P5: 전자 텍스트 부호화 및 교환에 대한 지침

TEI: The Set Element¶7.1.1 The Set Element

TEI: Prologues and Epilogues¶7.1.2 Prologues and Epilogues

TEI: Records of Performances¶7.1.3 Records of Performances

Performance texts are not only printed in books to be read, they are also performed. It is common practice therefore to include within the front matter of a printed dramatic text some brief account of particular performances, using the following element:

• performance 드라마가 일반적으로 공연되는 방법 또는 특정 상황에서 공연되었던 방식을 기술하는, 앞부분 또는 뒷부분의 절.

The performance element may be used to group any and all information relating to the actual performance of a play or screenplay, whether it specifies how the play should be performed in general or how it was performed in practice on some occasion.

Performance information may include complex structures such as cast lists, or paragraphs describing the date and location of a performance, details about the setting portrayed in the performance and so forth. (See the discussion of these specialized structures in section 7.1 Front and Back Matter above.) If information for more than one performance is being recorded, then more than one performance element should be used, wherever possible.

Names of persons, places, and dates of particular significance within the performance record may be explicitly marked using the general purpose name, <rs type="place"> and date elements described in section 3.5.4 Dates and Times. No particular elements for such features as stagehouses, directors, etc., are proposed at this time.

TEI: Cast Lists¶7.1.4 Cast Lists

A cast list is a specialized form of list, conventionally found at the start or end of a play, usually listing all the speaking and non-speaking roles in the play, often with additional description (‘Cataplasma, a maker of Periwigges and Attires’) or the name of an actor or actress (‘Old Lady Squeamish. Mrs Rutter’). Cast lists may be encoded with the general purpose list element described in section 3.7 Lists, but for more detailed work the following specialized elements are provided:

• castList (배역 목록) 하나의 배역 목록 또는 드라마 등장인물을 포함한다.
• castGroup (배역 목록 모아 놓기) 배역 목록 내의 몇 개의 개별 castItem 요소를 모아 놓는다.
• castItem (배역 목록 항목) 배역 목록에서 하나의 배역, 또는 대사가 없는 배역 목록을 기술하는 하나의 항목을 포함한다.

  type	배역 항목의 특성 기술

A castItem element may contain any mixture of elements taken from the model.castItemPart class, members of which (when this module is included) are:

• role 배역 목록에 제시되는 드라마 배역의 이름
• roleDesc (배역 기술) 드라마에서 등장인물의 배역을 기술한다.
• actor 배역 목록에 나타나는 배우의 이름

Cast lists often have an internal structure of their own; it is quite usual to find, for example, nobility and commoners, or male and female roles, presented in different groups or sublists. Roles are also often grouped together by their function, for example:

• Sons of Cato:
  • Portius
  • Marcus

The global xml:id attribute may be used to specify a unique identifier for the role element, where it is desired to link speeches within the text explicitly to the role, using the who attribute, as further discussed in section 7.2.2 Speeches and Speakers below.

TEI: Major Structural Divisions¶7.2.1 Major Structural Divisions

In the example above, the div2 element has been used to represent the ‘French scene’ convention, (where the entrance of each new set of characters is marked as a distinct unit in the text) and the div1 element to represent the acts into which the play is divided. The elements chosen are determined only by the hierarchic position of these units in the text as a whole. If the text had no acts, but only scenes, then the scenes might be represented by div1 elements. Equally, if a play is divided only into ‘acts’, with no smaller subdivisions, then the div1 element might be used to represent acts. The type should be used, as above, to make explicit the name associated with a particular category of subdivision.

For further discussion of the use of numbered and unnumbered divisions, see section 4.1 Divisions of the Body.

TEI: Speeches and Speakers¶7.2.2 Speeches and Speakers

The following elements are used to identify speeches and speakers in a performance text:

• sp (대화) 공연 텍스트에서 개별 대화 또는 산문이나 운문 텍스트에서 공연적 텍스트로 제시된 단락
• speaker

As noted above, the structure of many performance texts may be analysed as multiply hierarchic: a scene of a verse play, for example, may be divided into speeches and, at the same time, into verse lines. The end of a line may or may not coincide with the end of a speech, and vice versa. Other structures, such as songs, may be discontinuous or split up over several speeches. For some purposes it will be appropriate to regard the verse-structure as the fundamental organizing principle of the text, and for others the speech structure; in some cases, the choice between the two may be arbitrary. The discussion in the remainder of this chapter assumes that it is the speech-based hierarchy which most prominently determines the structure of performance texts, but the same mechanisms could be employed to encode a view of a performance text in which individual speeches were entirely subordinate to the formal units of prose and verse. For more detailed discussion and examples of various treatments of this fundamental issue, refer to chapter 20 Non-hierarchical Structures.

