>
</set>
</front>
<set>
<p>故事發生於九月八日正午十二點至三點間，位於台北中正紀念堂附近，有群眾包圍抗議政府的更名政策。</p>
</set>
<p>故事發生於九月八日正午十二點至三點間，位於台北中正紀念堂附近，有群眾包圍抗議政府的更名政策。</p>
</set>
<set>
<head>場景</head>
<p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>
<head>場景</head>
<p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>
<front>
<!-- <>, <div type="Dedication">, etc. -->
<set>
<list type="gloss">
<label>時間：</label>
<item>2007</item>
<label>地點：</label>
<item>台北市中心</item>
</list>
</set>
</front>
<!-- <>, <div type="Dedication">, etc. -->
<set>
<list type="gloss">
<label>時間：</label>
<item>2007</item>
<label>地點：</label>
<item>台北市中心</item>
</list>
</set>
</front>
<set>
<head>SCENE</head>
<p>A Sub-Post Office on a late autumn evening</p>
</set>
<head>SCENE</head>
<p>A Sub-Post Office on a late autumn evening</p>
</set>
<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
<set>
<list type="gloss">
<label>TIME</label>
<item>1907</item>
<label>PLACE</label>
<item>East Coast village in England</item>
</list>
</set>
</front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
<set>
<list type="gloss">
<label>TIME</label>
<item>1907</item>
<label>PLACE</label>
<item>East Coast village in England</item>
</list>
</set>
</front>
<front>
<prologue>
<head>Prologue, spoken by <name>Mr. Hart</name>
</head>
<l>Poets like Cudgel'd Bullys, never do</l>
<l>At first, or second blow, submit to you;</l>
<l>But will provoke you still, and ne're have done,</l>
<l>Till you are weary first, with laying on:</l>
<l>We patiently you see, give up to you,</l>
<l>Our Poets, Virgins, nay our Matrons too.</l>
</prologue>
<castList>
<head>The Persons</head>
<castItem> ... </castItem>
</castList>
<set>
<head>The SCENE</head>
<p>London</p>
</set>
</front>
<prologue>
<head>Prologue, spoken by <name>Mr. Hart</name>
</head>
<l>Poets like Cudgel'd Bullys, never do</l>
<l>At first, or second blow, submit to you;</l>
<l>But will provoke you still, and ne're have done,</l>
<l>Till you are weary first, with laying on:</l>
<l>We patiently you see, give up to you,</l>
<l>Our Poets, Virgins, nay our Matrons too.</l>
</prologue>
<castList>
<head>The Persons</head>
<castItem> ... </castItem>
</castList>
<set>
<head>The SCENE</head>
<p>London</p>
</set>
</front>
<text>
<body>
<div1 type="scene">
<sp>
<l part="Y">I'le deliver all,</l>
<l>And promise you calme Seas, auspicious gales,</l>
<l>Be free and fare thou well: please you, draw neere.</l>
<stage>Exeunt omnes.</stage>
</sp>
</div1>
</body>
<back>
<epilogue>
<head>Epilogue, spoken by Prospero.</head>
<sp>
<l>Now my Charmes are all ore-throwne,</l>
<l>And what strength I have's mine owne</l>
<l>As you from crimes would pardon'd be,</l>
<l>Let your Indulgence set me free.</l>
</sp>
<stage>Exit</stage>
</epilogue>
<set>
<p>The Scene, an un-inhabited Island.</p>
</set>
<castList>
<head>Names of the Actors.</head>
<castItem>Alonso, K. of Naples</castItem>
<castItem>Sebastian, his Brother.</castItem>
<castItem>Prospero, the right Duke of Millaine.</castItem>
</castList>
<trailer>FINIS</trailer>
</back>
</text>
<body>
<div1 type="scene">
<sp>
<l part="Y">I'le deliver all,</l>
<l>And promise you calme Seas, auspicious gales,</l>
<l>Be free and fare thou well: please you, draw neere.</l>
<stage>Exeunt omnes.</stage>
</sp>
</div1>
</body>
<back>
<epilogue>
<head>Epilogue, spoken by Prospero.</head>
<sp>
<l>Now my Charmes are all ore-throwne,</l>
<l>And what strength I have's mine owne</l>
<l>As you from crimes would pardon'd be,</l>
<l>Let your Indulgence set me free.</l>
</sp>
<stage>Exit</stage>
</epilogue>
<set>
<p>The Scene, an un-inhabited Island.</p>
</set>
<castList>
<head>Names of the Actors.</head>
<castItem>Alonso, K. of Naples</castItem>
<castItem>Sebastian, his Brother.</castItem>
<castItem>Prospero, the right Duke of Millaine.</castItem>
</castList>
<trailer>FINIS</trailer>
</back>
</text>