P5: 전자 텍스트 부호화 및 교환에 대한 지침

<l>Here Thou, great <name rendition="#italic">Anna</name>!
whom three Realms obey,</l>
<l>Doth sometimes Counsel take —
and sometimes <emph rendition="#italic">Tea</emph>.</l>
<!-- in the header ... -->
<rendition xml:id="italic" scheme="css">font-style: italic</rendition>

… marginal comments which indicate that the
<choice>
 <corr resp="#msm">dates</corr>
 <sic>date's</sic>
</choice> mentioned in the main body of the text are
incorrect.

<!-- within the header for this document ... -->
<respStmt xml:id="msm">
 <resp>editor</resp>
 <name>C.M. Sperberg-McQueen</name>
</respStmt>

<p>
 <q>My dear <name type="person">Mr. Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day,
<q>have you heard that <name type="place">Netherfield Park</name> is let at last?</q>
</p>

<rs>His Excellency the Life President, <name>Ngwazi Dr H. Kamuzu Banda</name>
</rs>

<p>
 <name key="VOM1" type="person">Mme. de Volanges</name>
marie <rs key="VOM2">sa fille</rs>:
c'est encore un secret;
mais elle m'en a fait part hier.
</p>

<p>
 <name key="LHR" type="airport">Heathrow</name>
</p>

<p>
 <name ref="http://en.wikipedia.org/wiki/Heathrow_airport"
  type="airport">Heathrow</name>
</p>

<p>
 <name ref="tag:projectname.org,2012:VOM1"
  type="person">Mme. de Volanges</name> marie <rs ref="tag:theworksoflaclos.org,2012:VOM2">sa fille</rs>: c'est encore un secret;
mais elle m'en a fait part hier.
</p>

<p>
 <name ref="tag:projectname.org,2012:WADLM1"
  type="person">
  <choice>
   <orig>Walter de la Mare</orig>
   <reg>de la Mare, Walter</reg>
  </choice>
 </name>
was born at <name ref="tag:projectname.org,2012:Ch1"
  type="place">Charlton</name>, in
<name ref="tag:projectname.org,2012:KT1"
  type="county">Kent</name>, in 1873.
</p>

<p>
 <name type="place">Montaillou</name> is not a large parish.
At the time of the events which led to
<name type="person">Fournier<index>
   <term>Benedict XII, Pope of Avignon (Jacques Fournier)</term>
  </index>
 </name>'s
investigations, the local population consisted of between 200 and 250 inhabitants.
</p>

<name type="person">Thomas Hoccleve</name>
<name type="place">Villingaholt</name>
<name type="org">Vetus Latina Institut</name>
<name type="person" ref="#HOC001">Occleve</name>

<address>
 <street>110 Southmoor Road</street>
 <name type="city">Oxford</name>
 <postCode>OX2 6RB</postCode>
 <name type="country">United Kingdom</name>
</address>

<address>
 <name type="org">Università di Bologna</name>
 <name type="country">Italy</name>
 <postCode>40126</postCode>
 <name type="city">Bologna</name>
 <street>via Marsala 24</street>
</address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <name>Bologna</name>
 <name>Italy</name>
</address>

<address>
 <street>邯郸路220号</street>
 <postCode>200433</postCode>
 <name>上海市</name>
 <name n="I">中華人民共和國</name>
</address>

<street>皇后大道東123號<name>灣仔大廈</name>
</street>

<street>
 <name>Duntaggin</name>, 110 Southmoor Road
</street>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.


<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<bibl type="article"
 subtype="magazine_article" xml:id="beaupaire_1911">
 <author>
  <name>
   <surname>Beaupaire</surname>
     (<forename>Edmond</forename>)</name>
 </author>,
<title level="a">A propos de la rue de la Femme-sans-Tête</title>,
<bibl type="monogr">
  <title level="j">La Cité</title>,
 <date when="1911-01">janvier 1911</date>, pp. <biblScope unit="page" from="5" to="17">5-17</biblScope>.
 </bibl>
</bibl>

<biblStruct>
 <analytic>
  <author>
   <persName>
    <surname>Thaller</surname>
    <forename>Manfred</forename>
   </persName>
  </author>
  <title level="a">A Draft Proposal for a Standard for the
     Coding of Machine Readable Sources</title>
 </analytic>
 <monogr>
  <title level="j">Historical Social Research</title>
  <imprint>
   <date when="1986-10">October 1986</date>
  </imprint>
  <biblScope unit="volume">40</biblScope>
  <biblScope unit="page" from="3" to="46">3-46</biblScope>
 </monogr>
 <monogr>
  <title level="m">Modelling Historical Data:
     Towards a Standard for Encoding and
     Exchanging Machine-Readable Texts</title>
  <editor>
   <persName>
    <forename>Daniel</forename>
    <forename full="init">I.</forename>
    <surname>Greenstein</surname>
   </persName>
  </editor>
  <imprint xml:lang="de">
   <pubPlace>St. Katharinen</pubPlace>
   <publisher>Max-Planck-Institut für Geschichte
       In Kommission bei
       Scripta Mercaturae Verlag</publisher>
   <date when="1991"/>
  </imprint>
 </monogr>
 <series xml:lang="de">
  <title level="s">Halbgraue Reihe
     zur Historischen Fachinformatik</title>
  <respStmt>
   <resp>Herausgegeben von</resp>
   <name type="person">Manfred Thaller</name>
   <name type="org">Max-Planck-Institut für Geschichte</name>
  </respStmt>
  <title level="s">Serie A: Historische Quellenkunden</title>
  <biblScope unit="volume">11</biblScope>
 </series>
</biblStruct>

<series xml:lang="de">
 <title level="s">Halbgraue Reihe zur Historischen Fachinformatik</title>
 <respStmt>
  <resp>Herausgegeben von</resp>
  <name type="person">Manfred Thaller</name>
  <name type="org">Max-Planck-Institut für Geschichte</name>
 </respStmt>
 <title level="s">Serie A: Historische Quellenkunden</title>
 <biblScope>Band 11</biblScope>
</series>