The sp and speaker elements are both declared within the core module (see section 3.12 Passages of Verse or Drama).

TEI: Grouped speeches¶7.2.3 Grouped speeches

This module makes available the following additional element for handling groups of speeches:

• spGrp contains a group of speeches or songs in a performance text presented in a source as constituting a single unit or ‘number’.

TEI: Stage Directions¶7.2.4 Stage Directions

Both between and within the speeches of a written performance text, it is normal practice to include a wide variety of descriptive directions to indicate non-verbal action. The following elements are provided to represent these:

• stage (무대지시) 극적 텍스트나 부분 내에 무대지시를 포함한다.

  type	무대지시의 유형을 나타낸다. 제안값은 다음을 포함한다: 1] setting; 2] entrance; 3] exit; 4] business; 5] novelistic; 6] delivery; 7] modifier; 8] location; 9] mixed

• move/ (이동) 무대에서 하나 이상의 등장 인물들의 실제적 입장과 퇴장을 표시한다.

  type	예를 들어 입장 또는 퇴장과 같은, 이동의 특성을 기술한다. 제안값은 다음을 포함한다: 1] entrance; 2] exit; 3] onStage
  where	무대 이동의 방향을 명시한다. 샘플 값은 다음을 포함한다 Sample values include: 1] L; 2] R; 3] C
  perf	(연기) 명시된 대로 이동할 때의 연기를 명시한다.

The stage element may also be used in non-theatrical texts, to mark sound effects or musical effects, etc., as further discussed in section 7.3 Other Types of Performance Text.

The move element is intended to help overcome the fact that the stage directions of a printed text may often not provide full information about either the intended or the actual movement of actors on stage. It may be used to keep track of entrances and exits in detail, so as to know which characters are on stage at which time. Its attributes permit a relatively formal specification for movements of characters, using user-defined codes to identify the characters involved (the who attribute), the direction of the movement (type attribute), and optionally which part of the stage is involved (where attribute). For stage-historical purposes, a perf attribute is also provided; this allows the recording of different move elements as taken in different performances of the same text.

TEI: Speech Contents¶7.2.5 Speech Contents

The actual speeches of a dramatic text may be composed of running text, which must be formally organized into paragraphs, in the case of prose (see section 3.1 Paragraphs), verse lines or line groups in that of verse (see section 3.12 Passages of Verse or Drama), or seg elements, in case of doubt as to whether the material should be treated as verse or prose. The following elements, all of which are defined in the core, are particularly useful when marking units of prose or verse within speeches:

• p (문단) 산문에서 문단을 표시한다.
• lb/ (행 바꿈) 텍스트의 편집 또는 버전에서 새로운 (인쇄상의) 행 시작을 표지한다.
• l (운문 시행) 미완성일 수도 있지만 운문의 하나의 시행을 포함한다.
• lg (시행군) 예를 들어, 연, 후렴구, 운문 단락과 같이 형식적 단위로 기능하는 운문 행군을 포함한다.

Like other milestone elements, the element lb additionally bears the attributes ed and edRef, from its membership in the class att.edition:

• att.edition

  ed
  edRef	provides a pointer to the source edition in which the associated feature (for example, a page, column, or line break) occurs at this point in the text.

As a member of the classes att.typed and att.divLike, the lg element also bears the following attributes:

• att.typed 요소의 분류 또는 하위분류에서 사용될 수 있는 속성을 제공한다.

  type	다양한 분류 스키마 또는 유형을 사용해서 요소의 특성을 기술한다.
  subtype	필요하다면 요소의 하위범주를 제시한다.

• att.divLike 구역과 동일한 방식으로 처리되는 모든 요소에 공통적인 속성을 제공한다.

  org	(조직) 구역 내용이 조직된 방법에 대해 명시한다.
  sample	이 구역이 원본의 표본이며 어떤 부분인지를 나타낸다.

• att.fragmentable groups structural elements which may be fragmented, usually as a consequence of some overlapping hierarchy.

  part	specifies whether or not its parent element is fragmented in some way, typically by some other overlapping structure: for example a speech which is divided between two or more verse stanzas, a paragraph which is split across a page division, a verse line which is divided between two speakers.

