Exemple: <rs> (referencing string)
These search results reproduce every example of the use of <rs> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <rs> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
- 2 The TEI Header
- 7 Performance Texts
- 13 Names, Dates, People, and Places
- 16 Linking, Segmentation, and Alignment
3 Elements Available in All TEI Documents
<p>
<q>My dear
<rs type="person">Mr. Bennet</rs>
</q>, said his lady to
him one day, <q>have you heard that <rs type="place">Netherfield Park</rs> is let at last?</q>
</p>
<q>My dear
<rs type="person">Mr. Bennet</rs>
</q>, said his lady to
him one day, <q>have you heard that <rs type="place">Netherfield Park</rs> is let at last?</q>
</p>
<p>Collectors of water-rents were appointed by the
<rs type="org">Watering Committee</rs>.
They were paid a commission not exceeding four per
cent, and gave bond.</p>
<rs type="org">Watering Committee</rs>.
They were paid a commission not exceeding four per
cent, and gave bond.</p>
<p>It being one of the principles of the
<rs type="org">Circumlocution Office</rs> never, on any
account whatsoever, to give a straightforward answer,
<rs type="person">Mr Barnacle</rs> said, <q>Possibly.</q>
</p>
<rs type="org">Circumlocution Office</rs> never, on any
account whatsoever, to give a straightforward answer,
<rs type="person">Mr Barnacle</rs> said, <q>Possibly.</q>
</p>
<p>
<q>My dear <rs type="person">Mr. Bennet</rs>
</q>, said
<rs type="person">his lady</rs> to him one day ...
</p>
<q>My dear <rs type="person">Mr. Bennet</rs>
</q>, said
<rs type="person">his lady</rs> to him one day ...
</p>
<p>
<q>My dear <name type="person">Mr. Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day,
<q>have you heard that <name type="place">Netherfield Park</name> is let at last?</q>
</p>
<q>My dear <name type="person">Mr. Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day,
<q>have you heard that <name type="place">Netherfield Park</name> is let at last?</q>
</p>
<rs>His Excellency the Life President, <name>Ngwazi Dr H. Kamuzu Banda</name>
</rs>
</rs>
<q>My dear
<rs key="BENM1" type="person">Mr. Bennet</rs>,</q> said
<rs key="BENM2" type="person">his lady</rs> to him one day,
<q>have you heard that
<rs key="NETP1" type="place">Netherfield Park</rs> is let at
last?</q>
<rs key="BENM1" type="person">Mr. Bennet</rs>,</q> said
<rs key="BENM2" type="person">his lady</rs> to him one day,
<q>have you heard that
<rs key="NETP1" type="place">Netherfield Park</rs> is let at
last?</q>
<p>
<name key="VOM1" type="person">Mme. de Volanges</name>
marie <rs key="VOM2">sa fille</rs>:
c'est encore un secret;
mais elle m'en a fait part hier.
</p>
<name key="VOM1" type="person">Mme. de Volanges</name>
marie <rs key="VOM2">sa fille</rs>:
c'est encore un secret;
mais elle m'en a fait part hier.
</p>
<p>My personal life during
the administration of <rs key="POJA1" type="person">Col. Polk
(<reg>Polk, James K.</reg>)</rs> has but poorly compensated me for the
suspended enjoyments and pursuits of private and professional
spheres</p>
the administration of <rs key="POJA1" type="person">Col. Polk
(<reg>Polk, James K.</reg>)</rs> has but poorly compensated me for the
suspended enjoyments and pursuits of private and professional
spheres</p>
<p>
<name ref="tag:projectname.org,2012:VOM1"
type="person">Mme. de Volanges</name> marie <rs ref="tag:theworksoflaclos.org,2012:VOM2">sa fille</rs>: c'est encore un secret;
mais elle m'en a fait part hier.
</p>
<name ref="tag:projectname.org,2012:VOM1"
type="person">Mme. de Volanges</name> marie <rs ref="tag:theworksoflaclos.org,2012:VOM2">sa fille</rs>: c'est encore un secret;
mais elle m'en a fait part hier.