<bibl>
 <author>Lominandze, DG</author>.
<title level="m">Cyclotron waves in plasma</title>.
<respStmt>
  <resp>Translated by</resp>
  <name>AN. Dellis</name>
 </respStmt>;
<respStmt>
  <resp>edited by</resp>
  <name>SM. Hamberger</name>
 </respStmt>.
<edition>1st ed.</edition>
 <pubPlace>Oxford</pubPlace>:
<publisher>Pergamon Press</publisher>,
<date>1981</date>.
<extent>206 p.</extent>
 <title level="s">International series in natural philosophy</title>.
<note place="inline">Translation of:
 <title xml:lang="ru-Latn" level="m">Ciklotronnye volny v
     plazme</title>.
 <idno type="ISBN">0-08-021680-3</idno>.
 </note>
</bibl>

<biblStruct>
 <monogr xml:lang="de">
  <title level="m">Des Minnesangs Frühling</title>
  <note place="inline">Mit 1 Faksimile</note>
  <edition>36., neugestaltete und erweiterte Auflage</edition>
  <respStmt>
   <resp>Unter Benutzung der Ausgaben von <name>Karl
         Lachmann</name> und <name>Moriz Haupt</name>, <name>Friedrich
         Vogt</name> und <name>Carl von Kraus</name> bearbeitet von</resp>
   <name>Hugo Moser</name>
   <name>Helmut Tervooren</name>
  </respStmt>
  <imprint>
   <pubPlace>Stuttgart</pubPlace>
   <publisher>S. Hirzel Verlag</publisher>
   <date>1977</date>
  </imprint>
  <biblScope unit="volume">I Texte</biblScope>
 </monogr>
</biblStruct>

<biblStruct>
 <monogr>
  <title level="m">Proceedings of a workshop on corpus resources</title>
  <respStmt>
   <resp>Programme Organizer</resp>
   <name>Geoffrey Leech</name>
  </respStmt>
  <meeting>DTI Speech and Language Technology Club meeting, 3-4
     January 1990, Wadham College, Oxford</meeting>
  <imprint>
   <pubPlace>Oxford</pubPlace>
  </imprint>
 </monogr>
</biblStruct>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<bibl type="article" subtype="book_chapter"
 xml:id="carlin_2003">
 <author>
  <name>
   <surname>Carlin</surname>
     (<forename>Claire</forename>)</name>
 </author>,
<title level="a">The Staging of Impotence : France’s last
   congrès</title> dans
<bibl type="monogr">
  <title level="m">Theatrum mundi : studies in honor of Ronald W.
     Tobin</title>, éd.
 <editor>
   <name>
    <forename>Claire</forename>
    <surname>Carlin</surname>
   </name>
  </editor> et
 <editor>
   <name>
    <forename>Kathleen</forename>
    <surname>Wine</surname>
   </name>
  </editor>,
 <pubPlace>Charlottesville, Va.</pubPlace>,
 <publisher>Rookwood Press</publisher>,
 <date when="2003">2003</date>.
 </bibl>
</bibl>

<lg type="sonnet">
 <lg type="octet">
  <l>Thus speaks the Muse, and bends her brow severe:—</l>
  <l>“Did I, <name>Lætitia</name>, lend my choicest lays,</l>
  <l>And crown thy youthful head with freshest bays,</l>
  <l>That all the' expectance of thy full-grown year</l>
  <l>Should lie inert and fruitless? O revere</l>
  <l>Those sacred gifts whose meed is deathless praise,</l>
  <l>Whose potent charms the' enraptured soul can raise</l>
  <l>Far from the vapours of this earthly sphere!</l>
 </lg>
 <lg type="sestet">
  <l>Seize, seize the lyre! resume the lofty strain!</l>
  <l>'T is time, 't is time! hark how the nations round</l>
  <l>With jocund notes of liberty resound,—</l>
  <l>And thy own <name>Corsica</name> has burst her chain!</l>
  <l>O let the song to <name>Britain's</name> shores rebound,</l>
  <l rend="indent(-1)">Where Freedom's once-loved voice is heard,
     alas! in vain.”</l>
 </lg>
</lg>

<l>Thou fumblest <name>Eros</name>, and my Queenes a Squire</l>
<l>More tight at this, then thou: Dispatch. O Loue,</l>
<l>That thou couldst see my Warres to day, and knew'st</l>
<l>The Royall Occupation, thou should'st see</l>
<l part="I">A Workeman in't.</l>
<stage>Enter an Armed Soldier.</stage>
<l part="F">Good morrow to thee, welcome.</l>

<stage>Enter two Centinels.
<add place="margin">Now call'd <name xml:id="barnardo">Bernardo</name> &amp;
 <name xml:id="francisco">Francesco</name>.</add>
</stage>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l part="Y">Stand: who is that?</l>
</sp>
<sp who="#barnardo">
 <speaker>2.</speaker>
 <l part="Y">Tis I.</l>
</sp>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l>O you come most carefully vpon your watch,</l>
</sp>
<sp who="#barnardo">
 <speaker>2.</speaker>
 <l>And if you meete Marcellus and Horatio,</l>
 <l>The partners of my watch, bid them make haste.</l>
</sp>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l part="Y">I will: See who goes there.</l>
</sp>
<stage>Enter Horatio and Marcellus.</stage>

<stage type="setting">La scène est dans une place de ville.</stage>
<stage type="exit">, s'en allant.</stage>
<stage type="business">(Arnolphe ôte par trois fois le chapeau de dessus la tête d'Alain.)</stage>
<stage type="delivery">, à <name>Georgette</name>.</stage>
<stage type="setting">(Tous étant rentrés.)</stage>
<stage type="delivery">, riant.</stage>
<stage type="delivery">, lui montrant le logis d'<name>AGNÈS</name>.</stage>
<stage type="delivery">, à part.</stage>
<stage type="business">(Frappant à la porte.)</stage>
<stage type="delivery">, assis.</stage>
<stage type="business">(Il se lève.)</stage>

<p> ... Their motives <emph rend="italics">might</emph> be pure
and pious; but he was equally alarmed by his knowledge of the ambitious <name rend="italics">Bohemond</name>, and his ignorance of the Transalpine chiefs:
...</p>

<p> ... Their motives <emph style="font-style: italic">might</emph> be pure and pious; but he was equally alarmed by his knowledge of
the ambitious <name style="font-style: italic">Bohemond</name>, and his ignorance of
the Transalpine chiefs: ...</p>

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENSJ">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
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<respStmt xml:id="JENSJ">
 <resp>Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<author>
 <name key="name 427308"
  type="organisation">[New Zealand Parliament, Legislative Council]</name>
</author>

<author>
 <name key="Hugo, Victor (1802-1885)"
  ref="http://www.idref.fr/026927608">Victor Hugo</name>
</author>

