Exemple: <mentioned>
These search results reproduce every example of the use of <mentioned> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <mentioned> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
- 1 The TEI Infrastructure
- 4 Default Text Structure
- 9 Dictionaries
- 10 Manuscript Description
- 12 Critical Apparatus
- 13 Names, Dates, People, and Places
- 17 Simple Analytic Mechanisms
- 21 Certainty, Precision, and Responsibility
3 Elements Available in All TEI Documents
3.3.2.1 Foreign Words or Expressions
<mentioned xml:lang="fr">Croissant</mentioned> is difficult to
pronounce with your mouth full.
pronounce with your mouth full.
Although Chomsky's decision that all NL
sentences are finite objects was never justified by arguments from
the attested properties of NLs, it did have a certain
<soCalled>social</soCalled> justification. It was commonly assumed in
works on logic until fairly recently that the notion
<mentioned>language</mentioned> is necessarily restricted to finite
strings.
sentences are finite objects was never justified by arguments from
the attested properties of NLs, it did have a certain
<soCalled>social</soCalled> justification. It was commonly assumed in
works on logic until fairly recently that the notion
<mentioned>language</mentioned> is necessarily restricted to finite
strings.
<mentioned> (en)
There is thus a
striking accentual difference between a verbal form like <mentioned xml:id="X234" xml:lang="el">eluthemen</mentioned>
<gloss target="#X234">we were released,</gloss> accented on the second syllable of the
word, and its participial derivative
<mentioned xml:id="X235" xml:lang="el">lutheis</mentioned>
<gloss target="#X235">released,</gloss> accented on the last.
striking accentual difference between a verbal form like <mentioned xml:id="X234" xml:lang="el">eluthemen</mentioned>
<gloss target="#X234">we were released,</gloss> accented on the second syllable of the
word, and its participial derivative
<mentioned xml:id="X235" xml:lang="el">lutheis</mentioned>
<gloss target="#X235">released,</gloss> accented on the last.
Aucune ville ne répond mieux à
l'expressioin <mentioned>sortie de terre</mentioned> que New York
(ou faudrait-il plutôt dire <mentioned>jaillie</mentioned>) :
l'expressioin <mentioned>sortie de terre</mentioned> que New York
(ou faudrait-il plutôt dire <mentioned>jaillie</mentioned>) :
L’harmonisation
vocalique régressive empêche que <mentioned>agwêdê</mentioned> puisse être interprété comme
un dérivé de <mentioned>gwada</mentioned>, qui pourtant est de même racine.
vocalique régressive empêche que <mentioned>agwêdê</mentioned> puisse être interprété comme
un dérivé de <mentioned>gwada</mentioned>, qui pourtant est de même racine.
<mentioned> (zh-TW)
There is thus a striking accentual difference between a verbal
form like <mentioned xml:id="cw234" xml:lang="grc">eluthemen</mentioned>
<gloss target="#cw234">we were released,</gloss> accented on the
second syllable of the word, and its participial derivative
<mentioned xml:id="cw235" xml:lang="grc">lutheis</mentioned>
<gloss target="#cw235">released,</gloss> accented on the last.
form like <mentioned xml:id="cw234" xml:lang="grc">eluthemen</mentioned>
<gloss target="#cw234">we were released,</gloss> accented on the
second syllable of the word, and its participial derivative
<mentioned xml:id="cw235" xml:lang="grc">lutheis</mentioned>
<gloss target="#cw235">released,</gloss> accented on the last.
3.9.1 Notes and Simple Annotation
Collections are ensembles of
distinct entities or objects of any sort.<note n="1" place="bottom">We
explain below why we use the uncommon term
<mentioned>collection</mentioned> instead of the expected
<mentioned>set</mentioned>. Our usage corresponds to the
<mentioned>aggregate</mentioned> of many mathematical writings and to
the sense of <mentioned>class</mentioned> found in older logical
writings.</note> The elements ...
distinct entities or objects of any sort.<note n="1" place="bottom">We
explain below why we use the uncommon term
<mentioned>collection</mentioned> instead of the expected
<mentioned>set</mentioned>. Our usage corresponds to the
<mentioned>aggregate</mentioned> of many mathematical writings and to
the sense of <mentioned>class</mentioned> found in older logical
writings.</note> The elements ...
