例子: <graphic> (graphic)

These search results reproduce every example of the use of <graphic> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <graphic> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3 Elements Available in All TEI Documents (defining module)

1 The TEI Infrastructure
4 Default Text Structure
5 Characters, Glyphs, and Writing Modes
11 Representation of Primary Sources
14 Tables, Formulæ, Graphics, and Notated Music
16 Linking, Segmentation, and Alignment

3 Elements Available in All TEI Documents

3.7 Simple Links and Cross-References

Similar forms, often called
<term rend="ldquo rdquo">rewriting systems</term>, have a long history
among mathematicians, but the specific form of <ptr target="#fig22"/>
was first studied extensively by Chomsky <ptr type="bibliog" target="#chom59"/>.


<figure xml:id="fig22">
<graphic url="fig22.jpg"/>
</figure>

<bibl xml:id="chom59">

</bibl>

參考書目 ⚓︎

3.10 Graphics and Other Non-textual Components

<p>These were the four lines I moved in
through my first, second, third, and
fourth volumes. -- In the fifth volume
I have been very good, -- the precise
line I have described in it being this:
<graphic url="zigzag2.png"
mimeType="image/png"/>
By which it appears, that except at the
curve, marked A. where I took a trip
to Navarre, -- and the indented curve B.
which is the short airing when I was
there with the Lady Baussiere and her
page, -- I have not taken the least frisk
...</p>

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3.10 Graphics and Other Non-textual Components

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<graphic> (en)

<figure>
<graphic url="fig1.png"/>
<head>Figure One: The View from the Bridge</head>
<figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
series of buoys strung out between them.</figDesc>
</figure>

全部顯示 ⚓︎

<graphic> (fr)

<figure>
<graphic url="fig1.png"/>
<head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
<p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

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<figure>
<graphic url="fig1.png"/>
<head>維納斯</head>
<figDesc> 波提且利 1484-1486年畫布、蛋彩佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

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<graphic> (en)

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<graphic> (en)

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1 The TEI Infrastructure

1.4.2 Datatype Specifications

<figure>
<head>The TEI Logo</head>
<figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
<graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

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1.4.2 Datatype Specifications

⚓︎

1.4.2 Datatype Specifications

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4 Default Text Structure

<TEI> (en)

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
</teiHeader>
<facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
</facsimile>
</TEI>

參考書目全部顯示 ⚓︎

5 Characters, Glyphs, and Writing Modes

5.3 Annotating Characters

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5.3 Annotating Characters

<p> ... <g ref="#Filig">Fi</g>lthy riches...</p>

<glyph xml:id="Filig">
<localProp name="Name"
value="LATIN UPPER F AND LATIN LOWER I LIGATURE"/>
<figure>
<graphic url="Filig.png"/>
</figure>
</glyph>

參考書目 ⚓︎

5.3 Annotating Characters

<p> ... <abbr>
  <g ref="#per">per</g>
</abbr> ardua</p>

<glyph xml:id="per">
<localProp name="Name"
  value="LATIN ABBREVIATION PER"/>
<figure>
  <graphic url="per.png"/>
</figure>
</glyph>

參考書目 ⚓︎

<glyph> (en)

全部顯示 ⚓︎

<glyph> (fr)

全部顯示 ⚓︎

11 Representation of Primary Sources

11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

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11.1 Digital Facsimiles

⚓︎

11.1 Digital Facsimiles

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11.2.1 Parallel Transcription

參考書目 ⚓︎

11.2.1 Parallel Transcription

<pb facs="#B49r"/>
<fw>De Geometrie 49</fw>
<head facs="#B49rHead"> DU SON ET ACCORD DES CLOCHES ET <lb/> des alleures des
chevaulx, chariotz & charges, des fontaines:& <lb/> encyclie du monde,
& de la dimension du corps humain.<lb/> Chapitre septiesme</head>
<div n="1">
<p>Le son & accord des cloches pendans en ung mesme <lb/> axe, est faict en
   contraires parties.</p>
<p rend="it" facs="#B49rPara2">LEs cloches ont quasi fi<lb/>gures de rondes
   pyra<lb/>mides imperfaictes & <lb/> irregulieres: & leur accord se
<lb/> fait par reigle geometrique. Com<lb/>me si les deux cloches C & D
<lb/> sont <w facs="#B49rW457">pendans</w> à ung mesme axe <lb/> ou essieu A B:
   je dis que leur ac<lb/>cord se fera en co<ex>n</ex>traires parties<lb/>
   co<ex>m</ex>me voyez icy figuré. Car qua<ex>n</ex>d <lb/> lune sera en
   hault, laultre declinera embas. Aultrement si elles decli<lb/>nent toutes deux
   ensembles en une mesme partie, elles seront discord, <lb/> & sera leur
   sonnerie mal plaisante à oyr.<figure facs="#B49rFig1">
   <graphic url="Bovelles49r-detail.png"/>
  </figure>
</p>
</div>

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11.2.1 Parallel Transcription

<facsimile>
<surface start="#PB49R">
  <graphic url="Bovelles-49r.png"/>
</surface>
</facsimile>
<text>
<body>
  <div>

   <pb xml:id="PB49R"/>
   <fw>De Geometrie 49</fw>

  </div>
</body>
</text>

⚓︎

<facsimile> (en)

參考書目全部顯示 ⚓︎

<facsimile> (en)

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<sourceDoc> (en)

<sourceDoc>
<surfaceGrp n="leaf1">
  <surface facs="page1.png">
   <zone>All the writing on page 1</zone>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
   <zone>
    <line>A line of writing on page 2</line>
    <line>Another line of writing on page 2</line>
   </zone>
  </surface>
</surfaceGrp>
</sourceDoc>

