Example: <decoDesc> (decoration description)
These search results reproduce every example of the use of <decoDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <decoDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.
10 Manuscript Description
10.2 The Manuscript Description Element
<msIdentifier>
<settlement>Oxford</settlement>
<repository>Bodleian Library</repository>
<idno>MS. Add. A. 61</idno>
<altIdentifier type="SC">
<idno>28843</idno>
</altIdentifier>
</msIdentifier>
<msContents>
<msItem>
<author xml:lang="en">Geoffrey of Monmouth</author>
<author xml:lang="la">Galfridus Monumetensis</author>
<title type="uniform" xml:lang="la">De origine et gestis Regum Angliae</title>
<rubric xml:lang="la">Hic incipit Bruitus Anglie</rubric>
<incipit xml:lang="la">Cum mecum multa & de multis</incipit>
<textLang mainLang="la">Latin</textLang>
</msItem>
</msContents>
<physDesc>
<objectDesc form="codex">
<supportDesc material="perg">
<support>
<p>Parchment.</p>
</support>
<extent>i + 55 leaves <dimensions scope="all" type="leaf"
unit="inch">
<height>7¼</height>
<width>5⅜</width>
</dimensions>
</extent>
</supportDesc>
<layoutDesc>
<layout columns="2">
<p>In double columns.</p>
</layout>
</layoutDesc>
</objectDesc>
<handDesc>
<p>Written in more than one hand.</p>
</handDesc>
<decoDesc>
<p>With a few coloured capitals.</p>
</decoDesc>
</physDesc>
<history>
<origin>
<p>Written in <origPlace>England</origPlace> in the <origDate notAfter="1300"
notBefore="1200">13th cent.</origDate>
</p>
</origin>
<provenance>
<p>On fol. 54v very faint is <quote xml:lang="la">Iste liber est fratris
guillelmi de buria de <gap/> Roberti ordinis fratrum
Pred<ex>icatorum</ex>
</quote>, 14th cent. (?): <quote>hanauilla</quote> is
written at the foot of the page (15th cent.).</p>
</provenance>
<acquisition>
<p>Bought from the rev. <name key="MCRAYWD">W. D. Macray</name> on <date when="1863-03-17">March 17, 1863</date>, for £1 10s.</p>
</acquisition>
</history>
</msDesc>
10.3.5 References to Locations within a Manuscript
<p>Several of the miniatures in this section have been damaged and overpainted
at a later date (e.g. the figure of Christ on <locus facs="http://www.example.com/images.fr#F33R">fol. 33r</locus>; the face of the
Shepherdess on <locus facs="http://www.example.com/images.fr#F59V">fol.
59v</locus>, etc.).</p>
</decoDesc>
<p>The decoration comprises two full page miniatures, perhaps added by the
original owner, or slightly later; the original major decoration consists of
twenty-three large miniatures, illustrating the divisions of the Passion
narrative and the start of the major texts, and the major divisions of the
Hours; seventeen smaller miniatures, illustrating the suffrages to saints; and
seven historiated initials, illustrating the pericopes and major prayers.</p>
</decoDesc>
<decoNote type="miniature">
<p>One full-page miniature, facing the beginning of the first Penitential
Psalm.</p>
</decoNote>
<decoNote type="initial">
<p>One seven-line historiated initial, commencing the first Penitential
Psalm.</p>
</decoNote>
<decoNote type="initial">
<p>Six four-line decorated initials, commencing the second through the seventh
Penitential Psalm.</p>
</decoNote>
<decoNote type="initial">
<p>Some three hundred two-line versal initials with pen-flourishes, commencing
the psalm verses.</p>
</decoNote>
<decoNote type="border">
<p>Four-sided border decoration surrounding the miniatures and three-sided
border decoration accompanying the historiated and decorated initials.</p>
</decoNote>
</decoDesc>
<decoNote type="miniatures">
<p>Fourteen large miniatures with arched tops, above five lines of text: <list>
<item>
<locus>fol. 14r</locus>Pericopes. <term>St. John writing on Patmos</term>,
with the Eagle holding his ink-pot and pen-case; some flaking of pigment,
especially in the sky</item>
<item>
<locus>fol. 26r</locus>Hours of the Virgin, Matins.