<note> (en)
And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
resp="#MDMH">
<term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.
<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
<resp>translation from German to English</resp>
<name>Hottinger, Marie Donald Mackie</name>
</respStmt>
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
resp="#MDMH">
<term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.
<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
<resp>translation from German to English</resp>
<name>Hottinger, Marie Donald Mackie</name>
</respStmt>
<note> (de)
And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
resp="#MDMH-1">
<term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.
<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
<resp>translation from German to English</resp>
<name>Hottinger, Marie Donald Mackie</name>
</respStmt>
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
resp="#MDMH-1">
<term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.
<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
<resp>translation from German to English</resp>
<name>Hottinger, Marie Donald Mackie</name>
</respStmt>
1 The TEI Infrastructure
<figure>
<head>The TEI Logo</head>
<figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
background.</figDesc>
<graphic height="600px" width="600px"
url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>
<head>The TEI Logo</head>
<figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
background.</figDesc>
<graphic height="600px" width="600px"
url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>
4 Default Text Structure
<div n="2" type="chap">
<head>Extracts</head>
<head>(Supplied by a sub-sub-Librarian)</head>
<p>It will be seen that this mere painstaking burrower and
grubworm of a poor devil of a Sub-Sub appears to have gone
through the long Vaticans and street-stalls of the earth,
picking up whatever random allusions to whales he could
anyways find ...
Here ye strike but splintered hearts together — there,
ye shall strike unsplinterable glasses!</p>
<p>
<cit>
<quote>And God created great whales.</quote>
<bibl>Genesis</bibl>
</cit>
<cit>
<quote>
<l>Leviathan maketh a path to shine after him;</l>
<l>One would think the deep to be hoary.</l>
</quote>
<bibl>Job</bibl>
</cit>
<cit>
<quote>By art is created that great Leviathan,
called a Commonwealth or State — (in Latin,
<mentioned xml:lang="la">civitas</mentioned>), which
is but an artificial man.</quote>
<bibl>Opening sentence of Hobbes's Leviathan</bibl>
</cit>
</p>
</div>
<head>Extracts</head>
<head>(Supplied by a sub-sub-Librarian)</head>
<p>It will be seen that this mere painstaking burrower and
grubworm of a poor devil of a Sub-Sub appears to have gone
through the long Vaticans and street-stalls of the earth,
picking up whatever random allusions to whales he could
anyways find ...
Here ye strike but splintered hearts together — there,
ye shall strike unsplinterable glasses!</p>
<p>
<cit>
<quote>And God created great whales.</quote>
<bibl>Genesis</bibl>
</cit>
<cit>
<quote>
<l>Leviathan maketh a path to shine after him;</l>
<l>One would think the deep to be hoary.</l>
</quote>
<bibl>Job</bibl>
</cit>
<cit>
<quote>By art is created that great Leviathan,
called a Commonwealth or State — (in Latin,
<mentioned xml:lang="la">civitas</mentioned>), which
is but an artificial man.</quote>
<bibl>Opening sentence of Hobbes's Leviathan</bibl>
</cit>
</p>
</div>
9 Dictionaries
9.3.4 Etymological Information
<entry>
<form>
<orth>abismo</orth>
</form>
<etym>del <lang>gr.</lang>
<mentioned>a</mentioned> priv. y <mentioned>byssos</mentioned>,
<gloss>fondo</gloss>
</etym>
<!-- ... -->
</entry>
<form>
<orth>abismo</orth>
</form>
<etym>del <lang>gr.</lang>
<mentioned>a</mentioned> priv. y <mentioned>byssos</mentioned>,
<gloss>fondo</gloss>
</etym>
<!-- ... -->
</entry>
9.3.4 Etymological Information
<entry>
<!-- ... -->
<etym>
<lang>F</lang> fr. <lang>ML</lang>
<mentioned>pneuma</mentioned>
<mentioned>neuma</mentioned> fr. <lang>Gk</lang>