全部顯示 ⚓︎

<surface> (en)

參考書目全部顯示 ⚓︎

<surfaceGrp> (en)

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<zone> (en)

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<zone> (en)

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<path> (en)

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11.2.2 Embedded Transcription

<sourceDoc>
<surface ulx="0" uly="0" lrx="200" lry="300">
  <zone ulx="0" uly="0" lrx="200" lry="300">
   <graphic url="Bovelles-49r.png"/>
  </zone>

  <zone ulx="28" uly="75" lrx="175" lry="178">
   <line>LEs cloches ont quasi
       fi</line>
   <line>gures de rondes pyra</line>
   <line>mides imperfaictes &
   </line>
   <line> irregulieres: & leur accord se</line>
   <line> fait par reigle geometrique. Com</line>
   <line>me si les deux cloches C
       & D </line>
   <line> sont <zone ulx="45" uly="125" lrx="60"
     lry="130">pendans</zone> à ung mesme axe</line>
   <line> ou essieu A B: je dis que
       leur ac</line>
   <line>cord se fera en cõtraires parties</line>
   <line> cõme
       voyez icy figuré. Car quãd </line>
   <line> lune sera en hault, laultre
       declinera embas. Aultrement si elles declinent toutes deux ensembles en une
       mesme partie, elles seront discord,</line>
   <line> & sera leur sonnerie
       mal plaisante à oyr.</line>
  </zone>
  <zone ulx="105" uly="76" lrx="175"
   lry="160">
   <graphic url="Bovelles49r-detail.png"/>
  </zone>
</surface>
</sourceDoc>

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11.2.2.1 Advanced Uses of <surface> and <zone>

參考書目 ⚓︎

11.2.2.1 Advanced Uses of <surface> and <zone>

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11.2.2.1 Advanced Uses of <surface> and <zone>

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14 Tables, Formulæ, Graphics, and Notated Music

14.3 Notated Music in Written Text

<notatedMusic>
<ptr target="bar1.xml"/>
<graphic url="bar1.jpg"/>
<desc>First bar of Chopin's Scherzo No.3 Op.39</desc>
</notatedMusic>

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<notatedMusic> (en)

<notatedMusic>
<ptr target="bar1.xml"/>
<graphic url="bar1.jpg"/>
<desc>First bar of Chopin's Scherzo No.3 Op.39</desc>
</notatedMusic>

全部顯示 ⚓︎

14.4 Specific Elements for Graphic Images

參考書目 ⚓︎

14.4 Specific Elements for Graphic Images

<figure>
<graphic url="Fig1.pdf"/>
<head>The View from the Bridge</head>
</figure>

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14.4 Specific Elements for Graphic Images

<figure>
<graphic url="pullman.png"/>
<head>Above:</head>
<p>The drawing room of the Pullman house, the white and gold saloon
   where the magnate delighted in giving receptions for several hundred
   people.</p>
<figDesc>The figure shows an elaborately decorated room, at least
   twenty-five feet side to side and fifty feet long, with ornate
   mouldings and Corinthian columns on the walls, overstuffed armchairs
   and loveseats arranged in several conversational groupings, and two
   large chandeliers.</figDesc>
</figure>

參考書目 ⚓︎

14.4 Specific Elements for Graphic Images

<figure>
<graphic url="Fig1.jpg"/>
<head>Figure One: The View from the Bridge</head>
<figDesc>A Whistleresque view showing four or five sailing boats in
the foreground, and a series of buoys strung out between
them.</figDesc>
</figure>

⚓︎

14.4 Specific Elements for Graphic Images

<figure n="6.45">
<figure n="a">
  <graphic url="./figs/6.45a.png"/>
  <ab type="caption">Parallel</ab>
</figure>
<figure n="b">
  <graphic url="./figs/6.45b.png"/>
  <ab type="caption">Perspective</ab>
</figure>
<ab type="caption">The two canonical view volumes, for the (a)
   parallel and (b) perspective projections. Note that -z is to the
   right.</ab>
</figure>

參考書目 ⚓︎

14.4 Specific Elements for Graphic Images

<ref target="#IM1">Click
here <graphic url="fig1th.png"/> for enlightenment </ref>
<figure xml:id="IM1">
<graphic url="fig1.jpg"/>
</figure>

⚓︎

<figure> (en)

<figure>
<head>The View from the Bridge</head>
<figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
series of buoys strung out between them.</figDesc>
<graphic url="http://www.example.org/fig1.png"
scale="0.5"/>
</figure>

全部顯示 ⚓︎

<figure> (fr)

<figure>
<head>La tour rouge, de Giorgio De Chirico</head>
<figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
hormis quelques détails</figDesc>
<graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
scale="0.5"/>
</figure>

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<figure>
<head>圖一: 橋上的視野</head>
<figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
<graphic url="http://www.example.org/fig1.png"
scale="0.5"/>
</figure>

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<figDesc> (en)

<figure>
<graphic url="emblem1.png"/>
<head>Emblemi d'Amore</head>
<figDesc>A pair of naked winged cupids, each holding a
flaming torch, in a rural setting.</figDesc>
</figure>

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<figDesc> (fr)

<figure>
<graphic url="chap3fig2.png"/>
<head>Dick Kennedy </head>
<figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

全部顯示 ⚓︎

16 Linking, Segmentation, and Alignment

16.2.1 Pointing Elsewhere

<figure rend="float fullpage">
<graphic url="Images/compic.png"/>
<figDesc>The figure shows the page from the <title>Orbis
pictus</title> of Comenius which is discussed in the text.</figDesc>
</figure>

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P5: TEI指引