<term>Annunciation</term>; Gabriel and the Dove to the right</item>
<item>
<locus>fol. 60r</locus>Prime. <term>Nativity</term>; the <term>Virgin and
Joseph adoring the Child</term>
</item>
<item>
<locus>fol. 66r</locus>Terce. <term>Annunciation to the Shepherds</term>,
one with <term>bagpipes</term>
</item>
<!-- ... -->
</list>
</p>
</decoNote>
</decoDesc>
<objectDesc form="codex">
<supportDesc material="perg">
<support>Parchment.</support>
<extent>i + 55 leaves
<dimensions scope="all" type="leaf"
unit="inch">
<height>7¼</height>
<width>5⅜</width>
</dimensions>
</extent>
</supportDesc>
<layoutDesc>
<layout columns="2">In double columns.</layout>
</layoutDesc>
</objectDesc>
<handDesc>
<p>Written in more than one hand.</p>
</handDesc>
<decoDesc>
<p>With a few coloured capitals.</p>
</decoDesc>
</physDesc>
<p>The start of each book of the Bible with a 10-line historiated
illuminated initial; prefaces decorated with 6-line blue initials with red
penwork flourishing; chapters marked by 3-line plain red initials; verses
with 1-line initials, alternately blue or red.</p>
</decoDesc>
<p>Les miracles de la Vierge, par Gautier de Coinci ; un volume in-fol. de 285 feuilles,
orné d'initiales en or et en couleur,...</p>
</decoDesc>
<p>每本聖經的第一個字母都是十行大小,飾以歷史圖案;引言部份的第一個字母是六行大小,並以紅筆花飾;章節的第一個字母是三行大小,紅的;韻文的第一個字母一行大小,有時是紅色有時是藍色的。</p>
</decoDesc>
<decoNote type="initial">
<p>The start of each book of the Bible with
a 10-line historiated illuminated initial;
prefaces decorated with 6-line blue initials
with red penwork flourishing; chapters marked by
3-line plain red initials; verses with 1-line initials,
alternately blue or red.</p>
</decoNote>
</decoDesc>
<decoNote type="initial">
<p>每本聖經的第一個字母都是十行大小,飾以歷史圖案;引言部份的第一個字母是六行大小,並以紅筆花飾;章節的第一個字母是三行大小,紅的;韻文的第一個字母一行大小,有時是紅色有時是藍色的。</p>
</decoNote>
</decoDesc>
13 Names, Dates, People, and Places
xml:id="UNAM-CL">
<objectIdentifier>
<objectName type="abbr">The Central Library of UNAM</objectName>
<objectName type="full">The Central Library of the National Autonomous University of Mexico</objectName>
<objectName xml:lang="es">La Biblioteca Central de la Universidad Nacional Autónoma de México</objectName>
<settlement>Mexico City</settlement>
<region>Coyoacán</region>
<country>Mexico</country>
</objectIdentifier>
<physDesc>
<objectDesc>
<p>The Central Library encompasses an area of <dim unit="m" quantity="16000"
type="area">16 thousand square
meters</dim> and is built on a three meter platform. The base contains two <material>basalt</material>
<objectType>fountains</objectType> and <objectType>decorative reliefs</objectType> inspired by
pre-Hispanic art.</p>
<p>The library has ten windowless floors for book storage, each having enough space for 120 thousand volumes.
These storage areas have the necessary lighting, temperature and humidty conditions for book conservation.
In the reading room, flanked by a garden on each side, the diffuse and matte light is filtered through
<material>thin tecali stone slabs</material>. The semi-basement of the building contains the service
and administrative offices of the library.</p>
<p>The building facades are covered with one of the largest murals in the world and is made from naturally
colored stone tiles. It is entitled <title>Historical Representation of Culture</title> and is by
<persName role="artist">Juan O'Gorman</persName>.</p>
</objectDesc>
<decoDesc>
<decoNote>
<label>Base</label> At the base of the building there are two basalt fountains and decorative reliefs
around the outside that are inspired by pre-Hispanic art. The color of the stone in these elements is left
exposed to take advantage of the stone's texture as an aesthetic and expressive element, and to give a
sense of continuity to the external pavement.</decoNote>
<decoNote>
<label>Murals</label>
<p>The outside windowless portion of the building contains one of the largest murals in the world. This is
called <title>Historical Representation of the Culture</title> and is a <material>stone polychromatic
mosaic</material> based on the combination of 12 basic colors. The mural is created in an
impressionist style where the coloured tiles when seen from a distance form specific figures. The 12
colors where chosen from 150 samples of original stones with the criteria including the stone's
resistance to degredation by weather. According to the artist, <persName role="artist">Juan
O'Gorman</persName>, in the mosaic he represented three fundamental historical facets of the Mexican
culture: the pre-Hispanic era, the Spanish colonial era, and the modern age. For example with the North
Wall, this represents the pre-Hispanic era and is dominated by mythical elements relating to the
life-death duality. The left side of the main axis there are
deities and scenes pertaining to the creation of life. The right hand side of the mural contains figures
relating to death. For a more detailed description see <ref target="https://en.wikipedia.org/wiki/Central_Library_(UNAM)#Murals">https://en.wikipedia.org/wiki/Central_Library_(UNAM)#Murals</ref>.</p>
</decoNote>
</decoDesc>
</physDesc>
<history>
<origin> In <origDate when="1948" type="conceptual">1948</origDate> the architect and artist Juan O'Gorman, in
collaboration with architects Gustavo Saavedra and Juan Martinez de Velasco designed the building with a
functionalist approach, as part of the greater project of the construction of the University City on the
grounds of the Pedregal de San Angel in Mexico City. Originally the building was planned to host the National
Library and National Newspaper Library of Mexico. The library finally opened its doors for the first time on
<origDate when="1956-04-05"
type="opening">5 April 1956</origDate>. In July 2007 it was declared a UNESCO
world heritage site. </origin>
</history>
<additional>
<adminInfo>
<custodialHist>
<custEvent from="1981" to="1983"> The library was significantly remodelled from 1981 - 1983 with the
purpose of changing from closed shelving to open stacks, providing users more direct access to the
collections. </custEvent>
</custodialHist>
</adminInfo>
</additional>
</object>