<mentioned>pneuma</mentioned>
<gloss>breath</gloss>
<xr type="etym">more at <ptr target="#pneumatic"/>
</xr>
</etym>
<sense>
<def>any of various symbols used in the notation of Gregorian chant
<!-- ... -->
</def>
</sense>
</entry>
<!-- ... -->
<entry xml:id="pneumatic">
<etym>
<!-- ... -->
</etym>
</entry>
<!-- ... -->
<etym>
<lang>F</lang> fr. <lang>ML</lang>
<mentioned>pneuma</mentioned>
<mentioned>neuma</mentioned> fr. <lang>Gk</lang>
<mentioned>pneuma</mentioned>
<gloss>breath</gloss>
<xr type="etym">more at <ptr target="#pneumatic"/>
</xr>
</etym>
<sense>
<def>any of various symbols used in the notation of Gregorian chant
<!-- ... -->
</def>
</sense>
</entry>
<!-- ... -->
<entry xml:id="pneumatic">
<etym>
<!-- ... -->
</etym>
</entry>
<etym> (en)
<entry>
<form>
<orth>publish</orth> ... </form>
<etym>
<lang>ME.</lang>
<mentioned>publisshen</mentioned>,
<lang>F.</lang>
<mentioned>publier</mentioned>, <lang>L.</lang>
<mentioned>publicare,
publicatum</mentioned>. <xr>See <ref>public</ref>; cf. 2d <ref>-ish</ref>.</xr>
</etym>
</entry> (From: Webster's Second International)
<form>
<orth>publish</orth> ... </form>
<etym>
<lang>ME.</lang>
<mentioned>publisshen</mentioned>,
<lang>F.</lang>
<mentioned>publier</mentioned>, <lang>L.</lang>
<mentioned>publicare,
publicatum</mentioned>. <xr>See <ref>public</ref>; cf. 2d <ref>-ish</ref>.</xr>
</etym>
</entry> (From: Webster's Second International)
<entry>
<form>
<orth>publier</orth> ... </form>
<etym>Emprunté au <lang>latin</lang>
<mentioned>publicare</mentioned>
<def>mettre à la disposition du public ; montrer au public ; publier (un livre)</def> ,
<label>dérivé de </label>
<mentioned>publicus</mentioned>, <xr>v.
<ref>public1</ref>
</xr>. La forme <mentioned>puplier</mentioned>, <mentioned>poplier</mentioned>
<label>attesté en </label>
<lang>anc. fr.</lang>
<xr> (v. <ref>supra, <bibl>Grand
dictionnaire de la langue française</bibl>. et.
<bibl>Tobler-Lommatzsch</bibl>
</ref>.)</xr> à côté de<mentioned> publier</mentioned>,
que l'on trouve à partir de la <date>2e moitié du XIIIe s.</date>
<bibl>[ms. de la <date>fin XIIIe s.</date>] </bibl>
<bibl>(Légende de Girart de
Roussillon, 64 dans Tobler-Lommatzsch),</bibl> est une <label>altération
d'après</label>
<mentioned> peuple</mentioned>.</etym>
</entry>
<form>
<orth>publier</orth> ... </form>
<etym>Emprunté au <lang>latin</lang>
<mentioned>publicare</mentioned>
<def>mettre à la disposition du public ; montrer au public ; publier (un livre)</def> ,
<label>dérivé de </label>
<mentioned>publicus</mentioned>, <xr>v.
<ref>public1</ref>
</xr>. La forme <mentioned>puplier</mentioned>, <mentioned>poplier</mentioned>
<label>attesté en </label>
<lang>anc. fr.</lang>
<xr> (v. <ref>supra, <bibl>Grand
dictionnaire de la langue française</bibl>. et.
<bibl>Tobler-Lommatzsch</bibl>
</ref>.)</xr> à côté de<mentioned> publier</mentioned>,
que l'on trouve à partir de la <date>2e moitié du XIIIe s.</date>
<bibl>[ms. de la <date>fin XIIIe s.</date>] </bibl>
<bibl>(Légende de Girart de
Roussillon, 64 dans Tobler-Lommatzsch),</bibl> est une <label>altération
d'après</label>
<mentioned> peuple</mentioned>.</etym>
</entry>
<lang> (en)
<entry>
<form>
<orth>publish</orth> ... </form>
<etym>
<lang>ME.</lang>
<mentioned>publisshen</mentioned>,
<lang>F.</lang>
<mentioned>publier</mentioned>, <lang>L.</lang>
<mentioned>publicare,
publicatum</mentioned>. <xr>See <ref>public</ref>; cf. <ref>2d -ish</ref>.</xr>
</etym>
</entry>
<form>
<orth>publish</orth> ... </form>
<etym>
<lang>ME.</lang>
<mentioned>publisshen</mentioned>,
<lang>F.</lang>
<mentioned>publier</mentioned>, <lang>L.</lang>
<mentioned>publicare,
publicatum</mentioned>. <xr>See <ref>public</ref>; cf. <ref>2d -ish</ref>.</xr>
</etym>
</entry>
<entry>
<form>
<orth>publier</orth> ... </form>
<etym>Emprunté au <lang>latin</lang>
<mentioned>publicare</mentioned>
<def>mettre à la disposition du public ; montrer au public ; publier (un livre)</def> ,
<label>dérivé de </label>
<mentioned>publicus</mentioned>, <xr>v.