</p>
<q>My dear <rs type="person">Mr. Bennet</rs>, </q> said <rs type="person">his lady</rs>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>
<p>La famille s'était alors retirée en banlieue, à <rs type="place">Villemomble</rs>, mais
<rs type="person">Alfred </rs>aimait se rendre à <rs type="place">Paris</rs> et un jour de 1917 alors qu'il sortait de <rs type="place">la maison des
Arts et Métiers</rs> il était tombé inanimé dans la rue.</p>
<rs type="person">Alfred </rs>aimait se rendre à <rs type="place">Paris</rs> et un jour de 1917 alors qu'il sortait de <rs type="place">la maison des
Arts et Métiers</rs> il était tombé inanimé dans la rue.</p>
<q>我親愛的 <rs type="person"> 班納特先生</rs>，
</q>一天，<rs type="person">班納特太太</rs> 對她的丈夫說：
<q>你聽說過<rs type="place">尼日斐花園</rs> 終於租出去了嗎?</q>
</q>一天，<rs type="person">班納特太太</rs> 對她的丈夫說：
<q>你聽說過<rs type="place">尼日斐花園</rs> 終於租出去了嗎?</q>
2 The TEI Header
<creation>
<date when="1992-08">August 1992</date>
<rs type="city">Taos, New Mexico</rs>
</creation>
<date when="1992-08">August 1992</date>
<rs type="city">Taos, New Mexico</rs>
</creation>
7 Performance Texts
<performance>
<head>Death of a Salesman</head>
<p>A New Play by Arthur Miller</p>
<p>Staged by Elia Kazan</p>
<castList>
<head>Cast</head>
<note rend="small type flush left"
place="inline">(in order of appearance)</note>
<castItem>
<role>Willy Loman</role>
<actor>Lee J. Cobb</actor>
</castItem>
<castItem>
<role>Linda</role>
<actor>Mildred Dunnock</actor>
</castItem>
<castItem>
<role>Biff</role>
<actor>Arthur Kennedy</actor>
</castItem>
<castItem>
<role>Happy</role>
<actor>Cameron Mitchell</actor>
</castItem>
<!-- ... -->
</castList>
<p>The setting and lighting were designed by
<name>Jo Mielziner</name>.</p>
<p>The incidental music was composed by <name>Alex North</name>.</p>
<p>The costumes were designed by <name>Julia Sze</name>.</p>
<p>Presented by <name rend="unmarked">Kermit Bloomgarden</name>
and <name rend="unmarked">Walter Fried</name> at the
<rs type="place">Morosco Theatre in New York</rs> on
<date when="1949-02-10">February 10, 1949</date>.</p>
</performance>
<head>Death of a Salesman</head>
<p>A New Play by Arthur Miller</p>
<p>Staged by Elia Kazan</p>
<castList>
<head>Cast</head>
<note rend="small type flush left"
place="inline">(in order of appearance)</note>
<castItem>
<role>Willy Loman</role>
<actor>Lee J. Cobb</actor>
</castItem>
<castItem>
<role>Linda</role>
<actor>Mildred Dunnock</actor>
</castItem>
<castItem>
<role>Biff</role>
<actor>Arthur Kennedy</actor>
</castItem>
<castItem>
<role>Happy</role>
<actor>Cameron Mitchell</actor>
</castItem>
<!-- ... -->
</castList>
<p>The setting and lighting were designed by
<name>Jo Mielziner</name>.</p>
<p>The incidental music was composed by <name>Alex North</name>.</p>
<p>The costumes were designed by <name>Julia Sze</name>.</p>
<p>Presented by <name rend="unmarked">Kermit Bloomgarden</name>
and <name rend="unmarked">Walter Fried</name> at the
<rs type="place">Morosco Theatre in New York</rs> on
<date when="1949-02-10">February 10, 1949</date>.</p>
</performance>
<performance>
<p>La Machine Infernale a été
représentée pour la première fois au