<name ref="http://viaf.org/viaf/109557338"
 type="person">Seamus Heaney</name>

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
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<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<div type="bibl">
 <head>Bibliography</head>
 <listBibl xml:base="http://www.lib.ucdavis.edu/BWRP/Works/">
  <bibl>
   <author>
    <name>Landon, Letitia Elizabeth</name>
   </author>
   <ref target="LandLVowOf.sgm">
    <title>The Vow of the Peacock</title>
   </ref>
  </bibl>
  <bibl>
   <author>
    <name>Compton, Margaret Clephane</name>
   </author>
   <ref target="NortMIrene.sgm">
    <title>Irene, a Poem in Six Cantos</title>
   </ref>
  </bibl>
  <bibl>
   <author>
    <name>Taylor, Jane</name>
   </author>
   <ref target="TaylJEssay.sgm">
    <title>Essays in Rhyme on Morals and Manners</title>
   </ref>
  </bibl>
 </listBibl>
</div>

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   <author>Shakespeare, William (1564–1616)</author>
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    <resp>Originally prepared by</resp>
    <name>Trevor Howard-Hill</name>
   </respStmt>
   <respStmt>
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    <name>Christine Avern-Carr</name>
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   <date when="1968">1968</date>
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    <name>大藏出版株式會社</name>
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 <title>Yogadarśanam (arthāt
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 <title>The Yogasūtras of Patañjali:
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<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
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 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
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  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
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 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
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     nationale des chartes)</name>
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<titleStmt>
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  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
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<!-- ... -->
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<div type="narrative" n="6">
 <head>Sixth Narrative</head>
 <head>contributed by Sergeant Cuff</head>
 <div type="fragment" n="6.1">
  <opener>
   <dateline>
    <name type="place">Dorking, Surrey,</name>
    <date>July 30th, 1849</date>
   </dateline>
   <salute>To <name>Franklin Blake, Esq.</name> Sir, —</salute>
  </opener>
  <p>I beg to apologize for the delay that has occurred in the
     production of the Report, with which I engaged to furnish you.
     I have waited to make it a complete Report ...</p>
  <closer>
   <salute>I have the honour to remain, dear sir, your
       obedient servant </salute>
   <signed>
    <name>RICHARD CUFF</name> (late sergeant in the
       Detective Force, Scotland Yard, London). </signed>
  </closer>
 </div>
</div>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<signed>Thine to command <name>Humph. Moseley</name>
</signed>

<signed>votre fidèle amante, <name>Manon Lescaut.</name>
</signed>

<signed>
 <name>李敖</name>，于台北。

</signed>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<titlePage>
 <docTitle>
  <titlePart type="main">THE
  <lb/>Pilgrim's Progress
  <lb/>FROM
  <lb/>THIS WORLD,
  <lb/>TO
  <lb/>That which is to come:</titlePart>
  <titlePart type="sub">Delivered under the Similitude of a
  <lb/>DREAM</titlePart>
  <titlePart type="desc">Wherein is Discovered,
  <lb/>The manner of his setting out,
  <lb/>His Dangerous Journey; And safe
  <lb/>Arrival at the Desired Countrey.</titlePart>
 </docTitle>
 <epigraph>
  <cit>
   <quote>I have used Similitudes,</quote>
   <bibl>Hos. 12.10</bibl>
  </cit>
 </epigraph>
 <byline>By <docAuthor>John Bunyan</docAuthor>.</byline>
 <imprimatur>Licensed and Entred according to Order.</imprimatur>
 <docImprint>
  <pubPlace>LONDON,</pubPlace>
   Printed for <name>Nath. Ponder</name>
  <lb/>at the <name>Peacock</name> in the <name>Poultrey</name>
  <lb/>near <name>Cornhil</name>, <docDate>1678</docDate>.
 </docImprint>
</titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<back>
 <div type="letter">
  <head>A letter written to his wife, founde with this booke
     after his death.</head>
  <p>The remembrance of the many wrongs offred thee, and thy
     unreproued vertues, adde greater sorrow to my miserable state,
     than I can utter or thou conceiue. ...
     ... yet trust I in the world to come to find mercie, by the
     merites of my Saiuour to whom I commend thee, and commit
     my soule.</p>
  <signed>Thy repentant husband for his disloyaltie,
  <name>Robert Greene.</name>
  </signed>
  <epigraph xml:lang="la">
   <p>Faelicem fuisse infaustum</p>
  </epigraph>
  <trailer>FINIS</trailer>
 </div>
</back>

<back>
 <div type="corrigenda">
  <head>Addenda</head>
  <salute xml:lang="la">M. Scriblerus Lectori</salute>
  <p>Once more, gentle reader I appeal unto thee, from the shameful
     ignorance of the Editor, by whom Our own Specimen of
  <name>Virgil</name> hath been mangled in such miserable manner, that
     scarce without tears can we behold it. At the very entrance, Instead
     of <q xml:lang="grc">προλεγομενα</q>, lo!
  <q xml:lang="grc">προλεγωμενα</q> with an Omega!
     and in the same line <q xml:lang="la">consulâs</q> with a circumflex!
     In the next page thou findest <q xml:lang="la">leviter perlabere</q>,
     which his ignorance took to be the infinitive mood of
  <q xml:lang="la">perlabor</q> but ought to be
  <q xml:lang="la">perlabi</q> ... Wipe away all these
     monsters, Reader, with thy quill.</p>
 </div>
</back>

<front>
 <prologue>
  <head>Prologue, spoken by <name>Mr. Hart</name>
  </head>
  <l>Poets like Cudgel'd Bullys, never do</l>
  <l>At first, or second blow, submit to you;</l>
  <l>But will provoke you still, and ne're have done,</l>
  <l>Till you are weary first, with laying on:</l>
  <l>We patiently you see, give up to you,</l>
  <l>Our Poets, Virgins, nay our Matrons too.</l>
 </prologue>
 <castList>
  <head>The Persons</head>
  <castItem> ... </castItem>
 </castList>
 <set>
  <head>The SCENE</head>
  <p>London</p>
 </set>
</front>