<ref>public1</ref>
</xr>. La forme <mentioned>puplier</mentioned>, <mentioned>poplier</mentioned>
<label>attesté en </label>
<lang>anc. fr.</lang>
<xr> (v. <ref>supra, <bibl>Grand
dictionnaire de la langue française</bibl>. et.
<bibl>Tobler-Lommatzsch</bibl>
</ref>.)</xr> à côté de<mentioned> publier</mentioned>,
que l'on trouve à partir de la <date>2e moitié du XIIIe s.</date>
<bibl>[ms. de la <date>fin XIIIe s.</date>] </bibl>
<bibl>(Légende de Girart de
Roussillon, 64 dans Tobler-Lommatzsch),</bibl> est une <label>altération
d'après</label>
<mentioned> peuple</mentioned>.</etym>
</entry>
<form>
<orth>publier</orth> ... </form>
<etym>Emprunté au <lang>latin</lang>
<mentioned>publicare</mentioned>
<def>mettre à la disposition du public ; montrer au public ; publier (un livre)</def> ,
<label>dérivé de </label>
<mentioned>publicus</mentioned>, <xr>v.
<ref>public1</ref>
</xr>. La forme <mentioned>puplier</mentioned>, <mentioned>poplier</mentioned>
<label>attesté en </label>
<lang>anc. fr.</lang>
<xr> (v. <ref>supra, <bibl>Grand
dictionnaire de la langue française</bibl>. et.
<bibl>Tobler-Lommatzsch</bibl>
</ref>.)</xr> à côté de<mentioned> publier</mentioned>,
que l'on trouve à partir de la <date>2e moitié du XIIIe s.</date>
<bibl>[ms. de la <date>fin XIIIe s.</date>] </bibl>
<bibl>(Légende de Girart de
Roussillon, 64 dans Tobler-Lommatzsch),</bibl> est une <label>altération
d'après</label>
<mentioned> peuple</mentioned>.</etym>
</entry>
<sense n="4">
<usg type="colloc">
<oRef type="cap"/> and <mentioned>any</mentioned> are used with
<mentioned>more</mentioned>
</usg>
<cit type="example">
<quote>Give me <oRef/> more</quote>
<pron extent="part">s@'mO:(r)</pron>
</cit>
</sense>
<usg type="colloc">
<oRef type="cap"/> and <mentioned>any</mentioned> are used with
<mentioned>more</mentioned>
</usg>
<cit type="example">
<quote>Give me <oRef/> more</quote>
<pron extent="part">s@'mO:(r)</pron>
</cit>
</sense>
<xr> (en)
<entry>
<form>
<orth>lavage</orth>
</form>
<etym>[Fr. < <mentioned>laver</mentioned>; L. <mentioned>lavare</mentioned>, to wash;
<xr>see <ref>lather</ref>
</xr>]. </etym>
</entry>
<form>
<orth>lavage</orth>
</form>
<etym>[Fr. < <mentioned>laver</mentioned>; L. <mentioned>lavare</mentioned>, to wash;
<xr>see <ref>lather</ref>
</xr>]. </etym>
</entry>
<entry>
<form>
<orth>publier</orth> ... </form>
<etym>Emprunté au <lang>latin</lang>
<mentioned>publicare</mentioned>
<def>mettre à la disposition du public ; montrer au public ; publier (un livre)</def> ,
<label>dérivé de </label>
<mentioned>publicus</mentioned>, <xr>v.