<rs type="place-theatre">théâtre Louis-Jouvet</rs>
<rs type="place-theatre">(Comédie des
Champs-élysées)</rs>
<date>le 10 avril 1934</date>,
avec les décors et les costumes de
<name>Christian Bérard.</name> ... </p>
</performance>
<p>La Machine Infernale a été
représentée pour la première fois au
<rs type="place-theatre">théâtre Louis-Jouvet</rs>
<rs type="place-theatre">(Comédie des
Champs-élysées)</rs>
<date>le 10 avril 1934</date>,
avec les décors et les costumes de
<name>Christian Bérard.</name> ... </p>
</performance>
<performance>
<p>
<rs type="place">Gateway Theatre, Edinburgh</rs>, <date>6 September 1948</date>
<castList>
<castItem>
<role>Anath Bithiah</role>
<actor>Athene Seyler</actor>
</castItem>
<castItem>
<role>Shendi</role>
<actor>Robert Rietty</actor>
</castItem>
</castList>
</p>
<p>Directed by <name>E. Martin Browne</name>
</p>
</performance>
<p>
<rs type="place">Gateway Theatre, Edinburgh</rs>, <date>6 September 1948</date>
<castList>
<castItem>
<role>Anath Bithiah</role>
<actor>Athene Seyler</actor>
</castItem>
<castItem>
<role>Shendi</role>
<actor>Robert Rietty</actor>
</castItem>
</castList>
</p>
<p>Directed by <name>E. Martin Browne</name>
</p>
</performance>
<performance>
<p>
<rs type="place">Théâtre national du Petit-Odéon, Paris</rs>, <date>du 10 Décembre 1974
au 12 Janvier 1975</date>
<castList>
<castItem>
<role>Paul Valéry</role>
<actor>Michel Duchaussoy</actor>
</castItem>
<castItem>
<role>Joseph</role>
<actor>Gérad Caillaud</actor>
</castItem>
<castItem>
<role>M. Teste</role>
<actor>Pierre Dux</actor>
</castItem>
<castItem>
<role>Mme Teste</role>
<actor>Claude Winter</actor>
</castItem>
<castItem>
<role>L'abbé Mosson</role>
<actor>Jacques Toja</actor>
</castItem>
</castList>
</p>
<p>Adaptation et mise en scène de <name>Pierre Franck</name>
</p>
</performance>
<p>
<rs type="place">Théâtre national du Petit-Odéon, Paris</rs>, <date>du 10 Décembre 1974
au 12 Janvier 1975</date>
<castList>
<castItem>
<role>Paul Valéry</role>
<actor>Michel Duchaussoy</actor>
</castItem>
<castItem>
<role>Joseph</role>
<actor>Gérad Caillaud</actor>
</castItem>
<castItem>
<role>M. Teste</role>
<actor>Pierre Dux</actor>
</castItem>
<castItem>
<role>Mme Teste</role>
<actor>Claude Winter</actor>
</castItem>
<castItem>
<role>L'abbé Mosson</role>
<actor>Jacques Toja</actor>
</castItem>
</castList>
</p>
<p>Adaptation et mise en scène de <name>Pierre Franck</name>
</p>
</performance>
<performance>
<p>Distribution <rs type="place">Comédie des Champs-Elysées, Paris,</rs>
<date>1923</date>(par ordre d'entrée en scène) <castList>
<castItem>Knock : Louis Jouvet</castItem>
</castList>
</p>
</performance>
<p>Distribution <rs type="place">Comédie des Champs-Elysées, Paris,</rs>
<date>1923</date>(par ordre d'entrée en scène) <castList>
<castItem>Knock : Louis Jouvet</castItem>
</castList>
</p>
</performance>
<performance>
<p>
<rs type="place">新竹市文化局演藝廳</rs>, <date>2008年3月14日</date>
<castList>
<castItem>
<role>劉福春</role>
<actor>陳忠義</actor>
</castItem>
<castItem>
<role>劉麗月</role>
<actor>陳慧如</actor>
</castItem>
</castList>
</p>
<p>監製： <name>李永得</name>
</p>
</performance>
<p>
<rs type="place">新竹市文化局演藝廳</rs>, <date>2008年3月14日</date>