<epilogue>
 <head>Written by <name>Colley Cibber, Esq</name>
   and spoken by <name>Mrs. Cibber</name>
 </head>
 <sp>
  <lg type="stanza">
   <l>Since Fate has robb'd me of the hapless Youth,</l>
   <l>For whom my heart had hoarded up its truth;</l>
   <l>By all the Laws of Love and Honour, now,</l>
   <l>I'm free again to chuse, — and one of you</l>
  </lg>
  <lg type="stanza">
   <l>Suppose I search the sober Gallery; — No,</l>
   <l>There's none but Prentices — &amp; Cuckolds all a row:</l>
   <l>And these, I doubt, are those that make 'em so.</l>
  </lg>
  <stage>Pointing to the Boxes.</stage>
  <lg type="stanza">
   <l>'Tis very well, enjoy the jest:</l>
  </lg>
 </sp>
</epilogue>

<epilogue>
 <head>Written by <name>Colley Cibber, Esq</name> and spoken by <name>Mrs. Cibber</name>
 </head>
 <sp>
  <lg type="couplet">
   <l>Since Fate has robb'd me of the hapless Youth,</l>
   <l>For whom my heart had hoarded up its truth;</l>
  </lg>
  <lg type="couplet">
   <l>By all the Laws of Love and Honour, now,</l>
   <l>I'm free again to chuse, — and one of you</l>
  </lg>
  <lg type="triplet">
   <l>Suppose I search the sober Gallery; — No,</l>
   <l>There's none but Prentices — &amp; Cuckolds all a row:</l>
   <l>And these, I doubt, are those that make 'em so.</l>
  </lg>
  <stage type="business">Pointing to the Boxes.</stage>
  <lg type="couplet">
   <l>'Tis very well, enjoy the jest:</l>
  </lg>
 </sp>
</epilogue>

<performance>
 <head>Death of a Salesman</head>
 <p>A New Play by Arthur Miller</p>
 <p>Staged by Elia Kazan</p>
 <castList>
  <head>Cast</head>
  <note rend="small type flush left"
   place="inline">(in order of appearance)</note>
  <castItem>
   <role>Willy Loman</role>
   <actor>Lee J. Cobb</actor>
  </castItem>
  <castItem>
   <role>Linda</role>
   <actor>Mildred Dunnock</actor>
  </castItem>
  <castItem>
   <role>Biff</role>
   <actor>Arthur Kennedy</actor>
  </castItem>
  <castItem>
   <role>Happy</role>
   <actor>Cameron Mitchell</actor>
  </castItem>
<!-- ... -->
 </castList>
 <p>The setting and lighting were designed by
 <name>Jo Mielziner</name>.</p>
 <p>The incidental music was composed by <name>Alex North</name>.</p>
 <p>The costumes were designed by <name>Julia Sze</name>.</p>
 <p>Presented by <name rend="unmarked">Kermit Bloomgarden</name>
   and <name rend="unmarked">Walter Fried</name> at the
 <rs type="place">Morosco Theatre in New York</rs> on
 <date when="1949-02-10">February 10, 1949</date>.</p>
</performance>

<performance>
 <p>La Machine Infernale a été
   représentée pour la première fois au
 <rs type="place-theatre">théâtre Louis-Jouvet</rs>
  <rs type="place-theatre">(Comédie des
     Champs-élysées)</rs>
  <date>le 10 avril 1934</date>,
   avec les décors et les costumes de
 <name>Christian Bérard.</name> ... </p>
</performance>

<performance>
 <p>
  <rs type="place">Gateway Theatre, Edinburgh</rs>, <date>6 September 1948</date>
  <castList>
   <castItem>
    <role>Anath Bithiah</role>
    <actor>Athene Seyler</actor>
   </castItem>
   <castItem>
    <role>Shendi</role>
    <actor>Robert Rietty</actor>
   </castItem>
  </castList>
 </p>
 <p>Directed by <name>E. Martin Browne</name>
 </p>
</performance>

<performance>
 <p>
  <rs type="place">Théâtre national du Petit-Odéon, Paris</rs>, <date>du 10 Décembre 1974
     au 12 Janvier 1975</date>
  <castList>
   <castItem>
    <role>Paul Valéry</role>
    <actor>Michel Duchaussoy</actor>
   </castItem>
   <castItem>
    <role>Joseph</role>
    <actor>Gérad Caillaud</actor>
   </castItem>
   <castItem>
    <role>M. Teste</role>
    <actor>Pierre Dux</actor>
   </castItem>
   <castItem>
    <role>Mme Teste</role>
    <actor>Claude Winter</actor>
   </castItem>
   <castItem>
    <role>L'abbé Mosson</role>
    <actor>Jacques Toja</actor>
   </castItem>
  </castList>
 </p>
 <p>Adaptation et mise en scène de <name>Pierre Franck</name>
 </p>
</performance>

<performance>
 <p>
  <rs type="place">新竹市文化局演藝廳</rs>, <date>2008年3月14日</date>
  <castList>
   <castItem>
    <role>劉福春</role>
    <actor>陳忠義</actor>
   </castItem>
   <castItem>
    <role>劉麗月</role>
    <actor>陳慧如</actor>
   </castItem>
  </castList>
 </p>
 <p>監製： <name>李永得</name>
 </p>
</performance>

<performance>
 <p>The first performance in Great Britain of <title>Waiting for
     Godot</title> was given at the Arts Theatre, London, on
 <date when="1955-08-03">3rd August 1955</date>. It was directed by
 <name>Peter Hall</name>, and the décor was by <name>Peter
     Snow</name>. The cast was as follows:</p>
 <castList>
  <castItem>Estragon: Peter Woodthorpe</castItem>
  <castItem>Vladimir: Paul Daneman</castItem>
  <castItem> ... </castItem>
 </castList>
</performance>

<view>Ext. TV control van—Early morning.
The <name>T.V. announcer</name> from the Ryan interview
stands near the Control Van, the lake in b.g.</view>
<sp>
 <speaker>T.V. Announcer</speaker>
 <p>Several years ago, Jack Ryan was a highly
   successful hydroplane racer ...</p>
</sp>

<view>
 <name>Max</name> joins his daughter
at the window. <hi>Rain</hi> sprays his
face--
</view>
<view>
 <camera>Max's POV</camera> He sees occasional
windows open, and just across from his apartment
house, a <hi>man</hi> opens the front door of
a brownstone--
</view>

<view>
 <name>馬克思</name>隨他女兒到窗邊。<hi>雨水</hi> 打在他臉上--
</view>
<view>
 <camera>馬克思的視點</camera> 他看見一些打開的窗戶，而就在他公寓對面，有一個<hi>男子</hi> 正打開富麗堂皇的大門。--
</view>