<ref>public1</ref>
</xr>. La forme <mentioned>puplier</mentioned>, <mentioned>poplier</mentioned>
<label>attesté en </label>
<lang>anc. fr.</lang>
<xr> (v. <ref>supra, <bibl>Grand
dictionnaire de la langue française</bibl>. et.
<bibl>Tobler-Lommatzsch</bibl>
</ref>.)</xr> à côté de<mentioned> publier</mentioned>,
que l'on trouve à partir de la <date>2e moitié du XIIIe s.</date>
<bibl>[ms. de la <date>fin XIIIe s.</date>] </bibl>
<bibl>(Légende de Girart de
Roussillon, 64 dans Tobler-Lommatzsch),</bibl> est une <label>altération
d'après</label>
<mentioned> peuple</mentioned>.</etym>
</entry>
<form>
<orth>publier</orth> ... </form>
<etym>Emprunté au <lang>latin</lang>
<mentioned>publicare</mentioned>
<def>mettre à la disposition du public ; montrer au public ; publier (un livre)</def> ,
<label>dérivé de </label>
<mentioned>publicus</mentioned>, <xr>v.
<ref>public1</ref>
</xr>. La forme <mentioned>puplier</mentioned>, <mentioned>poplier</mentioned>
<label>attesté en </label>
<lang>anc. fr.</lang>
<xr> (v. <ref>supra, <bibl>Grand
dictionnaire de la langue française</bibl>. et.
<bibl>Tobler-Lommatzsch</bibl>
</ref>.)</xr> à côté de<mentioned> publier</mentioned>,
que l'on trouve à partir de la <date>2e moitié du XIIIe s.</date>
<bibl>[ms. de la <date>fin XIIIe s.</date>] </bibl>
<bibl>(Légende de Girart de
Roussillon, 64 dans Tobler-Lommatzsch),</bibl> est une <label>altération
d'après</label>
<mentioned> peuple</mentioned>.</etym>
</entry>
<xr> (zh-TW)
<entry>
<form>
<orth>癲</orth>
</form>
<etym>詩經．大雅．雲漢：<mentioned>瘨</mentioned>，病、使困苦； <xr>參見 <ref>癲</ref>
</xr>。 </etym>
</entry>
<form>
<orth>癲</orth>
</form>
<etym>詩經．大雅．雲漢：<mentioned>瘨</mentioned>，病、使困苦； <xr>參見 <ref>癲</ref>
</xr>。 </etym>
</entry>
<entry>
<form>
<orth>bevvy</orth>
<pron notation="ipa">ˈbɛvɪ</pron>
</form>
<usg type="reg">informal</usg>
<hom>
<gramGrp>
<pos>n</pos>
</gramGrp>
<sense n="1">
<def>a drink, esp. an alcoholic one: we had a few bevvies last night.</def>
</sense>
</hom>
<!-- ... sense 2 ... -->
<hom>
<gramGrp>
<pos>vb</pos>
</gramGrp>
<sense n="3">
<def>to drink alcohol</def>
</sense>
</hom>
<etym>probably from <lang>Old French</lang>
<mentioned>bevee</mentioned>, <mentioned>buvee</mentioned>
<gloss>drinking</gloss>
</etym>
<re type="derived">
<form>
<orth>bevvied</orth>
</form>
<gramGrp>
<pos>adj</pos>
</gramGrp>
</re>
</entry>
<form>
<orth>bevvy</orth>
<pron notation="ipa">ˈbɛvɪ</pron>
</form>
<usg type="reg">informal</usg>
<hom>
<gramGrp>
<pos>n</pos>
</gramGrp>
<sense n="1">
<def>a drink, esp. an alcoholic one: we had a few bevvies last night.</def>
</sense>
</hom>
<!-- ... sense 2 ... -->
<hom>
<gramGrp>
<pos>vb</pos>
</gramGrp>
<sense n="3">
<def>to drink alcohol</def>
</sense>
</hom>
<etym>probably from <lang>Old French</lang>
<mentioned>bevee</mentioned>, <mentioned>buvee</mentioned>
<gloss>drinking</gloss>
</etym>
<re type="derived">
<form>
<orth>bevvied</orth>
</form>
<gramGrp>
<pos>adj</pos>
</gramGrp>
</re>
</entry>
<entryFree>
<form>
<orth>demigod</orth>
<hyph>demi|god</hyph>
<pron>"demIgQd</pron>
</form>
<gramGrp>
<pos>n</pos>
</gramGrp>
<def>one who is partly divine and partly human</def>
<def>(in Gk myth, etc) the son of a god and a mortal woman, eg
<mentioned>Hercules</mentioned>
</def>
