<note>

<note> (note) 注釈・コメント. [3.9.1 Notes and Simple Annotation 2.2.6 The Notes Statement 3.12.2.8 Notes and Statement of Language 9.3.5.4 Notes within Entries]
モジュールcore — Elements Available in All TEI Documents
属性att.global (@xml:id, @n, @xml:lang, @xml:base, @xml:space) (att.global.rendition (@rend, @style, @rendition)) (att.global.linking (@corresp, @synch, @sameAs, @copyOf, @next, @prev, @exclude, @select)) (att.global.analytic (@ana)) (att.global.facs (@facs)) (att.global.change (@change)) (att.global.responsibility (@cert, @resp)) (att.global.source (@source)) att.placement (@place) att.pointing (@targetLang, @target, @evaluate) att.typed (@type, @subtype) att.written (@hand) att.anchoring (@anchored, @targetEnd)
クラブのメンバー
上位
analysis: cl m phr s span w
figures: cell figure table
gaiji: char glyph
nets: graph
spoken: u writing
tagdocs: eg valDesc
下位
dictionaries: lang oRef pRef
gaiji: g
header: biblFull idno
iso-fs: fLib fs fvLib
textstructure: floatingText
verse: caesura rhyme
character data

In the following example, the translator has supplied a footnote containing an explanation of the term translated as "painterly":

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottomtype="gloss"
 resp="#MDMH">

 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

For this example to be valid, the code MDMH must be defined elsewhere, for example by means of a responsibility statement in the associated TEI header.

The global n attribute may be used to supply the symbol or number used to mark the note's point of attachment in the source text, as in the following example:

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

However, if notes are numbered in sequence and their numbering can be reconstructed automatically by processing software, it may well be considered unnecessary to record the note numbers.

Content model
<content>
 <macroRef key="macro.specialPara"/>
</content>
宣言
<rng:element name="note">
 <rng:ref name="att.global.attributes"/>
 <rng:ref name="att.global.rendition.attributes"/>
 <rng:ref name="att.global.linking.attributes"/>
 <rng:ref name="att.global.analytic.attributes"/>
 <rng:ref name="att.global.facs.attributes"/>
 <rng:ref name="att.global.change.attributes"/>
 <rng:ref name="att.global.responsibility.attributes"/>
 <rng:ref name="att.global.source.attributes"/>
 <rng:ref name="att.placement.attributes"/>
 <rng:ref name="att.pointing.attributes"/>
 <rng:ref name="att.typed.attributes"/>
 <rng:ref name="att.written.attributes"/>
 <rng:ref name="att.anchoring.attributes"/>
 <rng:ref name="macro.specialPara"/>
</rng:element>
element note
{
   att.global.attributes,
   att.global.rendition.attributes,
   att.global.linking.attributes,
   att.global.analytic.attributes,
   att.global.facs.attributes,
   att.global.change.attributes,
   att.global.responsibility.attributes,
   att.global.source.attributes,
   att.placement.attributes,
   att.pointing.attributes,
   att.typed.attributes,
   att.written.attributes,
   att.anchoring.attributes,
   macro.specialPara
}