例: <add> (addition)

These search results reproduce every example of the use of <add> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <add> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3 Elements Available in All TEI Documents

3.4.3 Additions, Deletions, and Omissions

The story I am going to relate is true as to its main facts,
and as to the consequences <add place="above">of
these facts</add> from which this tale takes its title.

3.4.3 Additions, Deletions, and Omissions

<l>
 <del rend="overstrike">Inviolable</del>
 <add place="below">Inexplicable</add>
splendour of Corinthian white and gold
</l>

<add>

The story I am
going to relate is true as to its main facts, and as to the
consequences <add place="above">of these facts</add> from which
this tale takes its title.

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

3.12.2 Core Tags for Drama

<stage>Enter two Centinels.
<add place="margin">Now call'd <name xml:id="barnardo">Bernardo</name> &amp;
 <name xml:id="francisco">Francesco</name>.</add>
</stage>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l part="Y">Stand: who is that?</l>
</sp>
<sp who="#barnardo">
 <speaker>2.</speaker>
 <l part="Y">Tis I.</l>
</sp>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l>O you come most carefully vpon your watch,</l>
</sp>
<sp who="#barnardo">
 <speaker>2.</speaker>
 <l>And if you meete Marcellus and Horatio,</l>
 <l>The partners of my watch, bid them make haste.</l>
</sp>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l part="Y">I will: See who goes there.</l>
</sp>
<stage>Enter Horatio and Marcellus.</stage>

1 The TEI Infrastructure

att.placement

<add place="margin">[An addition written in the margin]</add>
<add place="bottom opposite">[An addition written at the
foot of the current page and also on the facing page]</add>

11 Representation of Primary Sources

11.3.1.4 Additions and Deletions

Some things are best
at first sight. Others — and here is one of them — <add hand="#mb">do ever</add>
improve by recognition [...]
<handNote xml:id="mb">Max Beerbohm
holograph</handNote>

11.3.1.4 Additions and Deletions

The O.E.D. is not a
dictionary so much as a corpus of precedents <del hand="#RG">in the</del>:
current, obsolete, <add hand="#RG" place="above">cant,</add> cataphretic and
nonce-words are all included.

11.3.1.4 Additions and Deletions

As for 'significant artist.' You quote the O.E.D <del>
 <add hand="#RG" place="above">for an abridgement</add>
</del> in explanation...

11.3.1.4 Additions and Deletions

You
quote the <del>
 <add hand="#RG" place="margin">Norton</add>
</del> O.E.D...

11.3.1.4 Additions and Deletions

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

11.3.1.4 Additions and Deletions

<l>
 <delSpan rend="verticalStrike"
  spanTo="#delend01"/> Tis moonlight
<del>upon</del>
 <add>over</add> Oman's sky
</l>
<l>Her isles of pearl look lovelily<anchor xml:id="delend01"/>
</l>

11.3.1.5 Substitutions

<l>
 <delSpan rend="verticalStrike"
  spanTo="#delend02"/> Tis moonlight
<subst>
  <del>upon</del>
  <add>over</add>
 </subst> Oman's sky
</l>
<l>Her isles of pearl look lovelily<anchor xml:id="delend02"/>
</l>

11.3.1.5 Substitutions

One must have lived longer
with <subst>
 <del seq="1">this</del>
 <del seq="2">
  <add seq="1">such a</add>
 </del>
 <add seq="2">a</add>
</subst> system, to appreciate its advantages.

11.3.1.5 Substitutions

While <del xml:id="change1">pondering</del> thus <add xml:id="change2">she mus'd</add>, her pinions
fann'd
<substJoin target="#change1 #change2"/>

11.3.1.5 Substitutions

<l>And towards our distant rest began to trudge,</l>
<l>
 <subst>
  <del>Helping the worst amongst us</del>
  <add>Dragging the worst amongt
     us</add>
 </subst>, who'd no boots
</l>
<l>But limped on, blood-shod. All went lame; <subst>
  <del status="shortEnd">half-</del>
  <add>all</add>
 </subst> blind;</l>
<l>Drunk with fatigue ; deaf even to the hoots</l>
<l>Of tired, outstripped <del>fif</del> five-nines that dropped
behind.</l>

11.3.1.5 Substitutions

One must have lived longer with <app>
 <rdg varSeq="1">
  <del>this</del>
 </rdg>
 <rdg varSeq="2">
  <del>
   <add>such a</add>
  </del>
 </rdg>
 <rdg varSeq="3">
  <add>a</add>
 </rdg>
</app> system, to appreciate its advantages.

11.3.2.2 Hand, Responsibility, and Certainty Attributes

<add place="above" resp="#FB" hand="#WJ">But</add>
<choice>
 <sic>One</sic>
 <corr resp="#FB">one</corr>
</choice> must have lived ...
<!-- elsewhere -->
<respStmt xml:id="FB">
 <resp>editorial changes</resp>
 <name>Fredson Bowers</name>
</respStmt>
<respStmt xml:id="WJ">
 <resp>authorial changes</resp>
 <name>William James</name>
</respStmt>

11.3.3.2 Use of the <gap>, <del>, <damage>, <unclear>, and <supplied> Elements in Combination

This is the text <add xml:id="ADD1">with some added <add xml:id="ADD2">(interlinear!)</add> material</add> as
written.