<pron>"h3:kjUli:z</pron>
</entryFree>
<form>
<orth>demigod</orth>
<hyph>demi|god</hyph>
<pron>"demIgQd</pron>
</form>
<gramGrp>
<pos>n</pos>
</gramGrp>
<def>one who is partly divine and partly human</def>
<def>(in Gk myth, etc) the son of a god and a mortal woman, eg
<mentioned>Hercules</mentioned>
</def>
<pron>"h3:kjUli:z</pron>
</entryFree>
10 Manuscript Description
<binding>
<p>Modern calf recasing with original armorial stamp <stamp>with legend
<mentioned xml:lang="la">Ex Bibliotheca J. Richard
D.M.</mentioned>
</stamp>
</p>
</binding>
<p>Modern calf recasing with original armorial stamp <stamp>with legend
<mentioned xml:lang="la">Ex Bibliotheca J. Richard
D.M.</mentioned>
</stamp>
</p>
</binding>
12 Critical Apparatus
<l n="2207a">syððan <app>
<lem>Beowulfe</lem>
<note source="#Kl">Fol. 179a <mentioned>beowulfe</mentioned>.
Folio 179, with the last page (Fol. 198b), is the worst part of the
entire MS. It has been freshened up by a later hand, but not always
correctly. Information on doubtful readings is in the notes of
Zupitza and Chambers.</note>
</app>
</l>
<l n="2207b">brade rice</l>
<lem>Beowulfe</lem>
<note source="#Kl">Fol. 179a <mentioned>beowulfe</mentioned>.
Folio 179, with the last page (Fol. 198b), is the worst part of the
entire MS. It has been freshened up by a later hand, but not always
correctly. Information on doubtful readings is in the notes of
Zupitza and Chambers.</note>
</app>
</l>
<l n="2207b">brade rice</l>
12.1.4.1 Witness Detail Information
<l>Swaz hi gât umbe</l>
<l>daz sint alle megede,</l>
<l>die wellent ân man</l>
<l>
<app>
<rdg wit="#Mu" hand="#m1">alle</rdg>
<rdg wit="#Mu" hand="#m2">allen</rdg>
<witDetail wit="#Mu">
<mentioned>n</mentioned> nachgetragen.
</witDetail>
</app>
disen sumer gân.
</l>
<l>daz sint alle megede,</l>
<l>die wellent ân man</l>
<l>
<app>
<rdg wit="#Mu" hand="#m1">alle</rdg>
<rdg wit="#Mu" hand="#m2">allen</rdg>
<witDetail wit="#Mu">
<mentioned>n</mentioned> nachgetragen.
</witDetail>
</app>
disen sumer gân.
</l>
13 Names, Dates, People, and Places
<object xml:id="Excalibur-longerIdentifier">
<objectIdentifier>
<objectName type="main">Excalibur</objectName>
<objectName type="alt">Caliburn</objectName>
<objectName xml:lang="cy">Caledfwlch</objectName>
<objectName xml:lang="cornu">Calesvol</objectName>
<objectName xml:lang="br">Kaledvoulc'h</objectName>
<objectName xml:lang="la">Caliburnus</objectName>
<country>Wales</country>
</objectIdentifier>
<p>Excalibur is the main English name for the legendary
sword of King Arthur. In Welsh it is called
<mentioned>Caledfwlch</mentioned>, in Cornish it is called
<mentioned>Calesvol</mentioned>, in Breton it is called
<mentioned>Kaledvoulc'h</mentioned>, and in Latin it is
called <mentioned>Caliburnus</mentioned>. In some versions
of the legend, Excalibur’s blade was engraved with phrases on opposite
sides: <q>Take me up</q> and <q>Cast me away</q> (or similar).</p>
</object>
<objectIdentifier>
<objectName type="main">Excalibur</objectName>
<objectName type="alt">Caliburn</objectName>
<objectName xml:lang="cy">Caledfwlch</objectName>
<objectName xml:lang="cornu">Calesvol</objectName>
<objectName xml:lang="br">Kaledvoulc'h</objectName>
<objectName xml:lang="la">Caliburnus</objectName>
<country>Wales</country>