<recordingStmt>
 <recording type="audio" dur="P30M">
  <respStmt>
   <resp>Location recording by</resp>
   <name>Sound Services Ltd.</name>
  </respStmt>
  <equipment>
   <p>Multiple close microphones mixed down to stereo Digital
       Audio Tape, standard play, 44.1 KHz sampling frequency</p>
  </equipment>
  <date>12 Jan 1987</date>
 </recording>
</recordingStmt>

<recording type="audio" dur="P10M">
 <equipment>
  <p>Recorded from FM Radio to digital tape</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>Interview on foreign policy</title>
   <author>BBC Radio 5</author>
   <respStmt>
    <resp>interviewer</resp>
    <name>Robin Day</name>
   </respStmt>
   <respStmt>
    <resp>interviewee</resp>
    <name>Margaret Thatcher</name>
   </respStmt>
   <series>
    <title>The World Tonight</title>
   </series>
   <note>First broadcast on <date when="1989-11-27">27 Nov 1989</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<recordingStmt>
 <recording type="audio" dur="P30M">
  <respStmt>
   <resp>Location recording by</resp>
   <name>Sound Services Ltd.</name>
  </respStmt>
  <equipment>
   <p>Multiple close microphones mixed down to stereo Digital
       Audio Tape, standard play, 44.1 KHz sampling frequency</p>
  </equipment>
  <date>12 Jan 1987</date>
 </recording>
</recordingStmt>

<recording type="audio" dur="P10M">
 <equipment>
  <p>podcast</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>Questions sur la souffrance et la santé au travail : pénibilité, stress,
       dépression, harcèlement, maladies et accidents...</title>
   <author>France Inter</author>
   <respStmt>
    <resp>Présentateur</resp>
    <name>Alain Bédouet</name>
   </respStmt>
   <respStmt>
    <resp>Personne interrogée</resp>
    <name>Marie Pezé</name>
   </respStmt>
   <series>
    <title>Le Téléphone sonne</title>
   </series>
   <note>Marie Pezé est Docteur en psychologie, psychanalyste, expert judiciaire ; dirige
       la consultation « souffrance et travail » à l’Hôpital de Nanterre (92), auteure de
   <title>ils ne mourraient pas tous mais tous étaient frappés</title>, Editions
       Pearson.</note>
   <note>Première diffusion le <date when="2008-09-24"> mercredi 24 septembre
         2008</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<recording type="audio" dur="P10M">
 <equipment>
  <p>將FM廣播重錄成數位磁帶</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>鬼話連篇</title>
   <author>中國廣播公司</author>
   <respStmt>
    <resp>男主持人</resp>
    <name>司馬中原</name>
   </respStmt>
   <respStmt>
    <resp>女主持人</resp>
    <name>常勤芬</name>
   </respStmt>
   <series>
    <title>鬼吹燈</title>
   </series>
   <note>首播於<date when="1989-11-27">1989年11月27日</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<recording type="audio" dur="P10M">
 <equipment>
  <p>Recorded from FM Radio to digital tape</p>
 </equipment>
 <broadcast>
  <bibl>
   <title>Interview on foreign policy</title>
   <author>BBC Radio 5</author>
   <respStmt>
    <resp>interviewer</resp>
    <name>Robin Day</name>
   </respStmt>
   <respStmt>
    <resp>interviewee</resp>
    <name>Margaret Thatcher</name>
   </respStmt>
   <series>
    <title>The World Tonight</title>
   </series>
   <note>First broadcast on
   <date when="1989-11-27">27 Nov 89</date>
   </note>
  </bibl>
 </broadcast>
</recording>

<broadcast>
 <bibl>
  <author>Radio Trent</author>
  <title>Gone Tomorrow</title>
  <respStmt>
   <resp>Presenter</resp>
   <name>Tim Maby</name>
  </respStmt>
  <respStmt>
   <resp>Producer</resp>
   <name>Mary Kerr</name>
  </respStmt>
  <date when="1989-06-12T12:30:00">12 June 89, 1230 pm</date>
 </bibl>
</broadcast>

<broadcast>
 <bibl>
  <author>中國廣播公司</author>
  <title>司馬中原說鬼故事</title>
  <respStmt>
   <resp>主持人</resp>
   <name>司馬中原</name>
  </respStmt>
  <respStmt>
   <resp>主持人</resp>
   <name>常勤芬</name>
  </respStmt>
  <date when="1989-06-12T12:30:00">1989年6月12日1230 pm</date>
 </bibl>
</broadcast>

<msDesc>
 <msIdentifier>
  <settlement>Oxford</settlement>
  <repository>Bodleian Library</repository>
  <idno>MS. Add. A. 61</idno>
  <altIdentifier type="SC">
   <idno>28843</idno>
  </altIdentifier>
 </msIdentifier>
 <msContents>
  <msItem>
   <author xml:lang="en">Geoffrey of Monmouth</author>
   <author xml:lang="la">Galfridus Monumetensis</author>
   <title type="uniform" xml:lang="la">De origine et gestis Regum Angliae</title>
   <rubric xml:lang="la">Hic incipit Bruitus Anglie</rubric>
   <incipit xml:lang="la">Cum mecum multa &amp; de multis</incipit>
   <textLang mainLang="la">Latin</textLang>
  </msItem>
 </msContents>
 <physDesc>
  <objectDesc form="codex">
   <supportDesc material="perg">
    <support>
     <p>Parchment.</p>
    </support>
    <extent>i + 55 leaves <dimensions scope="all" type="leaf"
      unit="inch">
      <height>7¼</height>
      <width>5⅜</width>
     </dimensions>
    </extent>
   </supportDesc>
   <layoutDesc>
    <layout columns="2">
     <p>In double columns.</p>
    </layout>
   </layoutDesc>
  </objectDesc>
  <handDesc>
   <p>Written in more than one hand.</p>
  </handDesc>
  <decoDesc>
   <p>With a few coloured capitals.</p>
  </decoDesc>
 </physDesc>
 <history>
  <origin>
   <p>Written in <origPlace>England</origPlace> in the <origDate notAfter="1300"
     notBefore="1200">13th cent.</origDate>
   </p>
  </origin>
  <provenance>
   <p>On fol. 54v very faint is <quote xml:lang="la">Iste liber est fratris
         guillelmi de buria de <gap/> Roberti ordinis fratrum
         Pred<ex>icatorum</ex>
    </quote>, 14th cent. (?): <quote>hanauilla</quote> is
       written at the foot of the page (15th cent.).</p>
  </provenance>
  <acquisition>
   <p>Bought from the rev. <name key="MCRAYWD">W. D. Macray</name> on <date when="1863-03-17">March 17, 1863</date>, for £1 10s.</p>
  </acquisition>
 </history>
</msDesc>