When the verse module is included in a schema, the elements l and lg also gain additional attributes through their membership of the class att.metrical:

• att.metrical 운율 정보를 표시하기 위하여 특정 요소들이 사용할 수 있는 속성 집합을 정의한다.

  met	(관례적 운율 구조) 요소의 관례적 운율 구조에 대하여 사용자가 명시한 부호화를 포함한다.
  rhyme	(운 스키마) 시행 군집에 적용 가능한 운 스키마를 명시한다.

In many texts, prose and verse may be inextricably mingled; particularly in earlier printed texts, prose may be printed as verse or verse as prose, or it may be impossible to distinguish the two. In cases of doubt, an encoder may prefer to tag the dubious material consistently as verse, to tag it all as prose, to follow the typography of the source text, or to use the neutral ab element to contain the speech itself. When this question arises, the tagUsage element in the encodingDesc element of the header may be used to record explicitly what policy has been adopted.

Even where they can reliably be distinguished, a single speech may frequently contain a mixture of prose (marked as p) and verse (marked as l or—if stanzaic—lg).

TEI: Embedded Structures¶7.2.6 Embedded Structures

Although primarily composed of speeches, performance texts often contain other structural units such as songs or strophes which are shared among different speakers. More generally, complex nested structures of plays within plays, interpolated masques, or interludes are far from uncommon. In more modern material, comparably complex structural devices such as flashback or nested playback are equally frequent. In all kinds of performance material, it may be necessary to indicate several actions which are happening simultaneously.

A number of different devices are available within the TEI scheme to support these complexities in the general case. Texts may be composite or self-nesting (see section 4.3.1 Grouped Texts) and multiple hierarchies may be defined (see chapter 20 Non-hierarchical Structures). The TEI encoding scheme provides a variety of linking mechanisms, which may be used to indicate temporal alignment and aggregation of fragmented structures. In this section we provide a few specific examples of the application of these techniques to performance texts:

• the use of the floatingText element
• the use of the part attribute on fragmentary lg elements
• the use of the next and prev attributes on fragments of embedded structures to join them into a larger whole
• the use of the join element to define a ‘virtual element’ composed of the fragments indicated

When an embedded structure extends across more than one sp element, each of its constituent parts must be regarded as a distinct fragment; the problem then facing the encoder is to reconstitute the interrupted whole in some way.

The next and prev attributes are discussed in section 16.7 Aggregation: they form part of the module for alignment and linking; this module must therefore be included in a schema if they are to be used, as further discussed in section 1.2 Defining a TEI Schema.

Like the next and prev attributes, the join element requires the additional module for linking, which is selected as shown above.

TEI: Simultaneous Action¶7.2.7 Simultaneous Action

In printed or written versions of performance texts, a variety of techniques may be used to indicate the temporal alignment of speeches or actions. Speeches may be printed vertically aligned on the page, or braced together; stage directions (e.g. ‘Speaking at the same time’) are also often used. In operatic or musical works in particular, the need to indicate timing and alignment of individual parts of a song may lead to very complex layout.

In the original, the stage direction ‘in consternation’ is printed opposite a brace grouping all four speeches, indicating that all four characters speak at once, and that the stage direction applies to all of them. Rather than attempting to represent the appearance of the source, this example encoding represents its presumed meaning: the stage element is placed arbitrarily after the last relevant speech, and the four speeches with which it is to be associated are pointed to by means of the corresp attribute. This attribute, which is enabled by the linking module, provides a simple way of indicating the temporal alignment of speeches or actions in a play. Producing a readable version of the text which simulates the original printed effect may however require more complex markup and processing.

More powerful and more precise mechanisms for temporal alignment are defined in chapter 8 Transcriptions of Speech. These would be appropriate for encodings the focus of which is on the actual performance of a text rather than its structure or formal properties. The module described in that chapter includes a large number of other detailed proposals for the encoding of such features as voice quality, prosody, etc., which might be relevant to such a treatment of performance texts.

TEI: Technical Information¶7.3.1 Technical Information

Traditional stage scripts may contain additional technical information about such production-related factors as lighting, ‘blocking’ (that is, detailed notes on actors' movements), or props required at particular points. More technical information about intended production effects may also appear in published versions of screenplays or movie scripts. Where these are presented simply as marginal notes, they may be encoded using the general-purpose note element defined in section 3.8 Notes, Annotation, and Indexing. Alternatively, they may be formally distinguished from other stage directions by using the specialized tech element:

• tech (전문적 무대 지시) 배우들에 지시하는 것이 아니라, 특별한 목적의 무대 지시를 기술한다.

  type	전문적 무대 지시를 분류한다.
  perf	(연기) 이러한 전문적 지시를 적용하는 연기를 명시한다.

Like stage directions, tech elements can appear anywhere within a speech or between speeches.