</objectIdentifier>
<p>Excalibur is the main English name for the legendary
sword of King Arthur. In Welsh it is called
<mentioned>Caledfwlch</mentioned>, in Cornish it is called
<mentioned>Calesvol</mentioned>, in Breton it is called
<mentioned>Kaledvoulc'h</mentioned>, and in Latin it is
called <mentioned>Caliburnus</mentioned>. In some versions
of the legend, Excalibur’s blade was engraved with phrases on opposite
sides: <q>Take me up</q> and <q>Cast me away</q> (or similar).</p>
</object>
<nym xml:id="XYZ">
<form>Bogomil</form>
<etym>Means <gloss>favoured by God</gloss> from the <lang>Slavic</lang> elements <mentioned xml:lang="ru">bog</mentioned>
<gloss>God</gloss> and <mentioned xml:lang="ru">mil</mentioned>
<gloss>favour</gloss>
</etym>
</nym>
<form>Bogomil</form>
<etym>Means <gloss>favoured by God</gloss> from the <lang>Slavic</lang> elements <mentioned xml:lang="ru">bog</mentioned>
<gloss>God</gloss> and <mentioned xml:lang="ru">mil</mentioned>
<gloss>favour</gloss>
</etym>
</nym>
<listNym> (en)
<listNym type="floral">
<nym xml:id="ROSE">
<form>Rose</form>
</nym>
<nym xml:id="DAISY">
<form>Daisy</form>
<etym>Contraction of <mentioned>day's eye</mentioned>
</etym>
</nym>
<nym xml:id="HTHR">
<form>Heather</form>
</nym>
</listNym>
<nym xml:id="ROSE">
<form>Rose</form>
</nym>
<nym xml:id="DAISY">
<form>Daisy</form>
<etym>Contraction of <mentioned>day's eye</mentioned>
</etym>
</nym>
<nym xml:id="HTHR">
<form>Heather</form>
</nym>
</listNym>
<listNym type="floral">
<nym xml:id="fr_ROSE">
<form>Rose</form>
</nym>
<nym xml:id="fr_DAISY">
<form>Daisy</form>
<etym>contraction de <mentioned>day's eye</mentioned>
</etym>
</nym>
<nym xml:id="fr_HTHR">
<form>Heather</form>
</nym>
</listNym>
<nym xml:id="fr_ROSE">
<form>Rose</form>
</nym>
<nym xml:id="fr_DAISY">
<form>Daisy</form>
<etym>contraction de <mentioned>day's eye</mentioned>
</etym>
</nym>
<nym xml:id="fr_HTHR">
<form>Heather</form>
</nym>
</listNym>
17 Simple Analytic Mechanisms
21 Certainty, Precision, and Responsibility
21.1.1 Using Notes to Record Uncertainty
<persName>Elizabeth</persName> went to <placeName>Essex</placeName>. She had always liked <placeName>Essex</placeName>.
<note type="certainty" resp="#MSM">It is not
clear here whether <mentioned>Essex</mentioned>
refers to the place or to the nobleman. -MSM</note>
<note type="certainty" resp="#MSM">It is not
clear here whether <mentioned>Essex</mentioned>
refers to the place or to the nobleman. -MSM</note>
21.1.1 Using Notes to Record Uncertainty
<persName>Elizabeth</persName> went to <placeName xml:id="CE-p1a">Essex</placeName>.
She had always liked <placeName xml:id="CE-p1b">Essex</placeName>.
<note type="certainty" resp="#MSM"
target="#CE-p1a #CE-p1b">It
is not clear here whether <mentioned>Essex</mentioned>
refers to the place or to the nobleman. If the latter,
it should be tagged as a personal name. -<name xml:id="MSM">Michael</name>
</note>
She had always liked <placeName xml:id="CE-p1b">Essex</placeName>.
<note type="certainty" resp="#MSM"
target="#CE-p1a #CE-p1b">It
is not clear here whether <mentioned>Essex</mentioned>
refers to the place or to the nobleman. If the latter,
it should be tagged as a personal name. -<name xml:id="MSM">Michael</name>
</note>