<msItem n="1">
 <locus target="#f1r #f1v #f2r">ff. 1r-2r</locus>
 <author>Ben Jonson</author>
 <title>Ode to himself</title>
 <rubric rend="italics">
  <lb/> An Ode
 <lb/> to him selfe.</rubric>
 <incipit>Com leaue the loathed stage</incipit>
 <explicit>And see his chariot triumph ore his wayne.</explicit>
 <bibl>
  <name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<!-- within transcription ... -->
<pb xml:id="f1r"/>
<!-- ... -->
<pb xml:id="f1v"/>
<!-- ... -->
<pb xml:id="f2r"/>
<!-- ... -->

<name type="person">Thomas Hoccleve</name>
<name type="place">Villingaholt</name>
<name type="org">Vetus Latina Institut</name>
<name type="person" ref="#HOC001">Occleve</name>

<!-- within ms description --><msItem n="1">
 <locus target="#F1r #F1v #F2r" from="1r"
  to="2r">ff. 1r-2r</locus>
 <author>Ben Jonson</author>
 <title>Ode to himself</title>
 <rubric rend="italics"> An Ode<lb/> to him selfe.</rubric>
 <incipit>Com leaue the loathed stage</incipit>
 <explicit>And see his chariot triumph ore his wayne.</explicit>
 <bibl>
  <name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<!-- within transcription ... -->
<pb xml:id="F1r"/>
<!-- ... -->
<pb xml:id="F1v"/>
<!-- ... -->
<pb xml:id="F2r"/>
<!-- ... -->

<msItem n="1">
 <locus target="#fr_F1r #fr_F1v #fr_F2r">ff. 1r-2r</locus>
 <author>Ben Jonson</author>
 <title>Ode to himself</title>
 <rubric rend="italics"> An Ode<lb/> to him selfe.</rubric>
 <incipit>Com leaue the loathed stage</incipit>
 <explicit>And see his chariot triumph ore his wayne.</explicit>
 <bibl>
  <name>Beal</name>, <title>Index 1450-1625</title>, JnB 380</bibl>
</msItem>
<pb xml:id="fr_F1r"/>
<pb xml:id="fr_F1v"/>
<pb xml:id="fr_F2r"/>

<author>Diogenes Laertius</author>
<respStmt>
 <resp>in the translation of</resp>
 <name>Ambrogio Traversari</name>
</respStmt>

<title type="supplied">Sermons on the Epistles and the Gospels</title>
<respStmt>
 <resp>here erroneously attributed to</resp>
 <name>St. Bonaventura</name>
</respStmt>

<sealDesc>
 <seal n="1" type="pendant"
  subtype="cauda_duplex">
  <p>Round seal of <name>Anders Olufsen</name> in black wax: <bibl>
    <ref>DAS
         930</ref>
   </bibl>. Parchment tag, on which is written: <quote>pertinere nos
       predictorum placiti nostri iusticarii precessorum dif</quote>.</p>
 </seal>
 <seal n="2" type="pendant"
  subtype="cauda_duplex">
  <p>The seal of <name>Jens Olufsen</name> in black wax: <bibl>
    <ref>DAS
         1061</ref>
   </bibl>. Legend: <quote>S IOHANNES OLAVI</quote>. Parchment tag on
     which is written: <quote>Woldorp Iohanne G</quote>.</p>
 </seal>
</sealDesc>

<condition>
 <p>There are lacunae in three places in this
   manuscript. After 14v two
   leaves has been cut out and narrow strips leaves remains in the spine. After
   68v one gathering is missing and after 101v at least one gathering of 8 leaves
   has been lost. </p>
 <p>Several leaves are damaged with tears or holes or have a
   irregular shape. Some of the damages do not allow the lines to be of full
   length and they are apparently older than the script. There are tears on fol.
   2r-v, 9r-v, 10r-v, 15r-18v, 19r-v, 20r-22v, 23r-v, 24r-28v, 30r-v, 32r-35v,
   37r-v, 38r-v, 40r-43v, 45r-47v, 49r-v, 51r-v, 53r-60v, 67r-v, 68r-v, 70r-v,
   74r-80v, 82r-v, 86r-v, 88r-v, 89r-v, 95r-v, 97r-98v 99r-v, 100r-v. On fol. 98
   the corner has been torn off. Several leaves are in a bad condition due to
   moist and wear, and have become dark, bleached or
   wrinkled. </p>
 <p>The script has been
   touched up in the 17th century with black ink. The touching up on the following
   fols. was done by
 <name>Bishop Brynjólf Sveinsson</name>: 1v, 3r, 4r, 5r,
   6v, 8v,9r, 10r, 14r, 14v, 22r,30v, 36r-52v, 72v, 77r,78r,103r, 104r,. An
   AM-note says according to the lawman
 <name>Sigurður Björnsson</name> that the rest of the
   touching up was done by himself and another lawman
 <name>Sigurður Jónsson</name>.
 <name>Sigurður Björnsson</name> did the touching up
   on the following fols.: 46v, 47r, 48r, 49r-v, 50r, 52r-v.
 <name>Sigurður Jónsson</name> did the rest of the
   touching up in the section 36r-59r containing
 <title>Bretasögur</title>
 </p>
</condition>

<seal n="2" type="pendant"
 subtype="cauda_duplex">
 <p>The seal of <name>Jens Olufsen</name> in black wax.
   (<ref>DAS 1061</ref>). Legend: <q>S IOHANNES OLAVI</q>.
   Parchment tag on which is written: <q>Woldorp Iohanne G</q>.</p>
</seal>

<seal n="2" type="pendant"
 subtype="cauda_duplex">
 <p>The seal of <name>Jens Olufsen</name> in black wax. (<ref>DAS 1061</ref>). Legend: <q>S
     IOHANNES OLAVI</q>. Parchment tag on which is written: <q>Woldorp Iohanne G</q>.</p>
</seal>