11.3.3.2 Use of the <gap>, <del>, <damage>, <unclear>, and <supplied> Elements in Combination

<del>This
sentence was deleted <add>originally</add> from the
text.</del>

11.3.3.2 Use of the <gap>, <del>, <damage>, <unclear>, and <supplied> Elements in Combination

<add>This sentence was
added <del>eventually</del> to the text.</add>

11.3.4.2 Metamarks

<surface>
 <metamark function="used" rend="line"
  target="#X2"/>
 <zone xml:id="X2">
  <line>I am that halfgrown <add>angry</add> boy, fallen asleep</line>
  <line>The tears of foolish passion yet undried</line>
  <line>upon my cheeks.</line>
<!-- ... -->
  <line>I pass through <add>the</add> travels and <del>fortunes</del> of
  <retrace>thirty</retrace>
  </line>
  <line>years and become old,</line>
  <line>Each in its due order comes and goes,</line>
  <line>And thus a message for me comes.</line>
  <line>The</line>
 </zone>
 <metamark function="used" target="#X2">Entered - Yes</metamark>
</surface>

11.3.4.4 Confirmation, Cancellation, and Reinstatement of Modifications

<line>This is <del change="#s2" rend="overstrike">
  <undo spanTo="#Xa" rend="dotted"
   change="#s3"/>just some <anchor xml:id="Xa"/> sample <undo spanTo="#Xb" rend="dotted"
   change="#s3"/>text, <anchor xml:id="Xb"/> we need</del>
 <add change="#s2">not</add> a real example.</line>

11.3.4.4 Confirmation, Cancellation, and Reinstatement of Modifications

<line>This is <del change="#s2" rend="overstrike">
  <seg xml:id="X-a">just some</seg> sample <seg xml:id="X-b">text</seg>, we
   need</del>
 <add change="#s2">not</add> a real example.</line>
<undo target="#X-a #X-b" rend="dotted"
 change="#s3"/>

11.3.4.6 Alternative Readings

<zone>
 <line>Alone <seg xml:id="alt1">before</seg>
  <add place="above" xml:id="alt2">beside</add> his native river ­—</line>
 <alt target="#alt1 #alt2" mode="excl"
  weights="0 1"/>
</zone>

11.3.4.7 Instant Corrections

<line>
 <del instant="true">T</del>
 <mod type="subst">
  <del>The</del>
  <add place="above">
   <del rend="overstrike">His</del>
  </add>
 </mod>
 <mod type="subst">
  <del rend="overwritten">i</del>
  <add place="superimposed">I</add>
 </mod>ron necklace
</line>

11.7 Identifying Changes and Revisions

<line change="#firstStage">This is a <add change="#secondStage">house</add>
mouse.</line>

11.7 Identifying Changes and Revisions

<line change="#firstStage">This is a <mod type="subst" change="#secondStage">
  <del>house</del>
  <add>mouse</add>
 </mod>.</line>

11.7 Identifying Changes and Revisions

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change target="#zone_1 #subst_3">First stage, written in ink by a
       scribe</change>
   <change target="#zone_2 #mod_1 #line_1 #line_2 #subst_1 #subst_2 #subst_4 #delSpan_1">Revised by Goethe using pencil</change>
   <change target="#redo_1 #redo_2 #redo_3 #subst_1 #subst_2 #delSpan_1 #add_1">Fixation of the revised passages and further revisions by Goethe using
       ink</change>
  </listChange>
 </creation>
</profileDesc>
<sourceDoc>
 <surface>
  <zone xml:id="zone_1">
   <line xml:id="line_1">
    <handShift new="#g_bl"/>
    <retrace hand="#g_t" xml:id="redo_1">Nun</retrace>
   </line>
   <line>
    <handShift new="#jo_t"/>Ihr wanſtige Schuften mit den Feuerbacken</line>
   <line xml:id="line_2">
    <handShift new="#g_bl"/>
    <retrace hand="#g_t" xml:id="redo_2">feiſt</retrace>
   </line>
   <line>Ihr glüht ſo recht vom Höllen Schwefel ſatt.</line> [...] </zone>
 </surface>
</sourceDoc>
<text>
 <body>
  <l n="11656">
   <subst xml:id="subst_1">
    <del>Ihr</del>
    <add>Nun</add>
   </subst> wanſtige Schuften mit den Feuerbacken</l>
  <l n="11657">Ihr glüht ſo recht vom Höllen Schwefel <subst xml:id="subst_2">
    <del>ſatt</del>
    <add>feiſt</add>
   </subst>.</l>
 </body>
</text>

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

<substJoin>

While <del xml:id="r112">pondering</del> thus <add xml:id="r113">she mus'd</add>, her pinions fann'd
<substJoin target="#r112 #r113"/>

<mod>

<mod type="subst">
 <add>pleasing</add>
 <del>agreable</del>
</mod>

<undo>

<line>This is <del change="#s2" rend="overstrike">
  <seg xml:id="undo-a">just some</seg>
   sample <seg xml:id="undo-b">text</seg>,
   we need</del>
 <add change="#s2">not</add>
a real example.</line>
<undo target="#undo-a #undo-b"
 rend="dotted" change="#s3"/>