Example: <epigraph> (epigraph)

These search results reproduce every example of the use of <epigraph> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <epigraph> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4 Default Text Structure

4.2.3 Arguments, Epigraphs, and Postscripts

<titlePage>
 <docAuthor>E. M. Forster</docAuthor>
 <docTitle>
  <titlePart>Howards End</titlePart>
 </docTitle>
 <epigraph>
  <q>Only connect...</q>
 </epigraph>
</titlePage>
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4.2.3 Arguments, Epigraphs, and Postscripts

<div n="19" type="chap">
 <head>Chapter 19</head>
 <epigraph>
  <cit>
   <quote>I pity the man who can travel
       from Dan to Beersheba, and say <q>'Tis all
         barren;</q> and so is all the world to him
       who will not cultivate the fruits it offers.
   </quote>
   <bibl>Sterne: Sentimental Journey.</bibl>
  </cit>
 </epigraph>
 <p>To say that Deronda was romantic would be to
   misrepresent him: but under his calm and somewhat
   self-repressed exterior ...</p>
</div>
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<epigraph>

<epigraph xml:lang="la">
 <cit>
  <bibl>Lucret.</bibl>
  <quote>
   <l part="F">petere inde coronam,</l>
   <l>Vnde prius nulli velarint tempora Musae.</l>
  </quote>
 </cit>
</epigraph>
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<epigraph>

<epigraph xml:lang="zh">
 <cit>
  <bibl>俞平伯</bibl>
  <quote>
   <l part="N">小燕子其實也無所愛，</l>
   <l>只是沉浸在朦朧而飄忽的夏夜夢里罷了。</l>
  </quote>
 </cit>
</epigraph>
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4.3.1 Grouped Texts

<text>
 <front>
  <titlePage>
   <docTitle>
    <titlePart>The poems of Richard Crashaw</titlePart>
   </docTitle>
   <byline>Edited by J.R. Tutin</byline>
  </titlePage>
  <div type="preface">
   <head>Editor's Note</head>
   <p>A few words are necessary ... </p>
  </div>
 </front>
 <group>
  <text>
   <front>
    <titlePage>
     <docTitle>
      <titlePart>Steps to the Temple, Sacred Poems</titlePart>
     </docTitle>
    </titlePage>
    <div type="address">
     <head>The Preface to the Reader</head>
     <p>Learned Reader, The Author's friend will not usurp much
           upon thy eye ... </p>
    </div>
   </front>
   <group>
    <text>
     <front>
      <docTitle>
       <titlePart>Sospetto D'Herode</titlePart>
      </docTitle>
     </front>
     <body>
      <div1 type="book" n="Herod I">
       <head>Libro Primo</head>
       <epigraph>
        <l>Casting the times with their strong signs</l>
       </epigraph>
       <lg n="I.1" type="stanza">
        <l>Muse! now the servant of soft loves no more</l>
        <l>Hate is thy theme and Herod whose unblest</l>
        <l>Hand (O, what dares not jealous greatness?) tore</l>
        <l>A thousand sweet babes from their mothers' breast,</l>
        <l>The blooms of martyrdom ...</l>
       </lg>
      </div1>
     </body>
    </text>
    <text>
     <front>
      <docTitle>
       <titlePart>The Tear</titlePart>
      </docTitle>
     </front>
     <body>
      <lg n="I">
       <l>What bright soft thing is this</l>
       <l>Sweet Mary, thy fair eyes' expense?</l>
      </lg>
     </body>
    </text>
<!-- remaining poems of the Steps to the Temple appear here, each tagged as a distinct text element -->
   </group>
   <back>
<!-- back matter for the Steps to the Temple -->
   </back>
  </text>
  <text>
<!-- start of Carmen deo Nostro -->
   <front/>
   <group>
    <text/>
    <text/>
<!-- more texts here -->
   </group>
  </text>
  <text>
<!-- start of The Delights of the Muses -->
   <group>
    <text/>
    <text/>
<!-- more texts here -->
   </group>
  </text>
 </group>
 <back>
<!-- back matter for the whole collection -->
 </back>
</text>
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4.6 Title Pages

<titlePage>
 <docTitle>
  <titlePart type="main">THE
  <lb/>Pilgrim's Progress
  <lb/>FROM
  <lb/>THIS WORLD,
  <lb/>TO
  <lb/>That which is to come:</titlePart>
  <titlePart type="sub">Delivered under the Similitude of a
  <lb/>DREAM</titlePart>
  <titlePart type="desc">Wherein is Discovered,
  <lb/>The manner of his setting out,
  <lb/>His Dangerous Journey; And safe
  <lb/>Arrival at the Desired Countrey.</titlePart>
 </docTitle>
 <epigraph>
  <cit>
   <quote>I have used Similitudes,</quote>
   <bibl>Hos. 12.10</bibl>
  </cit>
 </epigraph>
 <byline>By <docAuthor>John Bunyan</docAuthor>.</byline>
 <imprimatur>Licensed and Entred according to Order.</imprimatur>
 <docImprint>
  <pubPlace>LONDON,</pubPlace>
   Printed for <name>Nath. Ponder</name>
  <lb/>at the <name>Peacock</name> in the <name>Poultrey</name>
  <lb/>near <name>Cornhil</name>, <docDate>1678</docDate>.
 </docImprint>
</titlePage>
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<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>
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<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>
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<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>
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<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>
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4.7 Back Matter

<back>
 <div type="letter">
  <head>A letter written to his wife, founde with this booke
     after his death.</head>
  <p>The remembrance of the many wrongs offred thee, and thy
     unreproued vertues, adde greater sorrow to my miserable state,
     than I can utter or thou conceiue. ...
     ... yet trust I in the world to come to find mercie, by the
     merites of my Saiuour to whom I commend thee, and commit
     my soule.</p>
  <signed>Thy repentant husband for his disloyaltie,
  <name>Robert Greene.</name>
  </signed>
  <epigraph xml:lang="la">
   <p>Faelicem fuisse infaustum</p>
  </epigraph>
  <trailer>FINIS</trailer>
 </div>
</back>
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3 Elements Available in All TEI Documents

3.3.3 Quotation

<div xml:id="mm01" type="chapter">
 <head>Chapter 1</head>
 <epigraph>
  <cit>
   <quote>
    <l>Since I can do no good because a woman</l>
    <l>Reach constantly at something that is near it.</l>
   </quote>
   <bibl>
    <title>The Maid's Tragedy</title>
    <author>Beaumont and Fletcher</author>
   </bibl>
  </cit>
 </epigraph>
 <p>Miss Brooke had that kind of beauty which seems to be thrown into
   relief by poor dress...</p>
</div>
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