<seal>
 <p>清<name>乾隆</name>皇帝的「古稀天子之寶」玉璽，是選用整塊碧玉琢製而成，印面以正方形，雙龍鈕繫黃條，印面琢三行六字篆書，為乾隆年登70歲之印。</p>
</seal>

<history>
 <origin>
  <p>Written in <origPlace>Durham</origPlace> during <origDate notBefore="1125"
    notAfter="1175">the mid-twelfth
       century</origDate>.</p>
 </origin>
 <provenance>
  <p>Recorded in two medieval catalogues of the books belonging to
  <name type="org">Durham Priory</name>, made in <date>1391</date> and
  <date>1405</date>.</p>
 </provenance>
 <provenance>
  <p>Given to <name type="person">W. Olleyf</name> by <name type="person">William Ebchester, Prior (1446-56)</name> and later belonged to
  <name type="person">Henry Dalton</name>, Prior of Holy Island (<name type="place">Lindisfarne</name>) according to inscriptions on ff. 4v and 5.</p>
 </provenance>
 <acquisition>
  <p>Presented to <name type="org">Trinity College</name> in
  <date>1738</date> by <name type="person">Thomas Gale</name> and his son <name type="person">Roger</name>.</p>
 </acquisition>
</history>

<history>
 <origin notBefore="1225" notAfter="1275"> Written in Spain or Portugal in the
   middle of the 13th century (the date 1042, given in a marginal note on f. 97v,
   cannot be correct.)</origin>
 <provenance>The Spanish scholar <name type="person">Benito Arias Montano</name>
   (1527-1598) has written his name on f. 97r, and may be presumed to have owned
   the manuscript. </provenance>
 <provenance>It came somehow into the possession of <foreign xml:lang="da">etatsråd</foreign>
  <name type="person">Holger Parsberg</name> (1636-1692), who has written his name
   twice, once on the front pastedown and once on f. 1r, the former dated
 <date>1680</date> and the latter <date>1682</date>.</provenance>
 <provenance>Following Parsberg's death the manuscript was bought by
 <foreign>etatsråd</foreign>
  <name type="person">Jens Rosenkrantz</name> (1640-1695) when Parsberg's library
   was auctioned off (23 October 1693).</provenance>
 <acquisition notBefore="1696"
  notAfter="1697">The manuscript was acquired by
   Árni Magnússon from the estate of Jens Rosenkrantz, presumably at auction (the
   auction lot number 468 is written in red chalk on the flyleaf), either in 1696
   or 97.</acquisition>
</history>

<origin notBefore="1802" notAfter="1845"
 evidence="internal" resp="#AMH">Copied in <name type="origPlace">Derby</name>, probably from an
old Flemish original, between 1802 and 1845, according to <persName xml:id="AMH">Anne-Mette Hansen</persName>.
</origin>

<origin notBefore="1802" notAfter="1845"
 evidence="internal" resp="#fr_AMH"> Copied in <name type="origPlace">Derby</name>, probably from an old Flemish original, between 1802 and
1845, according to <persName xml:id="fr_AMH">Anne-Mette Hansen</persName>.</origin>

<origin notBefore="1802" notAfter="1845"
 evidence="internal" resp="#zh-tw_HDM">抄寫於 <name type="origPlace">印度</name>，可能源自巴利文，時間介於1802至1845年間，由<persName xml:id="zh-tw_HDM">黃大鳴</persName>提供。</origin>

<acquisition>Left to the <name type="place">Bodleian</name> by
<name type="person">Richard Rawlinson</name> in 1755.
</acquisition>

<acquisition>Left to the <name type="place">Bodleian</name> by<name type="person">Richard
   Rawlinson</name> in 1755.</acquisition>

<acquisition>1998年9 月30 日，<name type="institution">CBETA</name> 與<name type="institution">日本大藏出版株式會社</name>簽約授權使用。</acquisition>

<change when="2005-03-10">On 10 March 2005 <name>MJD</name> added provenance
information</change>

<recordHist>
 <source>
  <p>Derived from <ref target="#IMEV">IMEV 123</ref> with additional research
     by P.M.W.Robinson</p>
 </source>
 <change when="1999-06-23">
  <name>LDB</name> (editor)
   checked examples against DTD version 3.6
 </change>
</recordHist>

<recordHist>
 <source>
  <p>Derived from <ref target="#fr_IMEV">IMEV 123</ref> with additional research by
     P.M.W.Robinson</p>
 </source>
 <change when="1999-06-23">
  <name>LDB</name> (editor) checked examples against DTD version
   3.6 </change>
</recordHist>

<recordHist>
 <source>
  <p>源自<ref target="#IMEV">IMEV 123</ref>及P.M.W.羅賓森的附加研究。</p>
 </source>
 <change when="1999-06-23">
  <name>LDB</name> (編輯) 檢查不符DTD 3.6版本的範例</change>
</recordHist>

<respStmt xml:id="mp">
 <resp>Editorial emendations</resp>
 <name>Malcom Parkes</name>
</respStmt>

<!-- somewhere in the header ... --><name xml:id="ETD">E Talbot Donaldson</name>
<!-- ... --> And of so parfit wis a <choice>
 <sic>wight</sic>
 <corr resp="#ETD" cert="medium">wright</corr>
</choice> ywroght?

<add place="above" resp="#FB" hand="#WJ">But</add>
<choice>
 <sic>One</sic>
 <corr resp="#FB">one</corr>
</choice> must have lived ...
<!-- elsewhere -->
<respStmt xml:id="FB">
 <resp>editorial changes</resp>
 <name>Fredson Bowers</name>
</respStmt>
<respStmt xml:id="WJ">
 <resp>authorial changes</resp>
 <name>William James</name>
</respStmt>

That silly man <name role="politician" type="person">David Paul Brown</name>
has suffered ...

That silly man <name ref="#DPB1" type="person">David Paul Brown</name> has
suffered ...

That silly man <name ref="http://www.example.com/personography.xml#DPB1"
 type="person">David Paul Brown</name> has suffered ...

That wretched pair <name ref="#DPB1 #EBB1" type="person">the Browns</name> came
to dine ...

I never fly from <name key="LHR" type="place">Heathrow Airport</name> to
<name key="FR" type="place">France</name>

That silly man <rs ref="tag:projectname.org,2012:DPB1"
 type="person">
 <name>David Paul Brown</name>
</rs> has suffered ...