<castList>
<castItem>
<role>劉福春</role>
<actor>陳忠義</actor>
</castItem>
<castItem>
<role>劉麗月</role>
<actor>陳慧如</actor>
</castItem>
</castList>
</p>
<p>監製： <name>李永得</name>
</p>
</performance>
<performance>
<p>首演假<rs type="place">台北國家劇院</rs>於 <date>2007年10月12日</date>
<castList>
<castItem>劉麗君: 徐堰鈴飾</castItem>
</castList>
</p>
</performance>
<p>首演假<rs type="place">台北國家劇院</rs>於 <date>2007年10月12日</date>
<castList>
<castItem>劉麗君: 徐堰鈴飾</castItem>
</castList>
</p>
</performance>
<performance>
<p>Cast of the original production at the <rs type="place">Savoy Theatre, London,</rs> on
<date>September 24, 1907</date>
<castList>
<castItem>Colonel Hope : Mr A.E.George</castItem>
</castList>
</p>
</performance>
<p>Cast of the original production at the <rs type="place">Savoy Theatre, London,</rs> on
<date>September 24, 1907</date>
<castList>
<castItem>Colonel Hope : Mr A.E.George</castItem>
</castList>
</p>
</performance>
13 Names, Dates, People, and Places
That silly man <rs ref="tag:projectname.org,2012:DPB1"
type="person">David Paul Brown</rs> has suffered the furniture of his office to be seized the third time for
rent.
type="person">David Paul Brown</rs> has suffered the furniture of his office to be seized the third time for
rent.
That silly man <rs ref="tag:projectname.org,2012:DPB1"
type="person">
<name>David Paul Brown</name>
</rs> has suffered ...
type="person">
<name>David Paul Brown</name>
</rs> has suffered ...
About a year back, a question of considerable interest
was agitated in the <rs ref="tag:projectname.org,2012:PAS1"
type="org">
<name>Pennsyla. Abolition Society</name>
</rs>.
was agitated in the <rs ref="tag:projectname.org,2012:PAS1"
type="org">
<name>Pennsyla. Abolition Society</name>
</rs>.
After spending some time in our <rs ref="tag:projectname.org,2012:NY1"
type="place">modern <name ref="tag:projectname.org,2012:BA1"
type="place">Babylon</name>
</rs>, <name ref="tag:projectname.org,2012:NY1"
type="place">New York</name>, I have proceeded to the <rs ref="tag:projectname.org,2012:PH1"
type="place">City of Brotherly Love</rs>.
type="place">modern <name ref="tag:projectname.org,2012:BA1"
type="place">Babylon</name>
</rs>, <name ref="tag:projectname.org,2012:NY1"
type="place">New York</name>, I have proceeded to the <rs ref="tag:projectname.org,2012:PH1"
type="place">City of Brotherly Love</rs>.
16 Linking, Segmentation, and Alignment
<s n="1">The state Supreme Court has refused to release <rs xml:id="R1">
<rs xml:id="R2">Rahway State Prison</rs> inmate</rs>
<rs xml:id="R3">James Scott</rs> on bail.</s>
<s n="2">
<rs xml:id="R4">The fighter</rs> is serving 30-40 years
for a 1975 armed robbery conviction in <rs xml:id="R5">the penitentiary</rs>.
</s>
<!-- ... -->
<linkGrp type="periphrasis">
<link target="#R1 #R3 #R4"/>
<link target="#R2 #R5"/>
</linkGrp>
<rs xml:id="R2">Rahway State Prison</rs> inmate</rs>
<rs xml:id="R3">James Scott</rs> on bail.</s>
<s n="2">
<rs xml:id="R4">The fighter</rs> is serving 30-40 years
for a 1975 armed robbery conviction in <rs xml:id="R5">the penitentiary</rs>.
</s>
<!-- ... -->
<linkGrp type="periphrasis">
<link target="#R1 #R3 #R4"/>
<link target="#R2 #R5"/>
</linkGrp>