That silly man <name ref="tag:projectname.org,2012:DPB1"
 type="person">David Paul Brown</name> has suffered ...

About a year back, a question of considerable interest
was agitated in the <rs ref="tag:projectname.org,2012:PAS1"
 type="org">
 <name>Pennsyla. Abolition Society</name>
</rs>.

About a year back, a question of considerable interest was agitated in the
<name ref="tag:projectname.org,2012:PAS1"
 type="org">Pennsyla. Abolition Society</name>.

THE TICKET which you will
receive herewith has been formed by the <orgName>Democratic Whig <name type="role">party</name>
</orgName> after the most careful deliberation, with a reference to all the great objects of NATIONAL, STATE, COUNTY and
CITY concern, and with a single eye to the <hi>Welfare and Best Interests of the Community</hi>.

<orgName>
 <orgName>Department of Modern History</orgName>
 <orgName>
  <name type="city">Glasgow</name>
  <name type="role">University</name>
 </orgName>
</orgName>

After spending some time in our <rs ref="tag:projectname.org,2012:NY1"
 type="place">modern <name ref="tag:projectname.org,2012:BA1"
  type="place">Babylon</name>
</rs>, <name ref="tag:projectname.org,2012:NY1"
 type="place">New York</name>, I have proceeded to the <rs ref="tag:projectname.org,2012:PH1"
 type="place">City of Brotherly Love</rs>.

<geogName ref="tag:projectname.org,2012:MIRI1"
 type="river">
 <name>Mississippi</name>
 <geogFeat>River</geogFeat>
</geogName>

The isolated ridge separates two great corridors which run from <name ref="tag:projectname.org,2012:GLCO1"
 type="place">Glencoe</name> into <geogName ref="tag:projectname.org,2012:GLET1"
 type="glen">
 <geogFeat>Glen</geogFeat>
 <name>Etive</name>
</geogName>, the <geogName ref="tag:projectname.org,2012:LAGA1"
 type="hill">
 <geogFeat xml:lang="gd">Lairig</geogFeat>
 <name>Gartain</name>
</geogName> and the
<geogName ref="tag:projectname.org,2012:LAEI1"
 type="hill">
 <geogFeat xml:lang="gd">Lairig</geogFeat>
 <name>Eilde</name>
</geogName>

<placeName ref="tag:projectname.org,2012:NRPA1">
 <offset>near the top of</offset>
 <geogName>
  <geogFeat>Mount</geogFeat>
  <name>Sinai</name>
 </geogName>
</placeName>

<placeName key="NRPA1">
 <offset>50 metres below the summit of</offset>
 <geogName>
  <geogFeat>Mount</geogFeat>
  <name>Sinai</name>
 </geogName>
</placeName>

<geogName>
 <geogFeat>Mount</geogFeat>
 <name>Sinai</name>
</geogName>

<geogName>
 <geogFeat>Dune</geogFeat>du <name>Pilat</name>
</geogName>

<geogName>
 <geogFeat>山峰</geogFeat>
 <name>廬山</name>
</geogName>

<state type="office" from="1777-04-07"
 to="1780-07-12">
 <p>Jón's first living — which he apparently accepted rather reluctantly — was at <name type="place">Háls í
     Hamarsfirði</name>, <name type="place">Múlasýsla</name>, to which he was presented on 7 April 1777. He was
   ordained the following month and spent three years at Háls, but was never happy there, due largely to the general
   penury in which he was forced to live — a recurrent theme throughout the early part of his life. In June of 1780
   the bishop recommended that Jón should <q xml:lang="da">promoveres til andet bedre kald, end det hand hidindtil
     har havt</q>, and on 12 July it was agreed that he should exchange livings with <name type="person"
   ref="tag:projectname.org,2012:ThorJon">sr. Þórður Jónsson</name> at <name type="place">Kálfafell á Síðu</name>,
 <name type="place">Skaftafellssýsla</name>.</p>
 <bibl>ÞÍ, Stms I.15, p. 733.</bibl>
 <bibl>ÞÍ, Stms I.17, p.
   102.</bibl>
</state>

<person xml:id="WM">
<!-- ... -->
 <event type="marriage" when="1859-04-26">
  <label>Marriage</label>
  <desc>
   <name type="person" ref="#WM">William Morris</name> and <name type="person"
    ref="http://en.wikipedia.org/wiki/Jane_Burden">Jane Burden</name> were married at <name type="place">St
       Michael's Church, Ship Street, Oxford</name> on <date when="1859-04-26">26 April 1859</date>. The wedding was
     conducted by Morris's friend <name type="person" ref="#RWD">R. W. Dixon</name> with <name type="person" ref="#CBF">Charles Faulkner</name> as the best man. The bride was given away by her father, <name type="person" ref="#RB">Robert Burden</name>. According to the account that <name type="person"
    ref="http://en.wikipedia.org/wiki/Edward_Burne-Jones">Burne-Jones</name> gave <name type="person" ref="#JWM">Mackail</name>
   <quote>M. said to Dixon beforehand <said>Mind you don't call her Mary</said> but he did</quote>. The entry in
     the Register reads: <quote>William Morris, 25, Bachelor Gentleman, 13 George Street, son of William Morris decd.
       Gentleman. Jane Burden, minor, spinster, 65 Holywell Street, d. of Robert Burden, Groom.</quote> The witnesses
     were Jane's parents and Faulkner. None of Morris's family attended the ceremony. Morris presented Jane with a
     plain gold ring bearing the London hallmark for 1858. She gave her husband a double-handled antique silver
     cup.</desc>
  <bibl>J. W. Mackail, <title>The Life of William Morris</title>, 1899.</bibl>
 </event>
</person>
<person xml:id="RB">
 <persName>Robert Burden</persName>
</person>
<person xml:id="RWD">
 <persName>R.W. Dixon</persName>
</person>
<person xml:id="CBF">
 <persName>Charles Faulkner</persName>
</person>
<person xml:id="EBJ">
 <persName>
  <forename>Edward</forename>
  <surname>Burne-Jones</surname>
 </persName>
</person>
<person xml:id="JWM">
 <persName>J.W. Mackail</persName>
</person>

<event type="birth" resp="#XYZ" cert="high">
 <p>Born in <name type="place">Brixton</name> on 8 January
   1947.</p>
</event>
<event type="birth" resp="#ABC" cert="low">
 <p>Born in <name type="place">Berkhamsted</name> on 9 January
   1947.</p>
</event>